Blu Tuesday: Gotham and Angry Birds

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Gotham: The Complete Second Season”

WHAT: When wealthy aristocrat Theo Galavan (James Frain) returns to Gotham and runs for mayor, Detective James Gordon (Ben McKenzie) becomes obsessed with exposing his true intentions. Meanwhile, as young Bruce Wayne continues his training alongside Alfred (Sean Pertwee) and Selina Kyle (Camren Bicondova), a new wave of criminals begins to terrorize the city, including Edward Nygma (Cory Michael Smith), Victor Fries (Nathan Darrow) and Arkham Asylum’s chief of psychiatry, Hugo Strange (BD Wong).

WHY: It’s fitting that “Gotham” isn’t associated with the other DC Comics TV shows, because unlike those fan-friendly series, the Fox drama might as well be taking place in an alternate universe – one that doesn’t seem at all interested in staying true to its roots. There’s nothing wrong with a little reinvention, but when the heroes and villains no longer resemble their comic book counterparts, it sort of defeats the purpose of making a show called “Gotham.” For instance, James Gordon’s Season Two arc is not only completely out of character, but it boxes him into a corner that has irreparable repercussions. It’s a frustrating occurrence that happens far too often during the course of the season, damaging the overall quality of the show in the process. The ensemble cast makes the most of the material provided, and there’s a certain joy in seeing Batman’s rogue’s gallery brought to life (even if they’re watered down versions of the characters), but for a series that started off so promising, “Gotham” doesn’t provide many reasons to continue watching.

EXTRAS: The Blu-ray release includes the 2015 Comic-Con panel, a trio of featurettes covering the show’s film noir style, the relationship between Alfred and Bruce Wayne, and the origin of Mr. Freeze, as well as additional cast interviews and more.


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Animated Adults: Why the time for mature stories told through animation is now


“Animators can only draw from their own experiences of pain and shock and emotions.” – Hayao Miyazaki

Firstly, no, this isn’t about hentai or those disturbing cartoons that have the Simpsons or the Griffins engaging in unspeakable acts. So for those that came upon this post either hoping for that or by simple (if deranged) Googling, my apologies. Adult animation isn’t meant to evoke pornographic images of cartoon boobs flopping about but instead is the idea of animated films made specifically for mature audiences, dealing with mature subjects. The fact is that there are some stories that can truly only be told through certain mediums, whether it’s the printed page or the silver screen. And within those mediums, there are subcategories of ways to tell stories – live action versus animation being one divide. While animation has been relegated to “kids’ stuff” for the majority of its existence, the time is perfect for more animated films to be created and released that specifically target an adult audience.

The latest example to hit theaters is “Sausage Party,” a foul-mouthed computer animated film that sounds like a Pixar feature run through the National Lampoon‘s offices. The movie imagines a world where food is sentient and talks to each other but is unaware of their role in the lives of humans as something to be consumed. And so this “Toy Story” meets “Superbad” journey of a hot dog and a bun begins, with many deviations along the path for jokes of varying degrees of offensiveness and taste.

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Movie Review: “Sausage Party”

Seth Rogen, Kristen Wiig, Michael Cera, Jonah Hill, Edward Norton, Salma Hayek, David Krumholtz, Nick Kroll
Greg Tiernan & Conrad Vernon

“Sausage Party” easily could’ve been a one-joke affair, but directors Greg Tiernan and Conrad Vernon’s R-rated animated film isn’t just 90 minutes of food products saying and doing dirty things – although a lot of its running time is dedicated to exactly that, in a good way. What makes “Sausage Party” more than a comedy about foul-mouthed food, though, is the questions it poses about our relationship with religion, and the filmmakers milk the funny concept (no pun intended) for all it’s worth.

The movie imagines a world where the food products and other items in your local grocery store are alive, and they’re all more than ready to leave their home with a god/human in order to enter the Great Beyond. Frank (Seth Rogen), in particular, can’t wait to be chosen so he can get inside a curvy bun named Brenda (Kristen Wiig). But when Honey Mustard (Danny McBride), who was initially purchased and then returned to the store, loses it and tells all of the food that nothing but death is waiting for them outside, he causes an accident that separates Frank and Brenda from their fellow sausages and buns. The food has been comfortable with their beliefs for so long, however, that they refuse to believe Honey Mustard – except for Frank, who goes on a journey through the grocery store to prove that their gods are angry, vengeful, and above all else, really hungry.

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Movie Review: “Pete’s Dragon”

Oakes Fegley, Bryce Dallas Howard, Wes Bentley, Karl Urban, Oona Laurence, Robert Redford
David Lowery

Like many studios these days, Disney has been reaching back into its archives to find movies that it can update for modern audiences, and though “Pete’s Dragon” is a film that didn’t really need to be remade, it’s one that most people can agree has plenty of room for improvement. The original 1977 musical was okay for its time, but it could hardly be described as a classic. Perhaps even stranger than the decision to remake it, however, is the involvement of “Ain’t Them Bodies Saints” director David Lowery, who’s not exactly the first person you’d think of to helm a family-friendly movie about a CG dragon. While Lowery’s soulful, more character-driven adaptation is a refreshing change of pace from the typical summer film, it never really goes anywhere.

After surviving a car crash that kills both of his parents (a classic Disney move), orphaned boy Pete wanders into the nearby woods where he’s almost devoured by a pack of wolves before being rescued by a large, green furry dragon that he names Elliot. Six years later, the now-feral Pete (Oakes Fegley) and his magical guardian Elliot are enjoying a quiet, isolated life together in the forest when a logging company encroaches on their land and Pete accidentally reveals himself. Brought back to town by kindhearted forest ranger Grace (Bryce Dallas Howard), Pete learns what it means to be part of a family when he’s welcomed into Grace’s home with her fiancé Jack (Wes Bentley) and his young daughter Natalie (Oona Laurence). Meanwhile, Elliot believes that Pete is in danger and sets out to rescue him, but after Jack’s opportunistic brother Gavin (Karl Urban) encounters the dragon and plans to capture it for personal gain, Pete must assume the role of protector for once in order to save his friend.

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Blu Tuesday: Supergirl and A Hologram for the King

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Supergirl: The Complete First Season”

WHAT: After escaping the doomed planet Krypton as a child, Kara Zor-El (Melissa Benoist) is raised by a foster family on Earth, where she learns to conceal her superpowers and her true identity as Superman’s cousin. Years later, Kara continues to live a normal life working as the assistant for media mogul Cat Grant (Calista Flockhart) in National City. But when she gets the sudden urge to use her powers for good, Kara must learn to balance her personal life and her new role as Supergirl with the help of adopted sister Alex (Chyler Leigh) and co-workers James Olsen (Mehcad Brooks) and Winn Schott (Jeremy Jordan).

WHY: Marvel may be winning the battle of the comic book heroes on the big screen, but DC has carved out a nice little niche on the small screen with shows like “Arrow,” “The Flash” and “Legends of Tomorrow.” The latest addition to producer Greg Berlanti’s capes-and-tights TV lineup is a mildly amusing but flawed superhero drama that is arguably the weakest of all the DC series. Though the cast grows on you over time, Melissa Benoist flies circles around her co-stars for much of the season, especially Calista Flockhart, whose over-the-top performance as Kara’s boss feels like it’s from a completely different show. In fact, none of the supporting characters are very interesting, and that’s in direct contrast to the aforementioned series, which succeed largely because of them. The biggest problem, however, is that Supergirl isn’t that compelling herself (despite Benoist’s great performance), and it shows in her rogue’s gallery of villains, which are just as uninspired and cheap-looking as the action sequences. Perhaps it will perform better alongside its fellow superhero shows on The CW, because in its original iteration on CBS, “Supergirl” isn’t really super at all.

EXTRAS: In addition to the 2015 Comic-Con panel, there’s a pair of featurettes on Krypton and Martian Manhunter, some deleted scenes and a gag reel.


“A Hologram for the King”

WHAT: Struggling American businessman Alan Clay (Tom Hanks) is sent by his company to Saudi Arabia to pitch a state-of-the-art holographic teleconferencing system to the king. While Alan and his team patiently await the king’s arrival, he spends his days navigating the country’s unique customs alongside his friendly driver Yousef (Alexander Black) and a beautiful doctor named Zahara (Sarita Choudhury).

WHY: Director Tom Tykwer’s latest film was unceremoniously released in theaters earlier this year with little fanfare, and while it may have seemed like a strange decision at the time, it makes sense after seeing it. Based on David Eggers’ award-winning novel of the same name, “A Hologram for the King” isn’t a bad movie – in fact, it’s perfectly mediocre in every way – but it’s not a very memorable one, either. Though it boasts a strong performance from the always reliable Tom Hanks and good supporting turns by Alexander Black and Sarita Choudhury, the movie is a somewhat bland and uneven character study about a middle-aged white guy getting his groove back in the Middle East. Most of the film plays like your typical fish-out-of-water story before switching focus to the romantic subplot between Alan and Zahara in the final act, but while it’s an interesting development that explores the difficulties of such a relationship in Saudi Arabia, it feels so rushed that Tykwer is unable to give it the attention it deserves.

EXTRAS: There are two featurettes on production and adapting David Eggers’ novel.



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