Weekly Web Series Review: Drunk History

Derek Waters’ “Drunk History” is one of the strangest, funniest, most absurd concepts in web series history. Playing on the inherent comedy of drunken incompetence and memory loss, each of the series’ six episodes takes a different comedic actor or writer, puts way too much booze in them, and then follows their muddled, profane accounts of important historical events. The episodes then cut between these slurred, rambling monologues and dramatic reenactments of the events, featuring famous actors such as Jack Black, Will Ferrell and Zooey Deschanel. The genius of these reenactments is how closely the actors follow the exact words of the inebriated nonsense that forms the basis of their script, lip-syncing the dialogue perfectly right down to the inadvertent sniffles and hiccups of the actual speaker.

The first episode features Mark Gagliardi recounting the story of Alexander Hamilton’s famous duel with Aaron Burr after drinking a bottle of Scotch. Though it is unclear how large the bottle was, it was clearly quite a bit of liquor, as he spends most of his segment reclined on a couch with a bucket nearby, just in case. Hamilton is played by a suitably innocent-looking Michael Cera in the reenactment, but the real show-stealer is Jake Johnson in a brilliantly shifty-eyed performance as the loathsome Aaron Burr. In episode 2, Eric Falconer takes on the famous story of Benjamin Franklin‘s discovery of electricity, expounding upon his theory that it was actually Franklin’s “bastard son,” William (Clark Duke), who actually flew the legendary kite with the key tied to it. This is also the series’ first instance of vomiting in the midst of the storytelling, but not its last, so be warned that the series is not for the weak-stomached. Jack Black portrays Franklin again in a special volume 2.5 episode, in which Falconer tells a hilarious tale of Franklin’s sexual deviance.

Episode 3 features Jen Kirkman‘s account of Oney Judge (Tymberlee Hill), a female slave of George Washington (Danny McBride) that is especially funny because of the way the actors incorporate Kirkman’s frequent hiccups into their performances. The fourth episode features J.D. Ryznar‘s unwise decision to drink vodka and beer together, which obviously leads to more vomiting, and his account of the U.S. president William Henry Harrison (Paul Schneider), who died after only 32 days in office. Jen Kirkman returns for episode 5, in which Don Cheadle gives a hilarious performance as Frederick Douglass; there is something especially funny about Kirkman’s slurred words coming out of this revered actor’s mouth. Finally, in episode 6, Duncan Trussell follows six beers with a half-bottle of absinthe, and more vomiting ensues. He also tells the story of Nikola Tesla (John C. Reilly) and his contentious relationship with Thomas Edison (the always intensely weird Crispin Glover).

These are the only official episodes of the series (plus a very special Christmas episode included below), so beware of the unofficial knockoffs, most of which are pretty terrible. In fact, the one I linked to there is pretty much the only one that’s watchable, and it’s still nowhere near as good as the real thing. In addition to the recognizable stars, look for Waters’ name and also that of series director Jeremy Konner to avoid being duped.

  

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SXSW Film Fest 2012: Day One

This is my third year down in Austin for the South by Southwest film festival, and I think that I’ve finally figured out the science to covering the event all on my lonesome. Instead of past years, where I’ve done a mix of both full-length and shorter movie reviews, this time around, I’m going to be doing daily blogs with even shorter, capsule-style reviews of the films that I saw the previous day. I’m hoping this will make me more productive than usual, but as my schedule is constantly in flux, please bear with me. And if you can’t wait for my daily posts, be sure to follow me on Twitter @JasonZingale for more.

“The Cabin in the Woods”

Leave it to Joss Whedon to take the horror genre and turn it on its head. Though it appears to be nothing more than a typical slasher flick at first sight, “The Cabin in the Woods” (which was directed by Drew Goddard and co-written with Whedon) is an entertaining and completely original genre hybrid film that has more than a few tricks up its sleeve. The setup is simple: five friends head to a cabin located in the middle of nowhere for a weekend of fun, only to find themselves fighting for their lives when they accidentally resurrect a family of killer rednecks from the dead. Of course, there’s much more to the story than that, as the audience learns very early on that there’s a third party behind all the death and destruction. It’s an excellent twist on a tired genre, with Whedon and Goddard’s script not only defying convention on several occasions, but also lightening the mood with deft strokes of humor. Though the film features Chris Hemsworth in a role that precedes his “Thor” days, the real stars are Fran Kranz (from Whedon’s short-lived “Dollhouse”) as the pot-smoking comic relief, and Richard Jenkins and Bradley Whitford as the men orchestrating all the mayhem. It goes a bit off the rails in the final act, but for a movie this ambitious, sometimes it takes that kind of risk to yield such a refreshing reward.

“The Babymakers”

It may not be an official Broken Lizard movie in theory, but that’s not going to stop some people from comparing “The Babymakers” to the group’s other films, mainly because it was directed by Jay Chandrasekhar and features him and fellow member Kevin Heffernan in supporting roles. But while it definitely shares the group’s brand of goofball humor, “The Babymakers” feels like a cheap imitation without the other Lizards. Fortunately, it still has its share of funny moments thanks to Paul Schneider, who delivers a wonderfully dry performance as a man so desperate to impregnate his wife (Olivia Munn) that he plots to steal the last vial of sperm he donated years before after learning that his current count is too low for conception. Much like fellow “Parks and Rec” alumnus Adam Scott, Schneider has been on the verge of a big breakout for years, and “The Babymakers” proves that he’s a more than capable comedic lead. Munn is better than usual, but she’s definitely not leading lady material, while the rest of the cast fails to do much with a script that goes for the easy joke far too often. And that’s a shame, because with a sharper script and better execution, “The Babymakers” could have been the perfect Broken Lizard vehicle.

  

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