Month: March 2013 (Page 13 of 14)

Blu Tuesday: Nazis, Wolverines and More

It’s another busy week for Blu-rays, so I don’t want to waste too much time here, but with so much good stuff being released over the next few weeks, you might want to plan ahead so you don’t go broke buying all the great Oscar nominees and catalog titles coming to Blu-ray. With that said, there are definitely a few movies this week that no cinephile should ignore, so read on to find out which ones they are.

“Schindler’s List”

It’s hard to believe that it’s been 20 years since the release of Steven Spielberg’s “Schindler’s List,” but even after all that time, it remains one of the director’s finest films and arguably the best movie ever made about the Holocaust. Though the film is plagued by many of the typical Spielbergian problems – namely its bloated runtime, which is even worse than usual due to the somewhat meandering pace and useless subplots – Janusz Kaminski’s cinematography is superb (it looks even better in high definition) and the acting is great all around. Liam Neeson and Ralph Fiennes’ Oscar nominations were both fully deserved, delivering some of the best work of their careers as the heroic Schindler and psychotic SS officer Amon Goeth, respectively, while Ben Kingsley’s absence from the Supporting Actor category feels unjust in hindsight. Still, the movie walked away with seven Academy Awards that year – including Best Picture, Best Director and Best Original Screenplay – so it’s not like it didn’t receive its fair share of recognition, and now that it’s finally on Blu-ray, a whole new generation of moviegoers can finally enjoy Spielberg’s excellent drama the way it should be seen.

Blu-ray Highlight: The Blu-ray doesn’t actually feature any bonus material, but the accompanying DVD version does, although the only extra of note is a documentary from 2004 that combines archival footage with survivor interviews about the Holocaust. It’s just a pity that Steven Spielberg couldn’t be bothered to do an audio commentary.

“Wreck-It Ralph”

It’s been quite awhile since I saw an animated movie that I really loved (the kind you can watch over and over again), but Disney’s “Wreck-It Ralph” is that good. Though it was unfairly snubbed at this year’s Oscars in favor of Pixar’s mediocre fairy tale “Brave,” Rich Moore’s directorial debut has a much better chance of standing the test of time, even if the early rumors of a sequel don’t exactly fill me with glee. After all, its wildly inventive premise is one of the many things that separate “Wreck-It Ralph” from other films in the genre, and the fact that it appeals to video game fans of all ages certainly doesn’t hurt. The digital cameos lend some authenticity to Ralph’s world and are smartly integrated into the story without drawing too much attention, while the casting is pretty much spot-on, especially John C. Reilly as the title character and Sarah Silverman as his spunky sidekick. Though it would have been fun to see Ralph game-jump into more than a few games, I guess something has to be saved for the sequel, no matter how bad of an idea it may sound.

Blu-ray Highlight: Hosted by Nerdist’s Chris Hardwick, Disney’s latest Intermission feature reveals some of the film’s Easter Eggs whenever the disc is paused, but the real highlight is John Kahrs’ visually stunning (and Oscar-winning) “Paperman” short.

“Red Dawn”

As far as 1980s cult classics go, “Red Dawn” isn’t the most popular of the bunch, but it is one of the few movies to receive a remake that actually makes sense. Though it’s hard to beat the cast of the original, director Dan Bradley’s update boasts a solid group of young actors, including Chris “Thor” Hemsworth and Josh Hutcherson. The only real problem is Josh Peck, who isn’t terribly convincing as the impulsive star quarterback and falls flat in many of the film’s more emotional scenes. Thankfully, the movie doesn’t rely too heavily on the strength of its characters to move the story along, but when your lead is as bad as Peck is here, it’s hard to ignore. A lot of the film’s success ultimately comes down to the excellent action sequences, and that’s where having a guy like Bradley – who worked as a stunt coordinator and second unit director on several big movies – pays off. He may not get the best performances from his actors, but the action scenes are never lacking in excitement. Granted, the movie is about as subtle as a chainsaw, but it doesn’t try to hide what it is either, and that’s what makes “Red Dawn” such a fun guilty pleasure.

Blu-ray Highlight: A review copy didn’t arrive in time, but after the film’s theatrical release endured such a long delay, it’s hard to imagine MGM going all out for this one.

App of the Week: Real Racing 3

Developer: Firemonkeys

Compatible with: iPhone 4 and up (optimized for iPhone 5), iPod Touch 4th gen and up, iPad 2 and up, iPad Mini, Android devices

Requires: iOS 4.3 or later, Android 2.2 or later

Price: Free

Available here (for iOS) and here (for Android)

Nobody ever expects a gaming app to match their console counterparts in terms of looks and controls. Instead, mobile game developers have learned to focus on the benefits of the format and not the hindrances in order to craft brilliant titles separate, but equal to console games, and not dependent on graphics and the like.

“Real Racing 3” has a different approach. It says screw all that.

First the obvious. “Real Racing 3” is a beautiful game that truly offers console quality graphics, and doesn’t just use it as a tagline. From the cars to the courses, everything is immaculately designed and loses no wow factor even at high speeds. There’s still noteworthy competitors, but I truly believe this is the best looking gaming app yet. You’ll never stop being impressed with this game’s looks.

unnamed

But there’s more than just looks to “Real Racing 3,” as its controls are as pristine as that shiny coat of graphical paint. Acceleration is handled automatically, tilting your phone takes care of turning (and actually works, though a touch option is available), and everything from traction control to braking can be computer assisted (the level of which it helps is adjustable). Overall control is nice and tight, and I never once had to question if a bad manuever was the game’s fault or my own (mostly because I suck).

Furthermore the game’s AI is very, very impressive, and is aided by a new multiplayer concept called Time Shifted Multiplayer, which fills each race with AI versions of your friends and other racers around the world while online, meaning you can essentially still race your friends even offline as they can create ghosts of their laps that imitate their habits. However you choose your opponents though, the competition is fierce and fair.

Put all those features together, and the one limit that mobile gaming supposedly had (that it couldn’t match consoles in certain aspects), seemingly no longer applies, meaning that in all technical regards, “Real Racing 3” is the most notable gaming app in some time.

Otherwise, you’ve got your basic, though well executed, realistic racing game. There is a variety of races and challenges (900 events altogether), a nice selection of 40+ cars, real life racetracks, and in general enough to keep you busy for some time trying to beat and see everything available, and even more time afterwards trying to best your efforts.

The only other notable aspect is the freemium model of the game, as “Real Racing 3” is free, but for a price.

unnamed (1)

Like many other gaming apps, in-app purchases are available and highly pushed by the design. See the currency in “Real Racing 3” is handled by both funds and coins. Funds are used for buying parts, cars, and the usual and are earned through career progression, while coins are used for other enhancements and are earned by leveling up. Where the dark side of this design emerges in the repair and maintenance system, as you’ll be constantly repairing and maintaining your car’s basic features such as the engine, tires, and oil and using funds to do it. However, it can take several minutes (or even near an hour for multiple repairs) for the work to be done during which time the car is unusable.

This is where coins come in. For a few coins you can make the repair and tuning process instantaneous. The same applies to buying new cars and the like, as purchasing them still requires a waiting period before they can be used, which coins eliminate. The trouble is coins are hard to come by, and you’ll never have an abundance of them to keep up with the need. Instead you are encouraged to buy coins, or cars and upgrades alltogether, with real money to eliminate the tedium.

It’s not the worst pay model I’ve ever seen, but it’s pretty bad. Every non-racing activity is a grind, and it takes forever to complete or unlock even the basics, much less the high end stuff due to how money and time is used. You can buy more coins through in-app purchases if you’re desperate, but you can never eliminate the waiting feature, and I really wish that wasn’t the case as it is a huge detriment to the game. Patience is a necessity, and not a virtue, to get the most out of “Real Racing 3.”

While I sometimes wish then that the game cost a few dollars to eliminate that nuisance, the fact it is free means you can, and should,  at least try it. Remove the freemium system, you are left with the gold standard of pure racing games for mobile devices, and a benchmark to the capabilities of the medium as a whole, as well as a game that leaves all other competitors at the starting line, and takes home the trophy for app of the week.

Product Review: D&Y Spring/Summer 2013 Hats for Men

D&Y

There is nothing more polarizing on earth than a Fedora hat. You could wear a sign that proclaimed your stance on the death penalty, abortion and the afterlife all at once and you still wouldn’t be judged as harshly.

For every piece of positive feedback I received, I garnered five negative comments. It reminded me of the usual treatment I receive at the hands of my fully developed, blonde soul patch that I rock unabashedly in general, but in this particular instance, concurrently with the Fedora hat — double trouble, baby.

Why does the Fedora generate such angst? Because it’s an affront to weak dudes. And weak dudes are currently perpetuating their gutless shtick at record levels, passing themselves off as “real dudes” to chicks who are desperate for the genuine article but are forced to settle for a POS facsimile; like buying movies from the bootleg DVD guy in your neighborhood rather than spending a little more time and money to purchase the real deal. Do perceived needs motivate your actions? You’re already missing the point.

But what’s cool about the Fedora from D&Y is how it makes you feel. And how you feel on the inside has a large hand in generating the situations you attract on the outside.

To game test my Fedora, I took it with me while I covered this BMX session in Orlando, Florida. If any place on earth was going to be appreciative of the Fedora, the last bastion had to be by the pool at the Universal Studios hotel in Orlando. And it was, by two smoking hot babes who happened to be lounging nearby.

Both ladies were quick to complement not only the hat, but the man wearing it. They said the hat “spoke to them,” and that any guy who had the balls to wear it, and effectively pull it off, was a guy they wanted to be around. A guy they wouldn’t regret sleeping with. In short, a fucking man.

So what if a couple farmers from Dubuque, IA didn’t think much of my Fedora; I thought their Dekalb logo-emblazoned t-shirts were as preposterous as the way they interspersed the word “ain’t” throughout their cheap, low-level casual conversation.

If you want to look like a garden variety dumbass with nothing to offer the world, particularly the fairer sex, the new line of hats from D&Y isn’t for you. But if you’re a man who looks good,\ because he takes the time to look good, cares about his appearance, and has the intellectual wit to match the exterior, a hat from D&Y is the perfect accessory for a well-maintained, coordinated wardrobe.

You may have to wade through some negativity, but it’s only because you look good and that makes weak dudes nervous. And they should be.

Check out the full line of D&Y Spring/Summer 2013 hats for men here.

Justified 4.08: Outlaw

SPOILER WARNING: This post will appear following a new episode of Justified. It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects of the series up to and including the episode discussed are fair game.

J

I criticized last week’s episode of Justified because it didn’t seem to bring us much closer to solving the season’s big mystery. It gave Raylan an unrelated one (alright, two) off storyline while Boyd inched towards finding Drew Thompson. Well, “Outlaw,” appears to be the writers’ forcing a collective foot in my mouth. It all but came out and said that the hard-working and dedicated Sheriff of Harlan County, Shelby Parlow, is in fact the man we’ve been looking for all along. And there he was, right under our noses.

For those that didn’t catch the hints, they came mostly during Shelby’s conversation with Ellen May about reinventing one’s self, starting over. He came home to find her digging through his ex-wife’s things, namely a necklace depicting St. Christopher, “patron saint of travelers, sailors, pilots, and bachelors.” Pilots, folks. Ellen May also happened to be wearing that ex-wife’s clothes, and remarked that they made her feel like a different person while also reminding her who she truly is. Shelby’s response? “Must’ve been a year after I first joined the sheriff’s department that I could put on my uniform without feeling like I was wearing a costume.” Now who would feel more like a fraud in a police uniform than an ex-criminal? He also says that “if you pretend to be something long enough, it’s not pretending.” In other words, at this point, he really is Shelby Parlow.

Only there’s a reason they did all that without coming out and saying it. And maybe that’s because the writers just want us to think that Shelby is Drew, just so they can pull the rug out from under us later on. Nobody greeted Shelby by saying “Hello, Drew.” I’m sure there will be a scene like that next week, whether or not it’ll be Shelby standing there when the camera flips around and fades to black remains to be seen. A couple things are holding me back from being positive Shelby’s our man. First of all, his would-be ex-wife, Eve Munro, tells Raylan she hasn’t seen Drew in 30 years, while Shelby tells Ellen May his wife left him 25 years ago. Secondly, look at all these people working so hard to protect Drew from being found out: They’re giving up deals to be moved to cushy prisons, not to mention risking (and often losing) their lives. At this point, if Shelby is Drew, what kind of power does he hold that people are willing to do so much for him? It’s not a dealbreaker, but it’s the last remaining piece of the puzzle.

Yet despite what I said last week about the downsides of the show dragging its feet with the main storyline, with all the other stuff that happened this week, the theoretical revelation of Drew Thompson’s identity almost seems like a sidenote. Because “Outlaw” gave us some great stuff.First of all, someone died. Not just some meaningless character who arrived on screen just in time to leave it, which is the style of most of the deaths in Justified. No, this was a real, major character: Arlo Givens. One of this season’s big themes has been Raylan’s preparations for fatherhood. Of course, Raylan’s relationship with his own father plays a large part in what he believes it means to be a father. If nothing else, Raylan’s got one play in his book: do the opposite of what Arlo did. But in spite of what a mean son-of-a-bitch Arlo was, fathers and sons are fathers and sons, so our badass marshal actually shed a tear! But I’m getting ahead of myself.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑