Unfortunately, the new “Dark Shadows” film is terrible, but Johnny Depp shines as usual.

And then, there but for the grace of God, is Johnny Depp, who commits to the role of Barnabas in a way that redefines Method acting. He had to know before they had finished shooting that “Dark Shadows” wasn’t working, but Depp refuses to give in to the material’s inherently campy nature and plays Barnabas bone-straight and dead serious from beginning to end.

It’s too bad Depp’s talents are wasted here, but there are plenty of old gems you can rent or stream to appreciate his talent. Several years ago we listed 10 under-appreciated roles from Depp. One of my favorites was “Blow.”

It would take a hell of a film to wrest away the title of “Best Use of Cocaine in a Motion Picture” from “Scarface.” Frankly, “Blow” – Ted Demme’s final directorial effort – isn’t that film. But while it may not offer any lines as instantly memorable as “say hello to my little friend,” it is a well-made drama that flows along nicely, finding Depp wearing a variety of wigs as he plays real-like cocaine smuggler George Jung over the course of several years and hairstyles. The supporting cast is also particularly strong, with Ray Liotta and Emma Griffiths portraying Jung’s parents, Penelope Cruz and Franka Potente as his love interests, and Ethan Suplee, Paul Reubens and Bobcat Goldthwait turning up as some of Jung’s associates (i.e., fellow dealers). What keeps the film from standing alongside its higher-profile coke-centric brethren, however, is that, as Jung, Depp comes across as pretty lethargic. Maybe that’s what the real Jung was actually like (given Depp’s tendency to lose himself in his roles, we’re willing to bet that it was), but the end result is a film with a character who manages to experience countless outrageous moments in his lifetime without coming across as all that exciting himself.

So don’t bother with “Dark Shadows.” Check out this list and rent a much better film.

Bullz-Eye: I was able to check out “Snowmen” – they sent me a screener – and it was a great little movie. My highest praise is that I’ve got a 6-year-old daughter, and I’d be comfortable with her watching it with me.

Ray Liotta: Yeah, it’s really a good movie, and it definitely…it’s more than just entertaining. It definitely touches on a lot of issues for grown-ups or kids.

BE: How did you find your way into the film?

RL: It just so happens that the producer has a kid in school where my kid goes, and they were gearing up and had cast all the kids, and they were thinking about the adult roles, and my name came up. We talked, he gave me the script, and I loved it and decided to do it.

BE: So how much of the character was on the page, and how much were you able to bring to the character?

RL: It was all on the page. All of it. It was really well written. I mean, my job is to make it as real as possible and try to add as much depth and dimension to it as I can. To pretend that I was a dad whose son was sick and thinks he’s going to die, the bills that I have to pay, the guilt that I have from just working too much to pay those bills, maybe missing some of the things that are going on in his life.

BE: How well did you and Bobby Coleman get on? You seemed to have a pretty strong father-son dynamic going on.

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