Now that awards season is well and truly over, it’s time to turn our attention to the new movies hitting theaters this month, although from the look of things, there’s not much to get excited about. With the exception of Neill Blomkamp’s latest sci-fi treat, there isn’t a single March release that I’m genuinely looking forward to seeing, and while there’s always the possibility that one or more of these films will surprise, I wouldn’t get my hopes up just yet.
Who: Sharlto Copley, Hugh Jackman, Dev Patel and Sigourney Weaver What: When a police droid named Chappie is stolen and given new programming, he becomes he first robot with the ability to think and feel for himself. When: March 6th Why: Neill Blomkamp’s “Elysium” was a disappointment on a number of levels, so it’s nice to see the director hasn’t wasted any time erasing the memory of that movie with a new sci-fi project that appears to have more in common (both tonally and thematically) with “District 9,” the film that put him on the map. The decision to reteam with Sharlto Copley – who was hands-down the best thing about Blomkamp’s previous efforts – was a no-brainer, but if there’s anything that could possibly upstage him this time around, it’s Hugh Jackman (playing against type as the film’s villain) and his glorious mullet. That, or the killer visual effects.
Who: Vince Vaughn, Dave Franco, Tom Wilkinson, James Marsden and Sienna Miller What: A hard-working small business owner and his two associates travel to Europe to close the most important deal of their lives. When: March 6th Why: It’s hard to believe that Hollywood is still betting on Vince Vaughn, because he’s not the comedy star he once was. He hasn’t had anything resembling a hit in years, and it’s been just as long since his last good film, which isn’t a coincidence. Though Vaughn’s upcoming stint on “True Detective” could prove to be the launch pad for his comeback, audiences will first have to suffer through this barrage of low-brow frat humor whose biggest crime isn’t how dreadfully unfunny it looks, but that it managed to convince a classy actor like Tom Wilkinson to submit himself to such stupidity. Does he owe back taxes or something?
“Run All Night”
Who: Liam Neeson, Ed Harris, Joel Kinnaman and Genesis Rodriguez What: An aging hitman is forced to take on his brutal former boss in order to protect his estranged son and his family. When: March 13th Why: It’s great that Liam Neeson has been able to revitalize his career by playing a bunch of senior citizen badasses with a particular set of skills, but even he must realize that it’s beginning to veer towards parody. Not only does “Run All Night” reunite the actor with director Jaume Collete-Serra, whose previous collaborations include the generic action thrillers “Unknown” and “Non-Stop,” but with some basic rewrites, it could easily be the next installment in the “Taken” franchise. Neeson’s latest shoot-‘em-up does boast a better-than-usual cast with veterans like Ed Harris and Vincent D’Onofrio, but sadly, it looks like just more of the same.
It may only be February, and half of the country may still be buried under a foot of snow, but there’s a decidedly pre-summer feel to this month’s releases – the time of year when studios unleash a barrage of popcorn-friendly movies on audiences that aren’t deemed important enough for the summer season. Delayed blockbusters with big-name stars? Check. Unnecessary sequels to cult comedies? Check. Edgy comic book adaptations with breakout potential? Check and check. In fact, the February slate is so different from what we typically expect that instead of the usual hoard of Valentine’s Day shlock, women get a film about BDSM instead. How kinky.
Who: Mila Kunis, Channing Tatum, Eddie Redmayne, James D’Arcy and Sean Bean What: A lowly caretaker who is actually intergalactic royalty teams up with a genetically engineered warrior to stop a tyrant from taking control of Earth. When: February 6th Why: It’s never a good sign when a movie gets postponed, especially one as big as “Jupiter Ascending,” but what really set off alarm bells was the decision to move it from a prime summer release date to the dead zone of February. The studio claims that the delay was to provide the Wachowskis with extra time to polish the visual effects, but that’s just Hollywood talk for covering up a deeper issue. Whether it’s because “Jupiter Ascending” isn’t very good, or because the sibling duo’s last film (“Cloud Atlas”) performed so poorly at the box office, there’s a reason why Warner Bros. suddenly lost confidence in the movie. And when you have Channing Tatum playing a half-werewolf bounty hunter, that’s bound to happen.
Who: Ben Barnes, Jeff Bridges, Julianne Moore and Alicia Vikander What: A young man is apprenticed to the local Spook to learn to fight evil spirits, and his first great challenge comes when the powerful Mother Malkin escapes her confinement. When: February 6th Why: If you thought the delay of “Jupiter Ascending” was bad, that’s nothing compared to “Seventh Son,” which has seen its release date change three times over the past two years. Originally scheduled for early 2013, the fantasy film – which is based on the first book in Joseph Delaney’s young adult series – actually boasts a really good cast, including Jeff Bridges, Julianne Moore, Olivia Williams and Kit Harrington of “Game of Thrones” fame. Unfortunately, this looks like pretty standard sword-and-sorcery fare, with Bridges basically playing a variation of the Rooster Cogburn character from “True Grit” and “R.I.P.D.” Fans of the genre will probably get a kick out of it, but it’s unlikely that “Seventh Son” will have much life beyond that.
“Kingsman: The Secret Service”
Who: Colin Firth, Taron Egerton, Samuel L. Jackson, Mark Strong and Michael Caine What: A veteran secret agent takes a young upstart under his wing just as a global threat emerges from a twisted tech genius. When: February 13th Why: After satirizing the superhero genre with “Kick-Ass,” the creative team behind that film (director Matthew Vaughn, co-writer Jane Goldman and comic book writer Mark Millar) returns with an equally over-the-top take on spy films. Developed separately from the Millar-penned comic on which it’s loosely based, Vaughn’s big screen adaptation looks a lot more fun, bursting with the energy and humor that was lacking in Millar’s version. It’s incredible to think that Colin Firth was never considered for the James Bond gig, because he’s perfectly cast as the badass super-spy, while newcomer Taron Egerton is already garnering acclaim for his debut role. Early buzz for this one is through the roof, and if you’ve seen the trailer, then you can understand why.
January used to be a place where studios could dump their worst films like an orphan on the front steps of a church, but over the past few years, there’s been a noticeable improvement in the quality of the releases. For the most part, the movies still suck, but following the box office success of films like “Taken” and “Ride Along,” the studios seem more willing to give higher-profile titles a chance to perform against the weaker competition. It doesn’t make much difference in the long run, but if you’re able to catch just one good film that you wouldn’t have otherwise seen during a busier season, then it’s a win-win for everyone involved.
Who: Liam Neeson, Forest Whitaker, Maggie Grace and Famke Janssen What: After he’s accused of a ruthless murder he didn’t committed, Bryan Mills goes on the run in order to find the true killer and clear his name. When: January 9th Why: Thankfully, no one’s been taken this time around, because that would have been too ridiculous even for this series, which already requires a willing suspension of disbelief not seen since the days of “24.” Though it’s unclear if the men framing Mills in this movie are connected to the bad guys from the first two films, the real draw of “Taken 3” (other than the action, of course) is its “Fugitive”-like storyline, which finally gives Liam Neeson a worthy co-star in Forest Whitaker. And if Neeson truly is done with the series after this installment, Luc Besson could easily keep it going with Whitaker’s federal agent. That is, provided he’s not the villain.
Who: Chris Hemsworth, Viola Davis, Wei Tang and John Ortiz What: A hacker is released from prison to help American and Chinese authorities pursue a mysterious cyber criminal. When: January 16th Why: It’s been awhile since Michael Mann made a great film, and though it’s unlikely that will change with “Blackhat,” the techno-thriller at least looks more entertaining than his last few movies. Plus, it comes with the added bonus of being released on the heels of the highly publicized Sony hacks, which gives it a sense of timeliness that Mann couldn’t have planned better himself. Though Chris Hemsworth doesn’t exactly look like your typical hacker, he’s proven that he has the charisma and talent to be a really good leading man, and it’s the collaboration between actor and director that gives me hope that, if nothing else, “Blackhat” will be a fun distraction.
“The Wedding Ringer”
Who: Josh Gad, Kevin Hart, Kaley Cuoco-Sweeting and Alan Ritchson What: A shy young groom needs to impress his in-laws, so he turns to a best-man-for-hire to help him out. When: January 16th Why: Kevin Hart has become to January what Will Smith used to be to Fourth of July weekend: box office gold. Simply put, the guy is on fire, and Screen Gems, the studio behind three of his most recent hits, is milking him for everything he’s worth. But while both Hart and Josh Gad can be funny with the right material, there’s no getting around the fact that “The Wedding Ringer” – which is basically “Hitch” meets “I, Love You Man” – looks pretty dumb. There are a few good bits in the trailer (especially that “Goonies” line), but if that’s the best the marketing team could find, you’d be wise to steer clear.
The holidays are just around the corner, which means that it’s officially time for awards season, even if a number of studios got an early start last month. Although there aren’t as many options as you would expect from November, the release schedule is packed with promising titles, including Christopher Nolan’s latest mind-bender, Oscar hopefuls starring Steve Carrell and Benedict Cumberbatch, and the penultimate installment of the “Hunger Games” series.
Who: Matthew McConaughey, Anne Hathaway, Jessica Chastain and Wes Bentley What: A group of explorers make use of a newly discovered wormhole to travel through space in search of an inhabitable planet for the human race. When: November 7th Why: Christopher Nolan’s latest sci-fi flick has been so shrouded in secrecy that it seems rude to even talk about it, and therefore, I’d actually recommend skipping this entry altogether. But if you’ve already seen the trailer or have been following your favorite movie blogger on Twitter, then you’re probably aware that “Interstellar” has reached “OMG Best Movie Ever” levels of excitement. Of course, it’s that kind of ridiculous hyperbole that has made me super cautious about my own expectations for the film, because while Nolan has proven that he’s one of the best directors in the game, and star Matthew McConaughey can seemingly do no wrong at the moment, chances are that although “Interstellar” will be really good – great, even – it won’t be the cinema-defining masterpiece that some are expecting.
“Big Hero 6″
Who: Ryan Potter, Scott Adsit, Jamie Chung, Genesis Rodriguez and T.J. Miller What: Child prodigy Hiro Hamada and his plus-sized inflatable robot Baymax team up with a group of friends to form a band of high-tech heroes. When: November 7th Why: Pixar may be taking the year off, but Disney wasn’t going to loosen its grasp on the Best Animated Featured category without putting up a fight, although it’s hard to see “Big Hero 6” competing with likes of “The LEGO Movie.” Based on the little-known Marvel comic of the same name, the film certainly looks impressive with its stylish art design, while the cute and cuddly Baymax (whose robotic influences range from WALL*E to C3PO) will likely make Disney millions of dollars based on toy sales alone. Though “Big Hero 6” doesn’t pique my interest nearly as much as the studio’s 2012 hit “Wreck-It Ralph,” here’s hoping that it’s a giant success, if only because it may lead to more animated versions of other forgotten Marvel properties in the future.
“The Theory of Everything”
Who: Eddie Redmayne, Felicity Jones, Charlie Cox and Emma Watson What: A look at the relationship between the famous physicist Stephen Hawking and his wife. When: November 7th Why: It’s actually pretty surprising that it’s taken this long for someone to make a proper biopic about Stephen Hawking (not counting the 2004 TV movie starring Benedict Cumberbatch, of course), especially considering his prominence not only in the scientific world, but pop culture as well. Director James Marsh’s first narrative feature, “Shadow Dancer,” may not have received the same attention as his documentaries (“Man on Wire” and “Project Nim”), but his follow-up is guaranteed to be in the awards mix thanks to some early buzz following its premiere at the Toronto International Film Festival. The same goes for star Eddie Redmayne, whose performance as Hawking has already garnered praise as the one to beat at this year’s Oscars. And though it’s still early, the trailer does a damn good job of backing up those comments.
October has never really been known for its quality, but in recent years, studios have been a lot more open about releasing potential awards contenders alongside the usual array of horror flicks. In fact, 2013 saw two of the year’s most-nominated movies – “Gravity” and “12 Years a Slave” – released during this time, and that trend appears to continue this year as well, with no fewer than six potential Oscar hopefuls debuting throughout the month. The October lineup is certainly tasty, which is only good news for moviegoers, because that means you can see some of these prospective gems that much sooner.
Who: Ben Affleck, Rosamund Pike, Neil Patrick Harris and Tyler Perry What: When his wife’s disappearance becomes the focus of an intense media circus, a man sees the spotlight turned on him when he’s suspected of foul play. When: October 3rd Why: With the exception of “Aliens 3,” David Fincher’s body of work is almost flawless, and there’s little reason to believe that “Gone Girl” will change that. Though this marks his fifth film in a row to be adapted from preexisting source material, Gillian Flynn’s best-selling novel is tailor-made for the edgy director. The decision to hire Flynn to also write the screenplay was certainly a bold move, but Fincher has a history of making offbeat choices that work surprisingly well, and that extends to the cast of “Gone Girl” as well. Ben Affleck probably wouldn’t be most people’s top pick for the lead role, and the supporting cast is even stranger, but if anyone deserves your blind trust, it’s Fincher.
Who: Ward Horton, Annabelle Wallis, Alfre Woodard and Eric Ladin What: A couple begin to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists. When: October 3rd Why: It’s not often that a horror movie finds so much success both critically and commercially, but “The Conjuring” is without a doubt one of the best horror films of the past 20 years. And while fans wait for the inevitable sequel, they can dive deeper into the film’s mythology with this spinoff featuring the creepy Annabelle doll. Though it’s hard to imagine an immobile doll carrying an entire movie on her own, the trailer suggests that Annabelle isn’t responsible for a bulk of the scares, but rather the spirit that’s attached itself to her. The whole thing feels more like a cheap cash-in than a necessary addition to the “Conjuring” franchise, but with James Wan’s longtime DP behind the camera, we’re hoping for the best.
Who: Robert Downey Jr., Robert Duvall, Vera Farmiga and Billy Bob Thorton What: Big city lawyer Hank Palmer returns to his childhood home where his father, the town’s judge, is suspected of murder. When: October 10th Why: Now that Robert Downey Jr. is a huge movie star (thanks again, Marvel), the actor can pretty much do whatever he wants, including producing smaller, character-driven dramas like “The Judge” under his new company with wife Susan Downey. But while the film boasts an interesting premise and a superb cast of actors, the decision to hire David Dobkin, who’s best known for directing comedies like “Wedding Crashers” and “Fred Claus,” is extremely odd, particularly because he has zero experience handling serious material like this. Warner Bros. is obviously angling for awards consideration with its Oscar-bait plot, but reactions were very mixed after its debut at the Toronto International Film Festival, with many praising the actors but damning Dobkin and the clichéd script.