Tag: Will Harris (Page 17 of 29)

The Light from the TV Shows: Executive Producer John Coveny talks A&E’s “Longmire”

If you haven’t been watching A&E’s new series “Longmire,” you’ve been missing out on arguably the best original drama on the network…and in case you think that might be damning it with faint praise, I’ll go ahead and up the ante and suggest that it’s one of the best new dramas of 2012. With a tone that places it somewhere between FX’s “Justified” and CBS’s “Jesse Stone” movies, “Longmire” has the modern-day-western elements of the former but the pace of the latter, resulting in a series that isn’t afraid to take its time to get to where it’s going. I was fortunate enough to speak with “Longmire” executive producer John Coveny about the series wrapping its first season, prepping for its second, and how much more of the supporting cast we’ll get to see when the show comes back for its sophomore year.

Bullz-Eye: Season 1 of Longmire is just getting ready to wrap up. How have you enjoyed working on the show thus far? Do you feel like you’ve gotten a handle on these televised adventures of Walt Longmire?

John Coveny: I feel like we do. I’ve said this before, but when I come home, I’ve said, “I’ve never been more tired or more proud in my life.” [Laughs.] Just as far as what we’re creating, that kind of crazy creative alchemy that shows have, with the crew and cast, the writers and editors, the studio and the network, all seem to be on the same page. Or, by virtue of the experience of seeing a couple of episodes, they’ve gotten on the same page. We’re all making the same show, I guess you’d say, and we’re all ready proud of it. And we’re looking forward to ramping back up for Season 2. We like being kind of the unknown show that people are starting to discover. It’s a nice place to be right now.

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The Light from the TV Shows: Live from the Summer 2012 TCA Press Tour

Yep, that’s right: much as I’ve done every summer since 2007, I’m coming to you straight from the Television Critics Association press tour. Unlike previous years, however, I’ve got my daughter with me this time around, since her birthday fell smack dab in the middle of the trip. As you can imagine, this is keeping me pretty busy, but I wanted to bring you at least a little bit of the TCA experience while I’m out there…and, rest assured, next week’s column will provide much of the same, since I’ll still be here then.

At this point, we’ve had panels for PBS, Fox, NBC, NBC’s subsidiary networks (Oxygen, E!, etc.), and a few locations on the web (Yahoo!, YouTube). I’m not in a position to go into great detail about everything I’ve seen and heard – I’ve got a little girls birthday to celebrate, after all – but you can find some key moments via my Twitter feed. I’ve had a few enjoyable close encounters here and there, talking to Sir Kenneth Branagh (PBS’s “Wallander”), William Forsythe and Zeljko Ivanek (Fox’s “Mob Doctor”), and Billy Burke and Giancarlo Esposito (NBC’s “Revolution”), and I’m looking forward to chatting with Lily Tomlin on ABC’s day and Kyle MacLachlan when CBS’s panels roll around. For the time being, however, I’ve pulled together some of the highlights from Fox’s panels. Hope you enjoy!


Nigel Lythgoe on why there’s never been a proper “So You Think You Can Dance” best-of DVD: “We’ve looked at doing it. It’s the music clearance is just really difficult, as well you know, in this country. There are no blanket agreements like there are in Europe. You can’t just use anything that’s been out there. If you want to use an Eagles track, you have to ask the publisher, the writer, every single Eagle. It just, at the end of the day, doesn’t make money because you’re laying so much money out on that early stage.”


Mindy Kaling on headlining her own show, “The Mindy Project”: “It’s awesome. Even more (than I imagined it would be). I mean, like, every day I wake up and I’m, like, ‘Oh, I’m the star of my own show that has my name in it and I get to write it and hire people, actors that I’ve loved for such a long time.’ It’s amazing. I’m going to turn into a monster. Like, I can’t handle it.”


Zach Gilford on his lack of job security on “The Mob Doctor”: “I think on a show like this, if someone wants to get back at (Jordana Spiro’s character), they could take out one of us. So you’ve got to not be an asshole on set and say the lines just right, because we’re all expendable.”

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The Light from the TV Shows: Even executive producer Vince Vaughn can’t liven up “Sullivan & Son”

When the DVD screener arrived for TBS’s new sitcom “Sullivan & Son,” I couldn’t help but notice that the packaging for the disc featured five words placed prominently above the title: “From Executive Producer Vince Vaughn.” For some, this wouldn’t necessarily be that big a selling point. Hell, it’s not even that big a selling point for me, and I consider “Swingers” to be one of my favorite films from the ’90s. It’s not that I don’t think Vince Vaughn’s funny. It’s just that, in addition to the fact that his comedy track record is far from 100%, the simple fact of the matter is that you absolutely cannot tell how funny a sitcom is going to be by its executive producers…and, boy, is “Sullivan & Son” proof of that.

“Sullivan & Son” starts Steve Byrne as Steve Sullivan, an NYC attorney who returns home to Pittsburgh with his new girlfriend, Ashley (Brooke Lyons), in tow in order to help celebrate the 60th birthday of his Irish-American father, Jack (Dan Lauria). The birthday celebration takes place in the bar owned by Jack and his wife / Steve’s mother, Ok Cha (Jodi Long)…and in case the name didn’t give it away, yes, Steve’s mom is Korean. During the evening’s celebration, Steve’s parents reveal that they’ve decided to sell the bar, a newsflash which sends Steve into a tizzy of reflection as he tries to decide if his current path in life is more important than keeping the bar in the family. Unsurprisingly, he decides on the matter, talking his parents into selling the place to him, and although this utterly infuriates Ashley, who’d already worked out a 12-step program to have the perfect married life with Steve, it’s a decision which nicely sets up the premise of the series.

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The Light from the TV Shows: “Breaking Bad” is about to do some more bad-breaking

If you’ve frequented any pop-culture website or picked up an entertainment-themed publication at any point in the past week or so, it’s highly unlikely that you’re ignorant of the impending return of AMC’s “Breaking Bad.” I’m not saying you’re necessarily a fan, but you’d be hard pressed to be unaware of the fact that the show’s coming back, since every TV critic and their brother wants to make sure they get in a story or three about the fact that this is the last season of the show…except it really isn’t, now that they’ve decided to split the 16-episode final season into two eight-episode seasons instead. But, hey, po-tay-to, po-tah-to, a story’s a story’s, whether it’s 100% accurate or not, am I right?

Regrettably, it’s unlikely that I’m going to be blogging each and every episode of this season I have over the course of the past couple of years, but that’s not to say that I won’t still be offering up the occasional piece about the show. I mean, after all, I meant it when I said – repeatedly – that it’s the best show on television, so I’m rarely without something to say about it. Indeed, having been fortunate enough to check out a screener of the Season 5 premiere, I thought I’d devote this week’s column to desperately avoiding saying too much about what goes on while still giving you as many reasons as possible to make you want to tune in.

But first, AMC’s official look at what’s ahead:

Now that you’ve watched that, prepare yourself for a list of 20 things that you probably won’t want to read if you want to go into the episode being as surprised as possible. Trust me, though: although arguably all 20 things qualify as spoilers on some level, I really haven’t told you much of anything…which you’ll realize after you’ve watched the Season 5 premiere on Sunday night. Once you have, I hope you’ll check back in. I’m curious to know what you think.

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The Light from the TV Shows: A Remembrance of Summer Replacement Series

A few weeks ago, I was fortunate enough to chat with Drew Carey in conjunction with the upcoming DVD release of PBS’s “American Masters: Johnny Carson,” for which Carey was interviewed, and at some point in the conversation, we got to talking about the phenomenon of summer replacement series. In a world where cheesy, cheap-to-produce reality shows tend to fill the programming void while your favorite shows take their annual summer hiatus, we sometimes forget that there used to be a wealth of cheesy, cheap-to-produce variety shows.

Okay, so maybe they weren’t significantly more substantive in the long run, but here it is almost 40 years since the glory days of these programs – I speak of the ‘70s, of course – and they’re still remembered at least semi-fondly by those of us who lived through the era. Here’s a look back at some of the series that kept us relatively entertained during June, July, and August when I was a kid…

1. Make Your Own Kind of Music (NBC, 1971): Riding high on the soft-pop success of singles like “Close To You” and “We’ve Only Just Begun,” brother-and-sister duo The Carpenters were given their own variety show in the summer of ’71, although it’s one that occasionally slips under the radar for fans of the group due to the fact that their name wasn’t actually in the title. It’s also the sort of program that further cements the Carpenters’ reputation as being less than hip, what with guests like the Doodletown Pipers and Al Hirt, but let’s just remember that, in 2012, a heck of a lot more people still listen to the Carpenters than the Doodletown Pipers. All told, I think it’s fair to say that Karen and Richard had the last laugh.

2. The Helen Reddy Show (NBC, 1973): Yeah, yeah, she was woman, we heard her roar…but that’s really about all most people remember about Helen Reddy’s musical career anymore, though. (I’d almost forgotten about “Delta Dawn” ’til I started writing this piece, and I still can’t place “Angie Baby,” even though it was apparently also a #1 hit for her.) Nowadays, you’re more likely to have people think back to her gig as a very special guest star on “The Muppet Show,” or maybe her occasional stints as an actress, as seen in such ’70s classics as “Airport ’75” and “Pete’s Dragon.” Oh, right, and that really was her saying “Helen Reddy, standing by” in that episode of “Family Guy.” But in ’73, Reddy got a boost in profile from Flip Wilson, who apparently had a hand in selecting her to serve as the summer replacement for his variety series.

3. The Bobby Darin Amusement Company (NBC, 1973): By the end of 1973, crooner Bobby Darin would be dead, his perpetually poor health finally getting the best of him (he died from complications during heart surgery), but in his final year, he took to the small screen for a summer variety series that continued to prove his versatility as a interpreter of popular song.

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