Movie Review: “RoboCop”
Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, Samuel L. Jackson
At the rate that Hollywood is plowing its way through Paul Verhoeven’s sci-fi catalog, you’d expect Vegas bookies to start slashing the odds on an eventual “Starship Troopers” remake. Though it’s only been two years since fanboys got their panties in a bunch over Len Wiseman’s “Total Recall” reboot, many of those same fans have been dreading the release of the new “RoboCop.” It will probably come as a surprise, then, that the film isn’t nearly as bad as people feared it would be. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. So why bother with this remake? For starters, because it’s not really a remake at all, instead taking the basic premise and carving its own path that falls more in line with current politics.
The year is 2028, and with the exception of the United States, the rest of the world is now policed by a robot military force operated by technology giant OmniCorp. The government has blocked the use of robots in the U.S. due to the belief that they can’t be held accountable for killing, so OmniCorp CEO Raymond Sellars (Michael Keaton) decides to give the American public someone they can identify with by putting a man in a machine. And it’s not long before they find the perfect subject when Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing after he’s targeted by a local drug kingpin. With the help of Dr. Dennett Norton (Gary Oldman), a pioneer in robotic prosthetics, Sellars convinces Alex’s wife, Clara (Abbie Cornish), that the procedure is the only way to keep him alive. But the very thing that makes Alex unique (his emotions) also affects his performance in the field, and when Norton tries to counteract that by programming his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.
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Coming Soon: A Moviegoer’s Guide to February
If February is known for anything, it’s the barrage of romantic films released in conjunction with Valentine’s Day. And in keeping with tradition, there are several to choose from this year. But while past Februarys haven’t been very promising from a guy’s point of view, there’s plenty to look forward to in the 2014 edition, with no less than four action movies (including a remake of an ‘80s cult classic) and the latest from George Clooney and an animated film that’s just as much for adults as it is for kids.
“THE LEGO MOVIE”
Who: Chris Pratt, Elizabeth Banks, Will Ferrell, Will Arnett and Morgan Freeman
What: An ordinary LEGO minifigure, mistakenly thought to be the MasterBuilder, is recruited to join a quest to stop an evil LEGO tyrant from gluing the universe together.
When: February 7th
Why: It’s not very often that I get excited about an animated film, but as a closeted LEGO fanatic, “The LEGO Movie” is one of my most anticipated releases of the year. The fact that it’s taken this long to make a film based on the hugely popular toy brand is shocking, not only because it’s a dream project from a marketing standpoint, but because the very nature of LEGOs provides an almost endless supply of creative possibilities. This could have easily been ruined in the hands of someone else, but based on the materials released so far, it appears that directors Phil Lord and Christopher Miller (“Cloudy with a Chance of Meatballs,” “21 Jump Street”) have struck the perfect chord in making a kid-friendly movie that adults can enjoy as well.
“THE MONUMENTS MEN”
Who: George Clooney, Matt Damon, Cate Blanchett, John Goodman and Bill Murray
What: An unlikely World War II platoon is tasked with rescuing art masterpieces from Nazi thieves and returning them to their owners.
When: February 7th
Why: On paper, “The Monuments Men” has Oscar bait written all over it. In addition to being based on a true story (set during World War II, no less), the film features some of the best acting talent in the business and was also co-written and directed by star George Clooney. So why the decision to push the movie back from its original holiday release to this February? No one knows for sure, but considering the competition that it would have been up against, it was probably the right move. After all, while “The Monuments Men” certainly has the makings of a crowd-pleaser (the two-second sales pitch is “‘Ocean’s Eleven’ meets ‘Inglourious Basterds’”), it doesn’t really seem like awards material. Still, with that cast, you never know. It could be great or it could be another “The Good German.”
Who: Zoey Deutch, Lucy Fry, Danila Kozlovsky, Sarah Hyland and Olga Kurylenko
What: 17-year-old half-human/vampire Rose Hathaway is dragged back to her boarding school to protect a race of peaceful vampires from the bloodthirsty Strigoi.
When: February 7th
Why: If “Vampire Academy” comes across as just another young adult book series turned into a film, it’s because it is – a sort of supernatural mashup of “Twilight,” “The Hunger Games” and “Divergent.” But while the Richelle Mead novel on which it’s based sounds about as fun as a trip to the dentist’s office, the movie version looks a lot more enjoyable thanks to the involvement of sibling duo Mark and Daniel Waters. The former directed the hilarious 2004 comedy “Mean Girls,” while the latter wrote the screenplay for the precursor to that film, “Heathers.” And if the trailer is anything to go by, “Vampire Academy” strikes a very similar tone, albeit with the added benefit of some action. For every successful YA book adaptation, however, there are five failures, so history certainly isn’t on its side.