Movie Review: “Lights Out”

Starring
Teresa Palmer, Gabriel Bateman, Maria Bello, Alexander DiPersia
Director
David F. Sandberg

Had “Lights Out” been released after “The Ring,” it might be considered one of the all-time greats of supernatural horror. It has a genuinely creepy (if slight) premise, courtesy of a relentless, unstoppable villain, and several blood-chilling scenes. The film’s biggest problem is that it doesn’t trust its stuff, falling for the cliché trick of needlessly filling the score with crashing, ‘Boo!’ punches of percussion when the movie was already perfectly scary. Director David F. Sandberg would have been wise to take a page from executive producer James Wan’s “Conjuring” films and let the camera do the talking, rather than the score.

Martin (Gabriel Bateman) is concerned for his mother Sophie (Maria Bello). He hears her talking to herself at night, and one night, he sees something frightening that he cannot understand. Martin begins falling asleep at school, since he refuses to sleep at night. When Sophie doesn’t answer calls from Child Protective Services after Martin has fallen asleep for the third time in a week, Martin’s adult half-sister Rebecca (Teresa Palmer) picks him up. When Martin tells Rebecca about Sophie’s friend Diana, Rebecca stops in her tracks. Diana was a girl that befriended Sophie when both were under psychiatric care as teenagers. Diana died during an unconventional treatment called light therapy, and in death, she has latched on to Sophie, moving in the darkness. (Rebecca saw Diana as a child too, but no one believed her.) As Martin and Rebecca learn more about Diana, the more aggressive Diana fights to keep Sophie to herself.

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Bullz-Eye’s 2011 Fall TV Preview: What’s New for NBC

Monday

The Playboy Club

(10 – 11 PM, Sept. 19)

Amber Heard in The Playboy Club

The competition: Castle (ABC), Hawaii Five-0 (CBS)

Starring: Eddie Cibrian, Amber Heard, Laura Benanti, Jenna Dewan Tatum, Wes Ramsey, Naturi Naughton, Leah Renee, Jenifer Lewis, David Krumholtz

Executive producers: Brian Grazer, Chad Hodge (“Runaway,” “Tru Calling”), Francie Calfo (“Scoundrels”), Jason Burns and Dick Rosenzweig (“The House Bunny,” “The Girls Next Door”), and Ian Biederman (“Law & Order: Special Victims Unit”).

What the network says: “Nick Dalton is the ultimate playboy and one of the city’s top attorneys, rubbing elbows with everyone in the Windy City’s power structure. With mysterious and complicated ties to the mob, he comes to the aid of Maureen, the stunning and innocent new Bunny at the club, who accidentally kills the patriarch of the Bianchi crime family. Dating Nick is Carol-Lynne, a bombshell of a beauty and an established star at the Playboy Club who’s ready to be more than a Bunny. As she seeks an opportunity to elevate her stature even higher at the club, she can’t help but notice that something is developing between Nick and Maureen. Adding to the charm of the club is Janie, the foxy and carefree life of the party who is dating Max, a sweet and romantic bartender. Brenda, a stunning beauty with a dry wit, has big aspirations. Bunny Alice manages to take care of everyone but herself, and while married, is hiding a huge secret from everyone. Pearl is the club’s seamstress who’s been there since day one and knows more about what it takes to survive than anyone. Running the club and answering only to the top is general manager Billy Morton, who also shares a close friendship with Nick. With all of these larger-than-life ambitions, there are even greater secrets. It’s a good thing Hef’s Playboy Mansion is open after hours for a little R&R – and burying your past.”

What we say: Given that this is “the guys’ portal to the web,” it should come as no surprise to find that we here at Bullz-Eye find this series to be imminently watchable, in no small part because of the ever-gorgeous Amber Heard. It must be said, however, that the similarity in feel to “Mad Men” is almost unbearable at times, not just because it’s set in the ’60s, but also because if you close your eyes when Eddie Cibrian is talking, it might as well be Jon Hamm. Plus, not only is there a lot of melodrama on hand with the blend of romance and criminal activity, but the idea of having actors playing real ’60s celebrities – in the pilot episode, Ike and Tina Turner perform at the club – brings back dormant memories of “American Dreams.” By the time the proceedings are over, there’s really only one question to be asked: will beautiful babes in bunny costumes be enough to keep us coming back? Up to a point, sure…which makes sense, since that’s why people kept coming back to the real Playboy Club. As for the show, though, we’ll see where things stand after a few episodes.

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