Audiences have seen quite a few big movies may their way into theaters over the past two months, but the onslaught of summer tentpole films isn’t even close to over. In fact, we’ve just reached the midway point of the season, and as you might expect, there’s plenty more big blockbusters on their way, including a potential new Disney franchise for Johnny Depp, Guillermo del Toro’s answer to Godzilla, and the return of Wolverine.
“THE LONE RANGER”
Who: Johnny Depp, Armie Hammer, William Fichtner and Helena Bonham Carter What: Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice. When: July 3rd Why: Disney may think that they have another ready-made hit on their hands with this big screen adaptation of the popular radio serial, but I don’t know many people that are actually excited about “The Lone Ranger,” and that includes myself. Though Johnny Depp will almost certainly be a riot as the dead-bird wearing Tonto (he’s at his best when playing eccentric characters), Armie Hammer has yet to prove himself as a viable leading man. Additionally, the rumors about the film’s troubled production don’t exactly exude confidence, and although “World War Z” taught us not to take behind-the-scenes drama at face value, there hasn’t been a single trailer released yet that doesn’t make the movie look like one really expensive mess.
“THE WAY, WAY BACK”
Who: Liam James, AnnaSophia Robb, Sam Rockwell, Steve Carrell and Amanda Peet What: Over the course of his summer break, a teenager comes into his own thanks in part to the friendship he strikes up with one of the park’s managers. When: July 5th Why: After becoming a smash hit at this year’s Sundance Film Festival, the coming-of-age comedy ignited a bidding war, with Fox Searchlight ultimately acquiring the rights for a near-record $10 million. The indie studio clearly believes that the film can replicate the box office success of “Little Miss Sunshine” (it even features two of the actors from that movie in Steve Carell and Toni Collete), and if the festival buzz is to be believed, an awards campaign might not be too far behind. The film marks the directorial debuts of Nat Faxon and Jim Rash, who first turned industry heads with their Oscar-winning script for “The Descendants,” and boasts a star-studded cast that also includes Sam Rockwell, Allison Janney, Rob Corddry and Amanda Peet. Though it may seem like an odd time of the year to release such a small comedy, it’s actually a smart piece of counterprogramming that could work to its benefit.
Though the summer movie season is typically reserved for the kind of big blockbuster action films that dominated theaters last month, June offers a more eclectic assortment of movies, including star-studded comedies, small indies, and yes, another helping of big blockbuster action films. From the return of Superman to the end of the world (twice), there are plenty of good reasons to get out of the sweltering heat and be entertained this June.
Who: Vince Vaughn, Owen Wilson, Rose Byrne and John Goodman What: Two salesmen whose careers have been ruined by the digital age get internships at Google, where they must compete against young, tech-savvy geniuses. When: June 7th Why: It’s been almost a decade since Vince Vaughn and Owen Wilson teamed up for “Wedding Crashers” – which, along with “The 40-Year-Old Virgin,” helped revive the R-rated comedy – so there’s a certain degree of excitement about seeing them together on screen again. Of course, “Wedding Crashers” was actually funny, whereas “The Internship” doesn’t look quite as promising. The studio clearly believes that just by reuniting the two actors, the laughs will automatically flow, but that doesn’t seem to be the case here. Director Shawn Levy’s previous comedies have been pretty tame in comparison to the duo’s last film, and many of the jokes in the trailer feel about five years past their sell-by date, Still, the Vaughn/Wilson reunion is simply too enticing to pass up, so I wouldn’t count out “The Internship” just yet.
“MUCH ADO ABOUT NOTHING”
Who: Amy Acker, Alexis Denisof, Clark Gregg, Reed Diamond and Nathan Fillion What: A modern retelling of Shakespeare’s classic comedy about two pairs of lovers with different takes on romance and a way with words. When: June 7th Why: Most directors would take a much deserved vacation after wrapping on a movie as massive as “The Avengers,” but not Joss Whedon, who used his short break between filming and post-production on the Marvel blockbuster to shoot a modern day version of “Much Ado About Nothing” with some friends at his house. The movie is packed with familiar faces from the director’s so-called Whedonverse, with every one of his former TV shows represented in some capacity. Shot entirely in black and white, the film looks about as close to a low budget indie as you’re bound to find, but Whedon and Shakespeare are such a great fit (both celebrated for their sharp and witty dialogue) that it’s a wonder the latter didn’t attempt an adaptation of the Bard’s classic any sooner.
It’s not just the studios that get excited about the beginning of the summer movie season, but audiences as well, because the four-month period marks the release of some of the year’s most anticipated films, from action blockbusters to all-star comedies. This summer is particularly exciting, and it kicks off in May with the latest installments of some of Hollywood’s biggest franchises (“Iron Man,” “Star Trek,” “Fast & Furious” and “The Hangover”), as well as a few lower profile features with the potential to make a big impression.
“IRON MAN 3″
Who: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Ben Kingsley and Guy Pearce What: When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, Stark starts an odyssey of rebuilding and retribution. When: May 3rd Why: “Iron Man 2” may be one of the weaker films in Marvel’s Phase One, but it deserves some slack for shouldering a lot of the groundwork leading up to “The Avengers.” With that said, it’ll be nice to see Tony Stark in a more standalone adventure this time out, which is reportedly based on Warren Ellis’ well-received “Extremis” arc, ushering in a change of status quo for the Iron Man armor. The film also marks a change behind the camera as well, with Shane Black taking over for the departing Jon Favreau, although the trailers suggest that it’s business as usual. That’s great news for fans of the first two films, because with the addition of Guy Pearce, Rebecca Hall and Ben Kingsley to the cast, “Iron Man 3” is shaping up to the best of the series.
Who: Michael Shannon, Winona Ryder, Chris Evans, James Franco and Ray Liotta What: The true story of notorious contract killer Richard Kuklinski, from his early days in the mob until his arrest for the murder of more than 100 men. When: May 3rd Why: Millennium Entertainment doesn’t exactly have the best track record when it comes to releasing small movies with big stars, but the cast of “The Iceman” is almost too good to ignore. Michael Shannon tends to deliver his best work in these types of indie films, while Winona Ryder proved in “Black Swan” that she’s still capable of turning in a good performance with the right material. And it wouldn’t be a crime movie without Ray Liotta popping up at some point, so director Ariel Vromen has that box checked as well. Though most people have probably never even heard of Richard Kuklinski or his true life story, sometimes those ones are the best.
April has always been an odd month for new releases, particularly now that the spring movie season doesn’t really exist anymore, at least not in the minds of studios. Instead, everything seems to be split into two groups: films that fit the summer mold and those that don’t. But while moviegoers will be pretty limited with their options this month, it’s definitely one of the more promising Aprils in recent memory.
Who: Jane Levy, Shiloh Fernandez, Jessica Lucas and Lou Taylor Pucci What: Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. When: April 5th Why: Remakes are always a worrying proposition, especially for fans of the original film, but when it was announced that Sam Raimi, Bruce Campbell and Rob Tapert were behind the modern-day update of “Evil Dead,” there was a collective sigh of relief. After all, who better to trust then the trio responsible for the 1981 cult original? It’s also nice to know that the film isn’t just a rehashing of Raimi’s first movie, but rather a whole new story with new characters in an otherwise familiar setting, and if the early buzz from the film’s world premiere at last month’s SXSW festival is any indication, Fede Alvarez’s remake/reboot/sequel (whatever you want to call it) has everything horror fans could possibly want – namely, the gooey red stuff, and plenty of it.
Who: James McAvoy, Rosario Dawson, Vincent Cassel and Danny Sapani What: An art auctioneer mixed up with a group of criminals teams up with a hypnotherapist in order to recover a lost painting. When: April 5th Why: Danny Boyle’s follow-up to “127 Hours” can’t get here quick enough, especially after being delayed by the director’s other engagements on stage (the National Theatre production of “Frankenstein”) and for his country (the London 2012 Olympics opening ceremony). His new movie is a return to roots of sorts, reteaming with frequent collaborator John Hodge (“Shallow Grave,” “Trainspotting”) for the kind of gritty, edgy crime thriller that he cut his teeth making in the mid-90s. It’ll be interesting to see what Boyle brings to the genre now that he’s a more mature and wiser filmmaker, because “Trance” looks a lot more experimental than his recent work, and despite its “Inception”-like premise, that’s probably the most exciting thing of all.
After suffering through the doldrums of winter, it’s encouraging to see that the quality (and selection) of movies will improve along with the weather. Though many of this month’s films probably won’t be remembered by the time summer rolls around, there are a few indie flicks with real cult potential and a pair of tentpole-type movies based on popular properties that will benefit from opening during a less competitive time of year.
“JACK THE GIANT SLAYER”
Who: Nicholas Hoult, Ewan McGregor, Eleanor Tomlinson, Ian McShane and Bill Nighy What: When a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants, he must fight for his kingdom and the princess he loves. When: March 1st Why: It’s been awhile since Bryan Singer directed a movie that I was genuinely excited about, and unfortunately, “Jack the Giant Slayer” doesn’t break that trend. Though the fantasy film sounds great in theory, the trailers don’t look very promising, particularly in regards to its uneven tone (is it for children, adults or the whole family?) and cartoonish CGI. It doesn’t even bare much resemblance to the fairy tales on which it’s based, and while the cast is filled with some great actors (Nicholas Hoult appears to be the real deal), there’s probably a good reason why the original summer release date was axed.
Who: Mia Wasikowska, Nicole Kidman, Matthew Goode and Jacki Weaver What: After India’s father dies, her Uncle Charlie comes to live with her and her unstable mother, only to discover that he has ulterior motives. When: March 1st Why: Continuing the Korean invasion that kicked off in January with Kim Ji-woon’s “The Last Stand,” Park Chan-wook’s English-language debut hits theaters in time for U.S. audiences to get accustomed to the director’s unique style ahead of the long-awaited remake of his 2003 cult hit “Oldboy.” It’s taken longer than expected for Park to export his talents to Hollywood, but “Stoker” is the perfect project if there ever was one. It’s also clear from the cast he’s assembled that the director is well-admired within the industry, and all three leads don’t seem to be holding back. Early buzz has been mostly positive, drawing comparisons to Hitchcock, and that alone should be enough to get you excited.
“OZ THE GREAT AND POWERFUL”
Who: James Franco, Michelle Williams, Mila Kunis, Rachel Weisz and Zach Braff What: A small-time magician with questionable ethics arrives in a magical land and must choose between becoming a good man or a great one. When: March 8th Why: Disney is putting a lot of faith in Sam Raimi’s “Wizard of Oz” prequel, no doubt hoping that it can reach “Alice in Wonderland” levels of success, but was anyone really clamoring for another movie? It’s not even based on any of L. Frank Baum’s novels, despite the fact that Disney owns the rights to nearly every book in the Oz series, and though it’s supposedly inspired by his works, the risk of upsetting fans of the original film doesn’t seem worth it. Then again, “Oz the Great and Powerful” is exactly the kind of franchise-ready cash cow that Disney loves to produce (i.e. “Pirates of the Caribbean”), and while it’s depressing to see Raimi wasting his talents, at least it’s in good hands.