Charlie Hunnam, Jude Law, Djimon Hounsou, Aiden Gillen, Eric Bana, Astrid Bergès-Frisbey, Neil Maskell

Guy Ritchie

Director Guy Ritchie has had a fair amount of success breathing new life into old properties (“Sherlock Holmes,” “The Man from U.N.C.L.E.”), but when it was announced that he would be helming an adaptation of the King Arthur legend, something about the pairing seemed off, and it’s a feeling that permeates throughout “King Arthur: Legend of the Sword.” Ritchie’s unique filmmaking style is constantly pushing back against the more traditional elements of a summer tentpole movie, and while that may have worked to good effect in the aforementioned projects, there’s a more noticeable divide here that prevents the film from having a clear identity. “Legend of the Sword” has plenty of great moments, but the sum of those parts is disappointingly mediocre.

The film opens in grand fashion as King Uther Pendragon (Eric Bana) defends Camelot from an army of giant elephants under the control of the evil sorcerer Mordred (Rob Knighton). Upon his victory, however, Uther is betrayed by his younger brother Vortigern (Jude Law), who murders the king and steals his crown, but not before Uther’s young son Arthur manages to escape down the river. Forced to survive on the tough streets of Londinium, Arthur (Charlie Hunnam) grows up to become a small-time criminal who operates out of the very brothel where he was raised.

Meanwhile, Vortigern has become increasingly concerned that Uther’s true heir will return one day to reclaim the throne, so he’s begun rounding up all the men of a certain age and challenged them to pull the magical sword Excalibur, which can only be wielded by a descendant of the Pendragon bloodline, from its resting place. When Arthur actually succeeds, thus revealing himself as the prophesized Born King, Vortigern swiftly orders his execution. Fortunately, Arthur is rescued by a small group of resistance fighters, including Uther’s most trusted knight Bedivere (Djimon Hounsou) and a mysterious disciple of Merlin (Astrid Bergès-Frisbey), who encourage him to accept his destiny and put an end to his uncle’s tyrannical rule.

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