2016 Year-End Movie Review: Jason Zingale


2016 will likely go down as one of the most depressing years in recent history, but that has more to do with a certain reality TV host being elected President of the United States, not to mention some particularly hard-hitting celebrity deaths, than the movies we watched along the way. In fact, despite the usual collection of flops, disappointments and general mediocrity, there were a number of great films throughout the year spanning a wide range of genres, which is evident in my own Top 10. Though I stand behind every choice on this list, it should in no way be considered definitive due to some elements out of my control (for instance, Martin Scorsese’s “Silence” not being screened in time) and an extraordinarily busy holiday season.

Best Films of 2016


For as old-fashioned as “Hell or High Water” feels at times, it’s a movie that deals with some incredibly timely themes, especially in a post-election America still reeling from the last economic depression. Following his little-seen 2013 gem “Starred Up,” director David Mackenzie delivers yet another engaging family-centric story (based on a script by “Sicario” writer Taylor Sheridan) that excels in its simplicity. It’s gorgeously shot, displaying both the beauty and sadness of its picturesque landscape, and features a trio of excellent performances from Chris Pine, Ben Foster and Jeff Bridges. Nobody does unhinged quite like Foster, and this is easily Pine’s best work in years, but the movie ultimately belongs to Bridges as the devilishly funny, veteran Texas Ranger who would rather go down in a hail of bullets than be forced into retirement. Though the film follows a pretty standard cops-and-robbers formula, it does so with such razor-sharp proficiency and well-drawn characters that it succeeds not only as a terrific genre flick but a modern American classic in the same vein as “No Country for Old Men.”



An incredibly moving, intimate and authentic story about a broken man who’s forced to confront his demons, “Manchester by the Sea” is the most devastating, heart-wrenching drama of the year. Casey Affleck is phenomenal in the lead role, delivering a subtle but powerful performance that showcases an actor at the top of his game, while Michelle Williams, Kyle Chandler and relative newcomer Lucas Hedges all deliver outstanding work in supporting roles. Though the movie is sprinkled with quite a bit of humor (much more than you’d expect for the subject matter), “Manchester by the Sea” is primarily a portrait of grief and how it affects everyone differently. There’s no guidebook or one-size-fits-all remedy to mending a broken heart, and writer/director Kenneth Lonergan conveys that point beautifully amid the wintry, gloomy backdrop of his New England setting. “Manchester by the Sea” is heavy stuff, but for a film that deals mainly in misery, it never feels exploitative, and that goes a long way in earning your attention and respect.


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Movie Review: “Nocturnal Animals”

Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Armie Hammer, Isla Fisher, Ellie Bamber
Tom Ford

It’s been seven years since fashion designer Tom Ford made his directorial debut with “A Single Man,” and although that movie was an impressive showcase for Ford’s visual panache that netted Colin Firth a much-deserved Oscar nomination, it left audiences wondering if he would be able to replicate that success. It may have taken a little longer than expected (after all, he has a fashion empire to run), but Ford confirms his debut was no fluke with a more ambitious and confident follow-up that’s every bit as stylish. Based on Austin Wright’s 1993 novel “Tony and Susan,” “Nocturnal Animals” is a dark and disturbing adult thriller that gets under your skin and stays there, and while it’s not always a pleasant experience, that’s what makes it so effective.

The film opens in truly shocking style with a montage of obese, mostly naked women dancing in a shower of glitter that turns out to be part of an art show curated by Los Angeles gallery owner Susan Morrow (Amy Adams). Susan has everything she could possibly want – a dashing husband (Armie Hammer), a luxurious mansion and a supportive group of wealthy friends – but she’s not happy, trapped in an unfulfilling career and a loveless marriage that’s on the verge of falling apart. One day, Susan receives a package containing a manuscript from her ex-husband Tony Hastings (Jake Gyllenhaal), whom she left 20 years earlier when he was still just a struggling writer, and is surprised to discover that the unpublished novel, titled “Nocturnal Animals,” has been dedicated to her.

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