Category: Videos (Page 23 of 52)

Friday Video – Foxy Shazam, “I Like It”

Click here to listen to Foxy Shazam’s The Church of Rock and Roll on Spotify

All right, so there is no video to speak of here – all you see is a cover of the single. But we had to highlight this track because it’s AWESOME, a surefire Single of the Year candidate…if we still made lists like that.

The first single from their new album The Church of Rock and Roll, “I Like It” isn’t the biggest sounding Foxy Shazam song ever recorded (though not by much), but it sums up their passions and goals better than pretty much anything they’ve done up to this point. Big, Queen-like harmonies: check. Slightly off-kilter arrangement: check. Swagger: check. Sex: checkmate. Good luck getting that so-simple-it’s-brilliant chorus of “You’ve got the biggest black ass I’ve ever seen / And I like it, I like it” out of your heads between now and Monday morning. The one question is: how on earth are these guys from Cincinnati? They arrested two guys in Cincy for holding hands once.

DVD Review: Queen: Days of Our Lives

The big selling point of “Days of Our Lives,” the exhaustive two-hour BBC documentary on epic rock quartet Queen, is the material culled from the band’s very early days and their very last days. There are live performances from Smile, the group guitarist Brian May and drummer Roger Taylor formed before Queen, and some video of future singer Fredde Mercury singing “Big Spender.” The later footage, shot on the sets of the last music videos Mercury would perform, his body slowly but surely being ravaged by AIDS, are at once heart-warming and devastating. Mercury was positively gaunt, yet he gathered every ounce of will he could muster to go out fighting.

May and Taylor are wonderfully candid in their interviews, as are fellow managers, producers, roadies, and side men they recruited. (They even brought in Ultravox’s Midge Ure to talk about the band’s legendary performance at Live Aid.) Everyone has good stories to tell, and there are no attempts at revisionist history. If an album didn’t work – say, 1982’s Hot Space – they own up to it, and May is the first to admit that some bad business decisions early on led rendered them financially destitute for years, and it was out of desperation from that that they made A Night at the Opera. Best of all, each album is given an equal amount of coverage, with the exception of the soundtrack to “Flash Gordon,” of which the title track is played but never discussed.

The one unfortunate aspect of “Days of Our Lives” is that bassist John Deacon did not come back to do an interview, so the producers were forced to rely on archive interview footage for half the band. Yes, he’s retired from performing, but this seems like as good an occasion as any to put the Queen hat back on for a day and talk shop. It’s a small quibble, though, because the documentary hits all of the highlights of a truly remarkable career…with one small exception: there is no mention of the “Bohemian Rhapsody” scene from “Wayne’s World.” We would have loved to see them talk about that. (Eagle Vision 2012)

Click to buy “Queen: Days of Our Lives” from Amazon

A chat with Keegan-Michael Key and Jordan Peele (from Comedy Central’s “Key & Peele”)

Although it ran for 14 seasons and 31 episodes, Fox’s “Mad TV” never delivered the kind of instant name recognition that the alumni of its Saturday night competition on NBC tend to get, but dedicated viewers will no doubt recall the faces of Keegan-Michael Key and Jordan Peele from such recurring sketches as “Coach Hines,” “Funkenstein,” “The Superstitious Knights,” and more. Now, the duo are reuniting for their own sketch comedy series on Comedy Central, and thanks to advance clips from the show going viral, the buzz about “Key & Peele” is tremendous. Bullz-Eye talked to Key and Peele about how they met, the origins of their comedic collaboration, what and viewers can expect from the first season of their series.

Jordan Peele: We’ve done a couple of these so far, Will, and I’ll just go ahead and pre-empt your request to have us announce our names…

Bullz-Eye: I don’t know what you’re talking about. It never would’ve occurred to me to ask you to identify yourselves before speaking.

JP: [Laughs.] Well, this is Jordan speaking, and…I guess I’m the one that sounds more like Bert. And he’s the one that sounds more like Ernie.

BE: I’ll try to remember that during transcription.

Keegan-Michael Key: [Laughs.] Yeah, just put B for one, E for the other. That shouldn’t be too confusing.

BE: Yeah, especially not when “BE” is the abbreviation for Bullz-Eye.

JP: [Laughs.] Well, just to be safe, we’ll keep announcing ourselves, anyway. You can also identify me as the tired one. I’m Jordan.

BE: Right. If someone’s slurring, it’s probably Jordan.

KMK: He’s Eeyore, I’m Piglet.

JP: Piglet? Oh, come on. You’re Tigger.

KMK: Oh, God, what am I talking about? Of course I’m Tigger. [Laughs.]

BE: So you guys obviously worked together for many years on “Mad TV,” but did you know each other at all prior to that series?

KMK: We did. Yeah, we met in Chicago when Jordan was at Boom Chicago, which is an improv theater in Amsterdam, in the Netherlands. [Laughs.] As opposed to Amsterdam in New Mexico or something, right?

JP: Hey, there’s also an Amsterdam in New York.

KMK: All right, all right. [Laughs.] Anyway, I was at The Second City, and our casts had a swap. There’s two theaters at the Second City, so one of our casts went to Amsterdam, and Jordan’s cast from Boom Chicago – which is just a really incredible theater – they came to Chicago. So they flipped, and that’s where we met: I was performing on the second stage at Second City, and Jordan’s cast had come in to visit us for a week.

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Friday Video – Hard-Fi, “Suburban Knights”

Click here to listen to Hard-Fi’s Stars of CCTV on Spotify

We would not bank on this, but we’re fairly positive that one time, while watching a New York Jets game, we heard this song in the background leading up to the kickoff following a Jets score. Which, if true, is awesome on a number of levels. One, because we love that mile-wide “Heeeeeey, Oooooooooh, Ahhhhhhh” hook in the chorus. Two, because it’s called “Suburban Knights,” and the New York Jets play their games in New Jersey. Those jokes just write themselves.

Hard-Fi lead singer and principal songwriter Richard Archer is a funny bloke. We spoken with him three times, and each time he seemed to be talking faster than he had the previous time, which is pretty impressive considering that he talked really fast the first time we spoke. (Eventually, we got playback equipment that allowed us to slow the tape down. Man, what a godsend that was.) Sadly, the band’s most recent album, 2011’s Killer Sounds, is import-only, a growing trend with UK acts (Kaiser Chiefs, The Feeling). Luckily for us, it’s available on Spotify. Seriously, how did we live without Spotify?

Speaking of which, yes, the above Spotify link does not point to the album that features “Suburban Knights.” There is a reason for that – Stars of CCTV is better. It also features a nifty cover of the White Stripes’ “Seven Nation Army.” Dig in.

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