2016 Year-End Movie Review: Jason Zingale
2016 will likely go down as one of the most depressing years in recent history, but that has more to do with a certain reality TV host being elected President of the United States, not to mention some particularly hard-hitting celebrity deaths, than the movies we watched along the way. In fact, despite the usual collection of flops, disappointments and general mediocrity, there were a number of great films throughout the year spanning a wide range of genres, which is evident in my own Top 10. Though I stand behind every choice on this list, it should in no way be considered definitive due to some elements out of my control (for instance, Martin Scorsese’s “Silence” not being screened in time) and an extraordinarily busy holiday season.
Best Films of 2016
For as old-fashioned as “Hell or High Water” feels at times, it’s a movie that deals with some incredibly timely themes, especially in a post-election America still reeling from the last economic depression. Following his little-seen 2013 gem “Starred Up,” director David Mackenzie delivers yet another engaging family-centric story (based on a script by “Sicario” writer Taylor Sheridan) that excels in its simplicity. It’s gorgeously shot, displaying both the beauty and sadness of its picturesque landscape, and features a trio of excellent performances from Chris Pine, Ben Foster and Jeff Bridges. Nobody does unhinged quite like Foster, and this is easily Pine’s best work in years, but the movie ultimately belongs to Bridges as the devilishly funny, veteran Texas Ranger who would rather go down in a hail of bullets than be forced into retirement. Though the film follows a pretty standard cops-and-robbers formula, it does so with such razor-sharp proficiency and well-drawn characters that it succeeds not only as a terrific genre flick but a modern American classic in the same vein as “No Country for Old Men.”
An incredibly moving, intimate and authentic story about a broken man who’s forced to confront his demons, “Manchester by the Sea” is the most devastating, heart-wrenching drama of the year. Casey Affleck is phenomenal in the lead role, delivering a subtle but powerful performance that showcases an actor at the top of his game, while Michelle Williams, Kyle Chandler and relative newcomer Lucas Hedges all deliver outstanding work in supporting roles. Though the movie is sprinkled with quite a bit of humor (much more than you’d expect for the subject matter), “Manchester by the Sea” is primarily a portrait of grief and how it affects everyone differently. There’s no guidebook or one-size-fits-all remedy to mending a broken heart, and writer/director Kenneth Lonergan conveys that point beautifully amid the wintry, gloomy backdrop of his New England setting. “Manchester by the Sea” is heavy stuff, but for a film that deals mainly in misery, it never feels exploitative, and that goes a long way in earning your attention and respect.
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Posted in: Entertainment, Movies
Tags: 2016 Year End Movies, Arrival, best films of 2016, best movies of 2016, Green Room, Hell or High Water, Kubo and the Two Strings, La La Land, Manchester by the Sea, Nocturnal Animals, Rogue One, Sing Street, The Nice Guys
Blu Tuesday: Hell or High Water and More
Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.
“Hell or High Water”
WHAT: When a divorced father (Chris Pine) desperate to provide for his two sons learns that the bank is going to foreclose on his family’s ranch, he teams up with his ex-con brother (Ben Foster) to pull off a series of robberies at the bank’s various branches across Texas. Hot on their trail is Texas Ranger Marcus Hamilton (Jeff Bridges), an aging lawman who would rather go down in a blaze of glory than be forced into retirement.
WHY: For as old-fashioned as “Hell or High Water” feels at times, it’s a movie that deals with some incredibly timely themes, especially in a post-election America still reeling from the last economic depression. Following his little-seen 2013 gem “Starred Up,” director David Mackenzie delivers yet another engaging family-centric story (based on a script by “Sicario” writer Taylor Sheridan) that excels in its simplicity. It’s gorgeously shot, displaying both the beauty and sadness of its picturesque landscape, and features a trio of excellent performances by Chris Pine, Ben Foster and Jeff Bridges. Nobody does unhinged quite like Foster, and this is easily Pine’s best work in years, but the movie ultimately belongs to Bridges, who’s devilishly funny as the veteran Texas Ranger, trading affectionately racist barbs with his Mexican/Native American partner played by Gil Birmingham. Though the film follows a pretty standard cops-and-robbers formula, it does so with such razor-sharp proficiency and well-drawn characters that it succeeds not just as a terrific genre film but a modern American classic in the same vein as “No Country for Old Men.”
EXTRAS: There’s a trio of featurettes on the characters, performances and visual style of the movie, footage from the red carpet premiere and a filmmaker Q&A.
FINAL VERDICT: BUY
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Movie Review: “Hell or High Water”
Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham, Katy Mixon, Kevin Rankin
“Hell or High Water” is one magnificently self-aware film. There is a strong Coen brothers vibe to both the plot and the dialogue (if “Blood Simple” and “Fargo” were forced to mate, the offspring would turn out a lot like this), which is why the casting of Jeff Bridges is a stroke of genius. As a Coen veteran, he understands the material, and is able to not just humanize a character that would be monstrous in the hands of a lesser actor – he’s able to make the character charming and likable.
In the bleak, seemingly waterless landscape of west Texas, Toby Howard (Chris Pine) and his ex-con brother Tanner (Ben Foster) begin the day by robbing two small banks of all of their chump change. The Howards are in danger of losing their farm to the very bank that they’re robbing; the plan is to pay off their debt with the bank’s own money and put the land in a trust to benefit Toby’s children. Due to the amount of money being stolen, the FBI isn’t interested in investigating the case, but Texas Ranger Marcus Hamilton (Bridges) has a week until he retires, so he drags his reluctant partner Alberto Parker (Gil Birmingham) along for one last rodeo.
There aren’t a lot of moving parts here, and that is a good thing. Screenwriter Taylor Sheridan (“Sicario”) keeps his characters focused on their respective prizes, with no unnecessary side plots about poor people foolishly spending their newfound riches, a common trap to these types of stories. The most pleasant surprise is how funny the movie is, and not solely of the pitch-black variety. There are some gut-busting moments here. The waitresses, in particular, bring the funny in spades.
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