Movie Review: “Man of Steel”

Starring
Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner, Diane Lane, Laurence Fishburne
Director
Zack Snyder

Marvel and DC Comics may be viewed as equals in the publishing arena, but the latter is hopelessly losing the battle when it comes to their respective film divisions. While Marvel has released one hit after the next (culminating in last year’s mega hit “The Avengers”), DC has failed to launch a single successful franchise other than Christopher Nolan’s Dark Knight trilogy. 2006’s “Superman Returns” was a big disappointment, 2011’s “Green Lantern” was even worse, and Joss Whedon’s long-mooted Wonder Woman project was ultimately axed, leading him to direct the aforementioned “Avengers” for the competition.

But in trying to reboot their Superman franchise, parent company Warner Bros. did something very smart – they enlisted the aid of Nolan and Batman co-writer David S. Goyer to usher in a new era of Kyrpton’s favorite son. And if “Man of Steel” is any indication, that was a great move on the part of the studio, not only because they’ve finally managed to do Superman right, but because it shows that they’re thinking about the bigger picture, both for their flagship character and the DC movie universe as a whole.

“Man of Steel” is a giant-sized film with so much on its plate that it takes nearly 30 minutes before Clark Kent/Kal-El (Henry Cavill) even makes his first appearance. The movie opens with a prologue set on Krypton amid a military coup by General Zod (Michael Shannon) in a last-ditch attempt to save their dying planet. But scientist Jor-El (Russell Crowe) doesn’t agree with Zod taking such desperate measures, and instead launches his newborn son Kal-El (the first natural born Kryptonian in centuries) to Earth in the hope that he can save that planet from making the same mistakes. In the end, Zod and his cronies are captured and sentenced to the Phantom Zone, while Krypton is destroyed.

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Boardwalk Empire 2.1 – Welcome Back to Sodom by the Sea

Greetings, all, and welcome back to Prohibition-era Atlantic City. Since the Season 1 DVD set of “Boardwalk Empire” has yet to emerge, I have to admit that my memory on what went on when last we saw Nucky Thompson and the rest of the gang isn’t as fresh as it perhaps ought to be, so I’m hoping that your recollections are similarly imprecise. If not, then lord knows I’ll hear about it, but I’ll keep my fingers crossed and just dive right in, shall I?

The first sight we see this season is a bunch of kids running through the surf, picking up…a bottle? I think it was a bottle. Maybe it’s just because I was watching the episode as an advance screener, but it was so damned dark that I honestly couldn’t tell exactly what they were picking it up. But, hey, it’s a show about running bootleg liquor during Prohibition, so a bottle makes about as much sense as anything else, and I’m going to take a similar stab in the dark and presume that what they’re moving onto trucks in the next shot is crates of the same stuff. Basically, the whole segment is intended to give us a quick look at what all of the usual suspects are doing nowadays, and it looks for the most part that they’re still doing about the same thing they were when we left them. Nucky’s still enjoying the 24-hour party while Margaret remains at home, Jimmy’s busy handling the transport of product to Chalky White, Eli’s recovering from his wounds, Agent Van Alden’s with his wife, and…hey, wow, look how much more energy the Commodore’s got! Amazing how reinvigorated one can be when they stop ingesting poison, huh? Unfortunately, it isn’t long before all of the joviality is replaced by tragedy, with Chalky’s operation being abruptly machine-gunned into oblivion by a bunch of KKK members. Pretty horrifying stuff, and although Chalky manages to make it out alive, he’s rightfully pissed about what’s gone down. (At least he manages to take one of his attackers down before they drive away.)

Nucky and Margaret may be making this relationship work, but it’s clearly having a toll on the kids. After pulling an all-nighter, Nucky arrives to find Teddy ensconced under the dining room table, refusing to go to school because he’s been so traumatized by the nuns, but Nucky talks him out by sharing his own past educational experiences, leaving the adults to enjoy a bit of tense conversation amongst themselves. It might’ve shifted into a little bit of loving, but thanks to the nattering of the children, Nucky bails out, leaving Margaret understandable frustrated. Uh-oh, Teddy, you’re in trouble…

Looking in on Angela and Jimmy, it’s clear that Angela’s still an emotional wreck after losing out on the lesbian love of her life at the tail end of last season. She might be trying to put on the façade of family happiness, but there’s misery dripping from every word out of her mouth, and she obviously has no tolerance for Jimmy’s mother, Gillian. Speaking of which, how incredibly creepy was it when, apropos of nothing, she announced that she used to kiss Jimmy’s wee winkie once upon a time. Talk about your awkward revelations. Meanwhile, in Chicago, Capone’s still got a chip on his shoulder when it comes to people perceiving him as Johnny Torrio’s lackey, as evidenced by his reaction to George Remus, whose ridiculous tendency to refer to himself in the third person completely confuses Capone. Remus submits a plan to help Torrio do an end-run around Nucky Thompson, which Torrio accepts, quickly passing the buck to Capone on the matter of informing Nucky that his services will no longer be required.

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