2015 Year-End Movie Review: David Medsker

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I am not a difficult person to please when it comes to movies. There is a big joke among the film critics in town that we are either film critics or movie reviewers, meaning that film critics dissect everything at a subatomic level, while movie reviewers talk about whether or not they liked the film. I am squarely in the latter category.

This year, however, something was off. There are films getting a ton of film group buzz that I just didn’t get, and even worse, I found myself enjoying what was widely considered to be the worst movie of the year, but more on that later. First up, the movies I liked.

Movies I Liked

1. “SPOTLIGHT”

Nothing comes even close to this one. This expertly-paced account of the Boston Globe’s expose on the Catholic Church’s systematic covering up of abusive priests is top-notch storytelling, one in which the city of Boston becomes not just the backdrop, but the main character.

2. “KINGSMAN: THE SECRET SERVICE”

Ten bucks says Daniel Craig likes this film more than any of the Bond films he’s done, and with good reason. “Kingsman” is the most entertaining spy movie I’ve ever seen, and it earned this spot on my list for the church scene alone.

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3. “THE REVENANT”

The bear attack. Once you’ve seen it, you can’t un-see it. Alejandro Inarritu’s film about life in the Pacific Northwest in the 1820s is every bit as hostile and unforgiving as the landscape in which it is based. There is a scene, though, where Leonardo DiCaprio’s character gets his hands on some raw meat (the first he has seen in a while), and he scarfs it down, even though there is a fire burning nearby. Dude, put it on a stick and cook that thing!

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Movie Review: “Inside Out”

Starring
Amy Poehler, Phyllis Smith, Mindy Kaling, Bill Hader, Lewis Black, Richard Kind, Diane Lane, Kyle MacLachlan
Directors
Pete Docter & Ronaldo Del Carmen

“Inside Out” has a sweet, entertaining story at its core, but it requires one of the characters to act like a complete idiot in order to set it into motion, and no matter how enjoyable the rest of the movie may be – and thankfully, it is – those acts will linger in the back of your mind, which, come to think of it, the filmmakers might find ironically funny. It’s not, though; it’s a shortcut, the kind of thing Pixar steadfastly avoided in their storytelling for well over a decade, and now that they have been getting their asses kicked by their peers at Disney Animation (“Frozen,” “Wreck-It Ralph,” “Big Hero 6”) for the last three years, you’d think that they would come up with a better story than this. And to be fair, they came up with a good concept; it just has a bad setup.

As Riley Anderson (Kaitlyn Dias) is born, we see her emotions being “born,” as it were, in her head. The first two, as one might imagine, are Joy (Amy Poehler) and Sadness (Phyllis Smith), but they are soon joined by Fear (Bill Hader), Anger (Lewis Black, in the part he was born to play), and Disgust (Mindy Kaling). Most of the time, Joy is in charge of Riley’s emotions because Riley lives a charmed life, but when Riley’s father moves the family from Minnesota to San Francisco for a work opportunity, Riley’s emotions are all out of whack, a problem that is worsened when Sadness continues to taint core memories so that they turn from happy ones to sad ones in Riley’s mind. In her attempt to stop this from happening, Joy tries to take control of the situation, but in the process, she and Sadness accidentally get transferred to Riley’s long-term memory and far away from the control panel, leaving Fear, Anger and Disgust in charge. Riley becomes an emotional wreck, and the longer Joy is away, the worse things get.

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Coming Soon: A Moviegoer’s Guide to June

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After a successful start to the summer thanks to surefire hits like “Avengers: Age of Ultron” and over-performers like “Pitch Perfect 2” and “Mad Max: Fury Road,” the blockbuster movie season continues with a pair of much-anticipated sequels, the big screen debut of an HBO favorite, and a welcome return to originality from the brilliant minds at Pixar. This month also features its share of Sundance favorites, so you’ll have a hard time not finding an excuse to visit your local theater a few times throughout June.

“Entourage”

Who: Adrian Grenier, Kevin Connolly, Jeremy Piven, Kevin Dillon and Jerry Ferrara
What: As his first piece of business as Warner Brothers’ new studio head, former super-agent Ari Gold greenlights Vincent Chase’s directorial debut.
When: June 3rd
Why: It’s been four years since “Entourage” ended its incredible run on HBO, and in that time, there’s been a lot of talk about a potential big screen revival from series creator Doug Ellin, producer Mark Wahlberg and the cast. But now that it’s finally here, does anyone even care? That’s what we’re about to find out, but if “Sex & the City” (which had a similar gap between its series finale and the first movie) is any indication, the studio has nothing to worry about. “Entourage” already has a built-in audience, so the real question is whether non-fans will bother to take the plunge, and perhaps more importantly, how much they’ll need to know about the series to understand the events of the film.

“Spy”

Who: Melissa McCarthy, Jason Statham, Rose Byrne and Jude Law
What: A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer and prevent diabolical global disaster.
When: June 5th
Why: Despite starring in some of the worst comedies of the last few years, there doesn’t seem to be any sign of Melissa McCarthy slowing down. For what it’s worth, “Spy” looks like it might be McCarthy’s best starring vehicle to date, although that’s largely due to the other people involved. It’s nice to see Jason Statham finally getting a crack at comedy (even if he’s playing the straight man here), while Jude Law and Rose Byrne are some of the most dependable actors in the business. The movie also played like gangbusters at SXSW earlier this year, and though that’s not exactly the best gauge of its quality, it can’t be any worse than “Tammy.”

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