Category: Entertainment (Page 167 of 277)

App of the Week: Eater

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Developer: Curbed Netwok

Compatible with: iPod Touch, iPad, iPhone (optimized for iPhone 5), Android devices

Requires: iOS 5.0 and up, Android 4.0 and up

Price: Free

Available: here (for iOS) and here (for Android)

I know what you’re saying.

“But Matt, I already own a food finding app. Why should I download another and not, say, chase you down with a mob of torch weilding villagers and burn down the old windmill you sought refuge in?”

Well, first of all, that would be a little dramatic don’t you think? Secondly, I’m not suggesting Eater will become your go to food app, and neither is Eater. For one thing, it only covers 22 American cities, and even then only points out a certain amount of restaurants covered by that most popular foodie blog, rather than show you everything there is to eat in the area.

Instead Eater is best used to supplement your current restaurant locater app. That’s because the people running all branches of the Eater site are obsessed food nuts dedicated to finding not only the best restaurants (conveniently marked by their “Eater 38” symbol, denoting the 38 best restaurants in a city), but some of the most unique and intriguing as well, as featured on their constantly updating heat maps.

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For instance, the Eater app won’t show you what people think about that gas station on the corner’s sandwiches, unless that gas station just so happens to be a locally known only gem that serves some of the best sandwiches in the city (or maybe is actually a hidden bar). It’s best used for locals looking for a reference written by some of the most die-hard food hounds around or, even better, tourists who want to go somewhere and eat like the most in the know of locals, so that while you’re in New York you’ll know exactly where to go to experience cronut-mania, or why to skip every pretender BBQ place in Austin, and go straight to the mountaintop at Franklin BBQ.

Even better, the Eater app does this through a familiar and, mostly, helpful layout that could stand to use a few technical and feature upgrades, but doesn’t provide too many burdens in looking for the best of the best in your area. There is even a quick link to the Eater blog, for those that are fans, or maybe just looking for the most up to the minute restaurant recommendations.

Much like those “Not For Tourists” guides, the Eater app is like Zagats, but made by the most serious of foodies. Unlike those foodies, it is able to recommend a restaurant without any snobby pretentiousness, or without being hindered by Yelp like reviews where stars drop because of that one patron who got “that look” from a waiter one time.

Equally useful in finding the absolute best places to eat in 22 of America’s finest cities for both the people living there, and those just passing through, when you need access to a GPS showing the meccas of the most serious of food nerds, you need Eater, my app of the week.

Movie Review: “The Internship”

Starring
Vince Vaughn, Owen Wilson, Rose Byrne, Max Minghella, Aasif Mandvi
Director
Shawn Levy

It’s been nearly a decade since Vince Vaughn and Owen Wilson first teamed up for the R-rated comedy “Wedding Crashers,” and moviegoers have been clamoring for the pair to do another film together ever since. The reunion may have taken a little longer than expected, but it’s nice to see that they didn’t go the easy route with a “Wedding Crashers” sequel, even if their new movie falls well short of recapturing that same spark. “The Internship” isn’t nearly as bad as its trailers led me to believe, but while Vaughn and Wilson don’t waste any time in renewing their great onscreen chemistry, it’s still not very funny.

Billy McMahon (Vaughn) and Nick Campbell (Wilson) have built successful careers as salesmen, but when their company closes due to the economic crunch, they suddenly find themselves without a job and no real marketable skills to speak of. Analog dinosaurs living in a digital world, their futures look bleak – that is, until Billy gets the idea to apply for a summer internship program at Google. Though they clearly lack the general computer knowledge of most candidates, the company decides to take a chance on the two guys anyway. Placed into a group of fellow outcasts with poor social skills, Billy and Nick are quickly discounted as a couple of inept goofballs that are more trouble than they’re worth. But what they lack in technological savvy, they make up for in life experience, and that proves just as valuable when they compete in a series of team challenges for the chance to earn a job at the tech giant.

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Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

She’s probably our most iconic sex symbol. Marilyn Monroe remains relevant after all these years for more than just her amazing beauty and charisma. She was a true starlet, but she could act as well. Now you can get many of her best films in one collection with “Forever Marilyn: The Blu-ray Collection.” The films include classics like “The Misfits” and “Some Like It Hot,” along with new-to-Blu-ray titles “How to Marry A Millionaire,” “Gentlemen Prefer Blondes,” “The Seven Year Itch,” “There’s No Business Like Show Business” and “River of No Return.” We’ve included some images of Marilyn from the films courtesy of Twentieth Century Fox Home Entertainment, including the memorable scene of Marilyn’s white dress being blown up in the subway in “The Seven Year Itch.”

With Father’s Day around the corner, this would be a great gift for Marilyn fans. Check out our Father’s Day Gift Guide for more ideas.

Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

Ultimate Marilyn Monroe collection

The Light from the TV Shows: Take a trip to “Graceland,” USA’s surprisingly dark new drama

If you read last week’s column about “The Glades,” where I talked about my trip to Miami a few months back and followed it with a Q&A with the cast members, you may also recall that I actually visited the set of two series on that expedition. The other, “Graceland,” makes its long awaited debut on the USA Network this evening, and in this case, calling it “long-awaited” isn’t just a case of blowing smoke.

GracelandAd

I actually had an opportunity to screen the pilot back in January—actually, it might even have been December, come to think of it—in advance of attending the winter TCA press tour, and I was surprised at how dark the tone of the show was. I mean, don’t get me wrong, this is still USA, not HBO, so it’s not like the second coming of “The Wire” or anything, but it’s definitely not full of the same kind of quick and witty banter that’s become a hallmark of the network’s series…in a good way.

Here’s how the network describes “Graceland,” in case you’re starting to get curious:

Inspired by true events, USA’s new one-hour drama, “Graceland,” is about the adrenaline-fueled world of a diverse group of undercover agents whose lies are their lives.

“Graceland” is a place where nothing is what it seems and everyone has a secret. From the outside, this idyllic beachfront property is inhabited by a group of young roommates. Inside, a vastly different world is exposed: one that sustains itself through a complex web of lies. “Graceland” delves into the lives of an elusive group of undercover agents from the Federal Bureau of Investigations (FBI), Drug Enforcement Agency (DEA) and Immigration and Customs Enforcement (ICE), who live and operate under one roof. When forced to give up any shred of normalcy and the question of trust is a matter of life or death, the house becomes their sanctuary, their “Graceland.”

Graduating at the top of his class, FBI rookie, Mike Warren anticipates a traditional DC desk job when he’s unexpectedly shipped to “Graceland.”  Immediately thrown into his first undercover assignment, he relies heavily on the guidance of legendary FBI agent and mentor Paul Briggs.  Briggs is an unusually Zen senior agent who notoriously hates the rule book and will go to any length to protect “Graceland” from the outside world. The ensemble cast features strong-willed FBI agent Catherine “Charlie” DeMarco, quick-tempered Customs agent Dale Jakes, intuitive and merciless DEA Agent Paige Arkin, and fun-loving prankster FBI agent Joe “Johnny” Tuturro.

Are you interested enough to watch a trailer for the show? I’m betting you are, but I’ll you what I’m gonna do: I’m just gonna embed a trailer right below this paragraph, and either you’ll watch it or you won’t. But it ain’t gonna cost you nothing to click on it, so…

Ha. I knew you couldn’t resist.

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Blu-ray Review: “Clint Eastwood: 20-Film Collection”

Trying to distill the cinematic legacy of an actor/director like Clint Eastwood into a mere 20 films is basically a fool’s errand, as there is no algorithm which can successfully produce a set that will please everyone, but Warner Brothers at least gets credit for taking a decent stab at it, even if the end result is still something that you can only imagine being given as a gift.

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Starting out with 1971’s “Dirty Harry” is certainly a strong beginning, and things stay strong with the decision to follow it with the second Harry Callahan film, 1973’s “Magnum Force,” but even though they do include “Sudden Impact” later in the set, skipping “The Enforcer” and “The Dead Pool” is a sure way to ensure that Dirty Harry fans will say, “Well, if they’re not all in there, then I don’t want it.” (Then again, it’d also result in the existing “Dirty Harry Collection” selling fewer copies, so that’s probably the rationale behind the decision.)

You can’t really blame them for including “Every Which Way But Loose” but leaving out the sub-par sequel “Any Which Way You Can,” but it’s more than a little eyebrow-raising to see that “Letters from Iwo Jima” without its companion piece, “Flags of our Fathers.” It can at least be said that all of Eastwood’s best Warner Brothers westerns are included in the set, with “The Outlaw Josey Wales,” “Pale Rider,” and “Unforgiven” making the cut, but there are still some inclusions and omissions that seems somewhat odd.

Sure, you can accept “The Gauntlet” making the cut because it was the first film he directed for Warner Brothers, but the inclusion of the decidedly dated “Firefox” seems likely to have been inspired by someone in the WB accounting department saying, “Y’know, if we put that one in instead of ‘Honkytonk Man,’ then we won’t have to license as much music.” (On that note, “Bird” probably never had a chance in Hell of making it into the set.) Also, I’m not saying they don’t exist, but if you can find me someone who prefers “Hereafter” to “Tightrope,” I’d love to meet them.

Okay, enough bitching. It’s not a perfect collection, but “Clint Eastwood: 20-Film Collection” is certainly plenty of hours of good movies that, for the most part, look really damned good. Also, in addition to the bonus materials which carry over from the previous releases of the films, there’s also the highly worthwhile inclusion of two documentaries: 2010’s “The Eastwood Factor,” which is available elsewhere, and the new “Eastwood Directs: The Untold Story.” You might not want to buy it, but you can’t say it isn’t worth owning.

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