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The Light from the TV Shows: Chatting with Lara Pulver about ‘Fleming,’ ‘Da Vinci’s Demons,’ and more

Lara Pulver made her first TV appearance in 2009, but she’s quickly racked up a list of credits that’d impress just about any TV viewer, including roles on Robin Hood, True Blood, MI-5, Sherlock, Skins, and Da Vinci’s Demons. In addition to popping up briefly in the current run of Sherlock and returning to Da Vinci’s Demons for its upcoming sophomore season, Pulver can also be found in BBC America’s new limited-series event, Fleming, playing Ann Charteris, the woman who – 62-year-old spoiler alert! – eventually went on to be Mrs. Ian Fleming. Bullz-Eye was fortunate enough to chat with Pulver at the Television Critics Association winter press tour in Pasadena, and we asked her about all of the aforementioned small-screen roles while also touching on her film work with Idris Elba, Michael Sheen, and Tom Cruise.

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Bullz-Eye: So how much did you know about Ian Fleming’s life before you signed on to this project?

Lara Pulver: As a Brit, I knew his novels, I knew he was behind the Bond franchise, but I knew nothing about the man.

BE: How surprised were you to learn about him?

LP: I found him fascinating. Like, from a psychoanalytic point of view. His relationship with his mom, the depressive arrogance, his ego when it came to women, his failure as a man when it came to finding an occupation, finding his niche in life… And yet he never really lived long enough to find out the true success of what we now celebrate as 50 years of Bond as a franchise. So I found it fascinating.

BE: Were you a Bond fan going in?

LP: It’s definitely in British arts and culture history. It’s on TV at Christmas. There’s always a Bond movie. And it’s quite fascinating how they’ve been able to reinvent to make it so current 50 years on.

BE: Were you familiar enough with the franchise to recognize the bits and pieces of it that turned up in his real life?

LP: Yeah, and it’s also so interesting, having done Fleming, to see a Bond movie now. That’s even more interesting.

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Car Review: 2014 Kia Forte EX

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When a car company redesigns an already great-selling sedan, there’s a lot of pressure to get it right. The new 2014 Kia Forte EX sits on an all-new chassis that is longer, wider and lower than the previous-generation Forte, offering more room, performance and premium amenities than previous models. We had the chance to test drive the new Forte and came away with some of the following impressions.

EXTERIOR

The crimson red paint color on the skin of the Forte looked as good as just about any finish on a car in this class. With an aggressive stance, broad shoulders and a windshield rake that can only be described as sporty, the all-new Forte looks as good parked as it does at speed. Influenced by European sport sedan styling, the Forte’s modern aesthetics were born in California at Kia’s American Design Center in Irvine. Dramatically swept headlight lenses cut deeply into the front fenders and incorporate projector headlamps. LED positioning lights create distinct eyebrows, making the Forte instantly recognizable in a crowd. Gentle sculpting along the Forte’s lower flanks taper the sheet metal inward, affording the car a taut, nimble appearance without diminishing its road presence. Around back, the up-kicked fender line and trunk design, with its deep horizontal crease, lend width and charisma while allowing the complex curves of the tail lights to flow over the car’s haunches.

INTERIOR

Opening the wide doors reveals a cabin sculpted in organic curves. Gentle character lines evoke ripples radiating from a pebble dropped into a pond. The driver-centric cabin is canted 10 degrees and features high-quality materials and soft touch points. Large, easy-to-read instruments dominate the binnacle, and secondary controls fall easily to hand. The optional 4.2-inch color LCD screen nestled between the white-on-black gauges in the EX provides trip and ancillary vehicle information front and center to the driver. Tasteful chrome bezels ring the HVAC rotary knobs and the optional push-button start. Additional chrome accents, standard Bluetooth hands-free phone integration and power windows, mirrors and door locks enhance the all-new Forte’s premium feel. Optional leather seating trim, power sunroof, and dual-zone automatic climate control with rear seat vents and HID head lights take the Forte to new levels of sophistication. Although our test vehicle came with cloth seats and no sunroof, we were more than pleased with the quality of the materials and the fit and finish of the interior space. Speaking of space, the roominess is plenty and quite deceptive until one sits inside the 2014 Kia Forte EX.

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Gearing up for the Super Bowl matchup

Now that all of the drama about the weather is subsiding a bit, the betting frenzy around the Super Bowl can focus more on the teams and the game. The video above gives some perspective on how Las Vegas handles the biggest betting event of the year and how professional betters deal with the game. The key is grinding it out over time.

THis of course has nothing to do with how casual betters will approach the game, where it’s much more about fun. Of course there are plenty of serious and smart sports betters on this game, and many of them will be reaserching everything about the matchups and checking out Top Betting Reviews on where to handle their action. They probably won’t mess around with the crazy prop bets.

As for the game, this matchup offers plenty for betters to ponder. With the weather looking mild, it appears that Seattle will have to rely on their own abilities to stop Peyton Manning and Denver’s high octane offense. But we’ve seen that happen in Super Bowls before, with high scoring passing teams like Tom Brady’s Patriots and Jim Kelly’s Bills. The Patriots were pummeled with a real pass rush. The Bills seemed to be addicted to the pass and wouldn’t let their running game get going.

This time we have Seattle’s excellent secondary which seems to smother wide receivers. The key is whether they can do this to the Broncos. The problem is that Peyton Manning understands how to exploit what a defense is doing, and here he has two weeks to prepare.

Of course, we also have the Seattle offense to consider. Can they run on the Broncos? If not, can Russell Wilson win this game for them? Wilson is the wild car here. He’s not nearly as good as some analysts suggest, but he’s capable of making a big play with his legs and his arm.

Still, while a close game is probably in the cards, it will be interesting to see how Seattle responds if Denver jumps to a quick lead.

Blu Tuesday: Rush, Last Vegas and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Rush”

WHAT: The true story of the 1976 Formula One racing season and the heated rivalry between British playboy James Hunt (Chris Hemsworth) and reigning World Champion Niki Lauda (Daniel Brühl), the latter of whom was involved in a near-fatal accident, only to miraculously return to competition six weeks later despite suffering severe burns to his face and body.

WHY: It doesn’t take a genius to figure out that Ron Howard and Peter Morgan love history. The latter, in particular, is responsible for writing some of the best historical dramas of the past decade, but sadly, “Rush” is not one of them. Though there’s a lot to like about the duo’s latest movie – particularly the chemistry and performances of its two leading men – it’s not nearly as captivating as their last collaboration (“Frost/Nixon”). One thing that the film does do a good job of is giving Daniel Brühl and Chris Hemsworth equal screen time, but the best moments are the scenes they share together. The actors play off each other wonderfully, although Brühl has the juicier role due to his character’s more dramatic story arc. What’s perhaps most impressive about “Rush,” though, is the way that Howard and Morgan have crafted the story so that both men “win” in the end. It’s a tricky proposition, but they pull it off, and that goes a long way in making up for the lack of exciting race sequences. F1 racing fans will no doubt be disappointed, but “Rush” is still a well-acted drama that’s biggest problem is perhaps being a tad too conventional.

EXTRAS: The Blu-ray release includes a making-of featurette, a behind-the-scenes look at the real-life story that inspired the film, a profile on director Ron Howard and some deleted scenes.

FINAL VERDICT: RENT

“Last Vegas”

WHAT: Billy (Michael Douglas), Paddy (Robert De Niro), Archie (Morgan Freeman) and Sam (Kevin Kline) have been friends for nearly 60 years, so when Billy announces that he’s finally getting married, the guys decide to take a break from their stagnant day-to-day lives and throw a bachelor party in Las Vegas.

WHY:Last Vegas” may sound like the geriatric version of “The Hangover,” but apart from being about a quartet of friends attending a bachelor party in Vegas, the two films don’t have very much in common. For starters, “Last Vegas” isn’t nearly as crazy and over-the-top as the Todd Phillips comedy, instead resigned to more conventional humor that’s better suited to its veteran actors. It also has a tendency to get a little overly sentimental at times due to its subject matter, but that’s not to say it isn’t funny. Michael Douglas and Robert De Niro may not get as many opportunities to earn laughs due to their more dramatic subplots, but Morgan Freeman and Kevin Kline pick up the slack, especially Freeman, who plays a great drunk. Though the old man jokes get a bit tiresome and the cookie cutter storyline is pretty lame, “Last Vegas” thrives thanks to its impressive cast. You’d be hard-pressed to assemble a better group of screen legends than these four, and just seeing them on screen together makes it well worth your time.

EXTRAS: There’s an audio commentary by director Jon Turteltaub and writer Dan Fogelman and six short production featurettes, three of which are Blu-ray exclusives.

FINAL VERDICT: RENT

“Jackass Presents: Bad Grandpa”

WHAT: After his wife dies and his daughter is sent back to prison, 86-year-old Irving Zisman (Johnny Knoxville) is tasked with driving his 8-year-old grandson Billy (Jackson Nicoll) from Nebraska to North Carolina to deliver him to his father.

WHY: The “Jackass” movies have always made me laugh, but I’ve never been a fan of the Irving Zisman character, so when Paramount announced that Johnny Knoxville would be making an entire movie as the dirty old man, it seemed like a pretty dumb idea. And for the most part, “Bad Grandpa” is dumb, but it also made me laugh louder than a majority of the comedies released last year. Clearly inspired by Sacha Baron Cohen’s “Borat” in its attempt to structure various pranks around a scripted story, “Bad Grandpa” is better off when Knoxville is just allowed to do his thing. Whether getting squished by a faulty adjustable bed at an estate sale, causing a ruckus at a local bingo center, stealing food from a corner store or hitting on ladies (and then performing) at an all-black male strip club, the Knoxville-led pranks hit their mark more often than not. The stuff with Jackson Nicoll isn’t nearly as entertaining – except for the final sequence where Irving and Billy crash a child beauty pageant – but “Bad Grandpa” earns enough big laughs along the way to make up for its shortcomings.

EXTRAS: In addition to an unrated cut of the film, there’s over an hour of bonus material, including deleted scenes, alternate real-life reactions and some behind-the-scenes antics.

FINAL VERDICT: RENT

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Freemark Abbey is a Standout Napa Valley Winery

I just spent ten days tasting wine in Napa Valley and Sonoma County. Over that time I visited a ton of wineries and sampled countless wines. The types of visits, the styles of wine and everything else varied greatly. Some wineries had a few wines I liked; one or two had none at all. At precious few I enjoyed the vast majority of what they poured. One of the things that stood out convincingly at Freemark Abbey was the quality of the portfolio from top to bottom. The tasting I had was fairly exhaustive, including not only just about every current release but also reserve wines and a couple of older vintages. One of the older wines I tasted was a single vineyard Cabernet from 1981 (but a bit more on that later). Many of the wines they make are smaller production aimed at their wine club, tasting room and select higher end wine shops. However even the three wines which they make oodles of, and send out into the world at large, are each excellent examples of their varietals. Here’s a look at them.

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The Freemark Abbey 2012 Chardonnay was produced using fruit sourced in four distinct sub-appellations within Napa Valley. This wine is 100 percent Chardonnay. Fermentation took place in stainless steel at a temperature controlled over a period of roughly 22 days. Barrel aging took place over 4 months in a combination of French (86 percent) and American (14 percent) oak; 15 percent of the barrels utilized were new. Thirteen thousand cases of this offering were produced and it has a suggested retail price of $30. Chardonnay happens to be a grape I’m a bit finicky about. When it’s well made in a style I enjoy, I can love it; however that isn’t the case often enough. Granny Smith apple aromas are present on the nose. Anjou pear, yellow delicious apple and a potpourri of spices mark the palate, which is deep, concentrated with flavor and even-keeled. A nucleus of minerals and a continuing core of spices are present on the finish, which has above-average length. The oak on this wine adds some complexity and character but never detracts from the brilliant fruit flavors. It has more in common stylistically with Chablis than the style of Chardonnay most think of as classic Napa.

The Freemark Abbey 2011 Merlot was produced from fruit in a number of Napa Valley sub-appellations. In addition to Merlot (82.3 percent), this wine also has some Cabernet Sauvignon (9.4 percent), Petit Verdot (7 percent), and Cabernet Franc (1.3 percent) blended in. Fermentation took place in temperature-controlled stainless steel over approximately 22 days; 14 months of barrel aging followed. The oak used was a combination of French and American barrels, of which 25 percent were new. They produced 12,000 cases of this vintage, and it has a suggested retail price of $34. Black cherry and violet aromas permeate the nose of this Merlot. Those cherry characteristics (both red and black) continue through the palate along with bits of leather, dark chocolate and a hint of cinnamon. The finish here is long and complex with all of that fruit being joined by wisps of earth and chicory. This is a textbook example of Merlot in the best sense of that term. It tastes like Merlot, which is no small feat; so many examples are, at best, anonymous. The Freemark Abbey Merlot is a fine one, with structure, varietal character and complexity to spare.

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