Category: Entertainment (Page 168 of 277)

Blu Tuesday: Die Hard, Zombie Love and More

After last week’s disappointing haul, Blu-ray fans will be pleasantly surprised by the wealth of new releases arriving in stores today. In addition to the movies covered below, you can also pick up other high-profile tiles like “Breaking Bad: Season Five,” “Falling Skies: Season Two,” “Adventure Time: Season Two” and “Alfred Hitchcock: The Essentials Collection,” all of which I recommend. Though it’s a bit strange that the studios would release so many great titles in the same week, it just means that you’ll have to be extra mindful of my suggestions.

“A Good Day to Die Hard”

The “Die Hard” series may have proven that it still had some life left in it with 2007’s “Live Free or Die Hard,” but the latest installment is so shockingly dull that the studio would have been better off ending it there. Not only is it the weakest entry in the action franchise, but it’s so generic in just about every way that the only thing that makes it feel like a “Die Hard” movie at all is the inclusion of John McClane, and even he seems like a watered-down version of the character we know and love. After bringing back McClane’s daughter in the last film, it made sense to incorporate his son Jack into the story this time around. But while that dynamic may have sounded great on paper, it doesn’t work as well in execution. A lot of that falls on Skip Woods’ awful script, and between the clichéd plot and recycled jokes, “A Good Day to Die Hard” feels like a direct-to-video action film that’s replaced key characters with members of the McClane family. Director John Moore takes it one step further by sucking almost all the fun out of the experience. Though he clearly takes pride in the sheer ridiculousness of the violent set pieces, it’s mostly just a bunch of noise, and not terribly exciting to watch either.

Blu-ray Highlight: A review copy wasn’t provided in time, but if the list of bonus material is any indication, the extras are probably the best thing on the disc.

“Warm Bodies”

Director Jonathan Levine has tackled some pretty ballsy material in his short career, but “Warm Bodies” is easily his most adventurous and challenging project yet, if only because the subject matter is about as outside-the-box as you can get. Based on Isaac Marion’s young adult novel of the same name, the movie plays out like “Romeo and Juliet” by way of George Romero – a post-apocalyptic fairy tale that takes quite a few liberties with zombie film mythology along the way. One of the biggest changes is that eating someone’s brains now comes with the added effect of absorbing their memories. It doesn’t exactly make sense, but it’s essential to the story that Levine is trying to tell. And for the most part, he gets away with it, thanks mainly to his two leads. Teresa Palmer does a good job playing the love interest (a more proactive damsel in distress who could kick Bella Swan’s butt), while Nicholas Hoult’s performance is nothing short of impressive considering a bulk of his speaking lines are delivered in hilariously self-aware narration. The film drags a bit in the middle, but Levine’s script is bursting with such wry, dark humor that it just barely tips the scales in its favor.

Blu-ray Highlight: Same deal as above, and with a collection of extras that includes a cast and crew commentary and production featurettes on everything from casting and locations, to make-up and stunts, some of it will surely be worth checking out.

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Coming Soon: A Moviegoer’s Guide to June

june_movies

Though the summer movie season is typically reserved for the kind of big blockbuster action films that dominated theaters last month, June offers a more eclectic assortment of movies, including star-studded comedies, small indies, and yes, another helping of big blockbuster action films. From the return of Superman to the end of the world (twice), there are plenty of good reasons to get out of the sweltering heat and be entertained this June.

“THE INTERNSHIP”

Who: Vince Vaughn, Owen Wilson, Rose Byrne and John Goodman
What: Two salesmen whose careers have been ruined by the digital age get internships at Google, where they must compete against young, tech-savvy geniuses.
When: June 7th
Why: It’s been almost a decade since Vince Vaughn and Owen Wilson teamed up for “Wedding Crashers” – which, along with “The 40-Year-Old Virgin,” helped revive the R-rated comedy – so there’s a certain degree of excitement about seeing them together on screen again. Of course, “Wedding Crashers” was actually funny, whereas “The Internship” doesn’t look quite as promising. The studio clearly believes that just by reuniting the two actors, the laughs will automatically flow, but that doesn’t seem to be the case here. Director Shawn Levy’s previous comedies have been pretty tame in comparison to the duo’s last film, and many of the jokes in the trailer feel about five years past their sell-by date, Still, the Vaughn/Wilson reunion is simply too enticing to pass up, so I wouldn’t count out “The Internship” just yet.

“MUCH ADO ABOUT NOTHING”

Who: Amy Acker, Alexis Denisof, Clark Gregg, Reed Diamond and Nathan Fillion
What: A modern retelling of Shakespeare’s classic comedy about two pairs of lovers with different takes on romance and a way with words.
When: June 7th
Why: Most directors would take a much deserved vacation after wrapping on a movie as massive as “The Avengers,” but not Joss Whedon, who used his short break between filming and post-production on the Marvel blockbuster to shoot a modern day version of “Much Ado About Nothing” with some friends at his house. The movie is packed with familiar faces from the director’s so-called Whedonverse, with every one of his former TV shows represented in some capacity. Shot entirely in black and white, the film looks about as close to a low budget indie as you’re bound to find, but Whedon and Shakespeare are such a great fit (both celebrated for their sharp and witty dialogue) that it’s a wonder the latter didn’t attempt an adaptation of the Bard’s classic any sooner.

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App of the Week: NarcoGuerra

Developer: Game the News

Compatible with: Android Devices

Requires: Android 2.1 and up

Price: $1.04

Available: here

Despite being a short week for most, this has been one of the more bountiful weeks for apps in recent memory. While such notable releases like the iPad release of the immortal “Knights of the Old Republic,” a long overdue great Warhammer gaming app in “Warhammer Quest,” and the creatively exciting music creation app “Musyc,” all deserve recognition, there is one that deserves it even more, for several reasons.

“NarcoGuerra” is a “Risk” like strategy game that sees you take tactical control of the Mexican police force, as they fight their war against the drug cartels plaguing the nation. To do so, you will need to gather intel, battle corruption, and take over cartel controlled and disputed territories all while defending your own via troop distribution and mastering a (initially) simple numbers system. Victory is achieved when you have rid Mexico of the cartel.

Except, just as in real life, it’s never quite that easy. The developer’s larger purpose in “NarcoGuerra” is to make people aware of the astoundingly violent and never ending war that is the real cartel battle in Mexico. To do so, they have made the game’s main mode punishingly difficult, and yes even a bit unfair. Just when you think you’ve got everything under control (which is rare), suddenly corruption destroys your efforts from within, or you’ll be betrayed by bad intel, delayed by the death of a major commander, or stunned by the rise of a new cartel power. The better you do in “NarcoGuerra,” the tougher the cartel pushes back, making defeat most prevalent, the closer you get to victory.

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It may not sound like much fun, but it very much is. You’re fighting a war that can technically be won, but only just so. As a result you’ve got a lot of gameplay on your slow march to victory that includes all of the usual tactical strategy game niceties, as well as elements unique to the backdrop, like deciding which president to throw your financial support behind in the hopes of turning the tide. The combination of these elements produces an experience that feels appropriately, and effectively, authentic to the context

“NarcoGuerra” uses an un-winnable war as a perfect backdrop to a tense and exciting strategy game that remains a challenge despite whatever mastery you may perceive you have of the proceedings. You may never beat “NarcoGuerra,” but you are also unlikely to tire of fighting the good fight, thanks to some rewarding, ambitious, innovative, difficult, and (somewhat ironically) addictive gameplay.

While the still entertaining multiplayer and skirmish modes are focused on providing a more “video game” experience, it is the main story mode that is the draw. It focuses on a real world horror that deserves more attention, and uses it to enhance what is at its core, one of the most intelligent and entertaining mobile strategy games available. “NarcoGuerra” could have been a blunt political message thinly disguised as a video game, but instead it is a strong and important statement that takes the form of my app of the week.

A chat with Ethan Hawke, Julie Delpy and director Richard Linklater (“Before Midnight”)

Ethan Hawke and Julie Delpy in Before Midnight

It’s not often that a romantic movie sparks a sequel, and even rarer when the sequels are set nine years apart. The relationship between actors Ethan Hawke, Julie Delpy and director Richard Linklater is just as unique as the characters Hawke and Delpy portray in their latest film, “Before Midnight.” The dialogue-heavy film focuses on the struggles of married life and the sacrifices that must be made. Recently, the trio sat down to discuss the collaborative effort involved and how they’ve managed to stay on the same creative page over the last 18 years.

BULLZ-EYE: The couple deals with the problem of moving to another country to be with their partner. Have any of you faced that kind of decision?

ETHAN HAWKE: Part of the idea of the movie is that it’s very easy to look at a romantic relationship when there’s an obvious bad guy. One person’s an alcoholic or one person is abusive, but what if you were to take two well-meaning people who actually love each other and want the best for each other? It’s still hard. We paint that portrait. I think anyone who’s been in a long term relationship, whether it feels as dramatic as Chicago and Paris, it’s whether or not your lives are still growing on the same road or does one need to change the road to keep growing.

JULIE DELPY: That’s what it’s about. There’s no bad guy, in particular. They still have to make compromises and they all feel like who’s making the most compromises and what compromise might jeopardize their relationship and their love. It’s all about finding the right road, and the road is this small not for it to fall apart. In a long term relationship, you always have to make choices. Actually, their relationship starts with a choice that Jesse makes, which is to follow his heart, but that comes with consequences. The film starts with the consequences of that choice. We find out that there’s a situation again where they have to make a choice. Jesse’s putting in her face that he might want to move back to the States, but it might jeopardize their entire life, so the life of a relationship.

RICHARD LINKLATER: That’s appropriate for where they find themselves in life. In the first movie, for instance, they’re unattached. You see how easily they get off a train and go home a day later and do whatever. You have that looseness. They both actually moved around a lot over the years, but when they were single and unattached. Now, you see how difficult that is to maneuver through life with the exact same person and stay on the same track. It’s tough.

ETHAN HAWKE: We will also take questions about your personal relationships and advise you. (laughs)

BE: What are the challenges of performing the long dialogues in the movie, especially the one in the car with the kids?

JULIE DELPY: Just mentioning that scene gives me a flashback of anxiety. (laughs) My heart is already beating slightly faster.

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Movie Review: “Now You See Me”

Starring
Jesse Eisenberg, Woody Harrelson, Isla Fisher, Mark Ruffalo, Morgan Freeman, Michael Caine, Dave Franco
Director
Louis Leterrier

It takes balls of steel to write a film like “Now You See Me.” It’s the screenwriter declaring to the moviegoing public that he or she is smarter than they are, which motivates the audience to prove them wrong. Now, to be fair to the screenwriters of this particular film, anyone who says they figured out the ending before the Big Reveal just got lucky. At the same time, there are a lot of things about the movie that are a little…off, and not in a ‘this is a clue in disguise’ kind of way. The characters themselves tell you that you’re too close to see the big picture. As it turns out, the movie is the same way. It’s a thrill to watch while it’s happening, but take a step back when the credits roll, and it reveals itself to be a house of cards.

J. Daniel Atlas (Jesse Eisenberg), Henley Reeves (Isla Fisher), Merritt McKinney (Woody Harrelson) and Jack Wilder (Dave Franco) are talented illusionists with varying degrees of success – a couple of them are actually cons – when they receive a mysterious invitation to meet in an abandoned building. One year later, they are performing together in Las Vegas as the Four Horsemen, and they execute a dazzling stunt that involves robbing a bank halfway around the world. This, naturally, attracts the attention of both the FBI and Interpol, which leads to cynic Fed Dylan Rhodes (Mark Ruffalo) being teamed up with French desk jockey Alma Day (Melanie Laurent). Watching from the sidelines with bemusement is Thaddeus Bradley (Morgan Freeman), an illusionist who has made a career out of debunking other illusionists. Rhodes isn’t sure whether he is trustworthy or another piece in a larger puzzle.

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