Category: News (Page 8 of 37)

The Light from the TV Shows: A Chat with Kelly Lynch (“Magic City”)

I can’t vouch for anyone else’s experience with the phenomenon of “going viral,” but in mine, when you collaborate with someone and the resulting effort ends up being viewed by literally millions of people, it creates somewhat of a bond between you, mostly because…well, it’s just weird, y’know? Or maybe it’s just weird for me because more people know about a story Kelly Lynch told me in our Random Roles conversation for the AV Club – you know, the one about how Bill Murray or one of his brothers will call Lynch’s husband, Mitch Glazer, whenever “Road House” is on, just so they can say, “Your wife’s having sex with Patrick Swayze right now” – than have ever read any other interview I’ve ever done in my entire career.

Either way, I’ve kept in touch with Ms. Lynch ever since that phone interview, getting to meet her and Mr. Glazer in person a few months later and earlier this month I was even invited to ask her and Danny Huston a few questions when they made an appearance on Huffington Post Live. After we wrapped up that brief virtual encounter (they were in the studio, I did my bit via Google+ Hangouts), I sent her a hopeful Tweet, saying, “Maybe we can still do a proper interview to talk about Season 2 of ‘Magic City.'” The next thing you know, we were back on the phone with each other, talking about where we’ll see her character, Meg Bannock, headed this season, how she handles work-related discussions with her husband, and how awesome it is to see Sherilyn Fenn turn up on the series.

KellyLynch1

Bullz-Eye: How are you?

Kelly Lynch: I’m good! Well, I’m surviving. Mitch had a big party up at our house last night for his post-production group, who are some of the best post people I’ve ever been involved with. I mean, from sound to the music to the CG…they’re just amazing. A lot of them have never done TV, don’t want to do TV, and won’t do TV, but they’ve been Glazed, as we say. [Laughs.] He’s a beloved guy, and they just fell in love with the show and fell in love with Mitch. So we had a food truck and a bar with  mojitos and margaritas and stuff. We still have a pitcher of margaritas in my fridge that’s calling my name. I keep going, “No!” So I’m surviving, but needless to say, I had a few more margaritas last night, and I may yet have a few more today. But it was really fun, and it was really great to be able to say “thanks” to all those guys and gals. Half of the show is putting it all together.

Continue reading »

The Light from the TV Shows: Speaking of Summer Series

Once upon a time, the summer was the designated dumping ground for all of the crap that the networks had lying around that they didn’t deem good enough to put on during the regular season, but now…well, actually, there’s still a bit of that going on, but viewers are also starting to get some unexpectedly strong material as well. I’ve been bombarded with screeners over the past few weeks, so many that I haven’t been able to keep up with them all, but I’ve managed to pull together a list of 10 shows that I have seen and found at least worth giving a try, if only for one episode to see if the first taste is enough to keep you coming back for more.

 

WizardsVsAliens

Wizards vs. Aliens

(The Hub)

As a rule, any series which features Russell T. Davies, the man who finally succeeded in selling “Doctor Who” to Americans, as part of its creative team is a series that’s at least worth giving a shot, even if it is on The Hub. In fact, let’s back up a second: The Hub actually has a quite a lot of fun programming for the hipper young-adult set, so no one should be dismissing the network out of hand as being merely a channel for kids. Plus, hello, the show’s called “Wizards vs. Aliens.” How is that not going to be awesome? Granted, it’s still intended for a younger demographic, a la Davie’s “Who” spin-off, “The Sarah Jane Adventures,” so you shouldn’t go in expecting “Torchwood” levels of darkness, but if you go in with the right mindset, you’ll find it’s a lot of fun for the whole family.

rsz_blackline

Continue reading »

The Light from the TV Shows: Take a trip to “Graceland,” USA’s surprisingly dark new drama

If you read last week’s column about “The Glades,” where I talked about my trip to Miami a few months back and followed it with a Q&A with the cast members, you may also recall that I actually visited the set of two series on that expedition. The other, “Graceland,” makes its long awaited debut on the USA Network this evening, and in this case, calling it “long-awaited” isn’t just a case of blowing smoke.

GracelandAd

I actually had an opportunity to screen the pilot back in January—actually, it might even have been December, come to think of it—in advance of attending the winter TCA press tour, and I was surprised at how dark the tone of the show was. I mean, don’t get me wrong, this is still USA, not HBO, so it’s not like the second coming of “The Wire” or anything, but it’s definitely not full of the same kind of quick and witty banter that’s become a hallmark of the network’s series…in a good way.

Here’s how the network describes “Graceland,” in case you’re starting to get curious:

Inspired by true events, USA’s new one-hour drama, “Graceland,” is about the adrenaline-fueled world of a diverse group of undercover agents whose lies are their lives.

“Graceland” is a place where nothing is what it seems and everyone has a secret. From the outside, this idyllic beachfront property is inhabited by a group of young roommates. Inside, a vastly different world is exposed: one that sustains itself through a complex web of lies. “Graceland” delves into the lives of an elusive group of undercover agents from the Federal Bureau of Investigations (FBI), Drug Enforcement Agency (DEA) and Immigration and Customs Enforcement (ICE), who live and operate under one roof. When forced to give up any shred of normalcy and the question of trust is a matter of life or death, the house becomes their sanctuary, their “Graceland.”

Graduating at the top of his class, FBI rookie, Mike Warren anticipates a traditional DC desk job when he’s unexpectedly shipped to “Graceland.”  Immediately thrown into his first undercover assignment, he relies heavily on the guidance of legendary FBI agent and mentor Paul Briggs.  Briggs is an unusually Zen senior agent who notoriously hates the rule book and will go to any length to protect “Graceland” from the outside world. The ensemble cast features strong-willed FBI agent Catherine “Charlie” DeMarco, quick-tempered Customs agent Dale Jakes, intuitive and merciless DEA Agent Paige Arkin, and fun-loving prankster FBI agent Joe “Johnny” Tuturro.

Are you interested enough to watch a trailer for the show? I’m betting you are, but I’ll you what I’m gonna do: I’m just gonna embed a trailer right below this paragraph, and either you’ll watch it or you won’t. But it ain’t gonna cost you nothing to click on it, so…

Ha. I knew you couldn’t resist.

Continue reading »

Blu-ray Review: “Clint Eastwood: 20-Film Collection”

Trying to distill the cinematic legacy of an actor/director like Clint Eastwood into a mere 20 films is basically a fool’s errand, as there is no algorithm which can successfully produce a set that will please everyone, but Warner Brothers at least gets credit for taking a decent stab at it, even if the end result is still something that you can only imagine being given as a gift.

Image ALT text goes here.

Starting out with 1971’s “Dirty Harry” is certainly a strong beginning, and things stay strong with the decision to follow it with the second Harry Callahan film, 1973’s “Magnum Force,” but even though they do include “Sudden Impact” later in the set, skipping “The Enforcer” and “The Dead Pool” is a sure way to ensure that Dirty Harry fans will say, “Well, if they’re not all in there, then I don’t want it.” (Then again, it’d also result in the existing “Dirty Harry Collection” selling fewer copies, so that’s probably the rationale behind the decision.)

You can’t really blame them for including “Every Which Way But Loose” but leaving out the sub-par sequel “Any Which Way You Can,” but it’s more than a little eyebrow-raising to see that “Letters from Iwo Jima” without its companion piece, “Flags of our Fathers.” It can at least be said that all of Eastwood’s best Warner Brothers westerns are included in the set, with “The Outlaw Josey Wales,” “Pale Rider,” and “Unforgiven” making the cut, but there are still some inclusions and omissions that seems somewhat odd.

Sure, you can accept “The Gauntlet” making the cut because it was the first film he directed for Warner Brothers, but the inclusion of the decidedly dated “Firefox” seems likely to have been inspired by someone in the WB accounting department saying, “Y’know, if we put that one in instead of ‘Honkytonk Man,’ then we won’t have to license as much music.” (On that note, “Bird” probably never had a chance in Hell of making it into the set.) Also, I’m not saying they don’t exist, but if you can find me someone who prefers “Hereafter” to “Tightrope,” I’d love to meet them.

Okay, enough bitching. It’s not a perfect collection, but “Clint Eastwood: 20-Film Collection” is certainly plenty of hours of good movies that, for the most part, look really damned good. Also, in addition to the bonus materials which carry over from the previous releases of the films, there’s also the highly worthwhile inclusion of two documentaries: 2010’s “The Eastwood Factor,” which is available elsewhere, and the new “Eastwood Directs: The Untold Story.” You might not want to buy it, but you can’t say it isn’t worth owning.

The Light from the TV Shows: It’s Time to Take Another Trip to “The Glades”

Although I’ve been a regular attendee of the Television Critics Association press tour in my stead as a writer and senior editor for Bullz-Eye.com, I don’t really get the opportunity to attend all that many press junkets, so on those occasions when I do find myself on the sets of various TV shows, I tend to kind of bask in the uniqueness of the experience. (Maybe it’s just because I have a history of being easily amused, but I find that, no matter how many sets you visit, if you don’t do it regularly, it still manages to be a pretty cool experience every single time.)

Earlier this year, I was invited on a rare joint junket between two different networks—A&E and USA—to do meet-and-greets and Q&As with the casts of “The Glades,” which returns to A&E this evening for its fourth season, and “Graceland,” a new USA drama which bows on June 6. Both series film in the general vicinity of Miami, so the first day of the expedition was spent on the set of the latter, with the next day dedicated to the former. Rest assured that I’ll be filling you in on “Graceland” soon enough, but for the moment, let’s focus on “The Glades,” shall we?

TheGladesCast

Given that the series is, as noted, about to kick off its fourth season, there’s a fair chance you’re already familiar with “The Glades,” but for those who either only know of it or haven’t even got that much history with it, here’s the nutshell summary from the A&E homepage for the series:

Jim Longworth (Matt Passmore) is an attractive and brilliant Chicago homicide detective with a reputation for being difficult. When his captain wrongfully accuses him of sleeping with his wife and shoots him, he is exiled and forced to relocate. He lands in the sleepy, middle-of-nowhere town of Palm Glade, outside of the Florida Everglades, where sunshine and golf are plentiful and crime is seemingly at a minimum. But Longworth soon finds out this town isn’t quite as idyllic as he originally thought, when murders keep piling up. Each case pulls Longworth off the golf course and reluctantly into his element as one of the sharpest homicide detectives to wear a badge.

Season 4 is packed with even more mystery, intrigue, and fun. From haunted plantations to rum-soaked shot girls and even a zombie apocalypse, Longworth is once again solving murders that can only happen in the Sunshine State. This season also promises more drama on the personal front for Longworth, Carlos (Carlos Gomez), Manus (Michelle Hurd), and Daniel (Jordan Wall) as friends and relatives from near and far arrive on the scene. But the big question remains to be answered as Longworth waits for Callie (Kiele Sanchez) to accept his marriage proposal, or not.

If I’m to be honest, the pointed use of the word “attractive” as a descriptor of the main character in any series immediately makes me suspicious that it’s something that’s going to tickle my fancy—I can’t recall any occasion when I’ve been sold on a show because I was assured in advance that its cast was going to be good-looking—but “The Glades” has been a hard-to-dislike show since its debut. Yeah, I know, that’s kind of damning it with faint praise, but I really do intend it as a compliment: there are a lot of series that are very easy to dislike, but the show’s cast is pretty darned likeable across the board. Okay, maybe the aforementioned Jim Longworth is a bit too smug for his own good sometimes, but, hey, when you’re that attractive and brilliant…

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑