Throughout the years, boxing movies have been synonymous with tales of redemption – from “Rocky,” to “Raging Bull,” to “The Fighter” – and Antoine Fuqua’s “Southpaw” is no different. In fact, you’d be hard-pressed to find anything in the story that hasn’t already appeared countless times before in other boxing films, but despite the clichéd plot, the movie isn’t without its charms. At the top of that list is star Jake Gyllenhaal, who continues his remarkable career reinvention from pretty-boy leading man to serious actor with yet another fantastic performance. It likely won’t earn him the Oscar nomination he was wrongfully snubbed for last year’s “Nightcrawler,” but it builds upon that transformative role with such mature confidence that it only seems like a matter of time before he’s finally rewarded for his work.
The movie opens with undefeated light heavyweight champion Billy “The Great” Hope (Gyllenhaal) successfully defending his title at Madison Square Garden and cementing his status as one of the best boxers in the sport. Everyone wants their chance to go toe-to-toe with him in the ring, including hotshot fighter Miguel Escobar (Miguel Gomez), but Billy’s levelheaded wife, Maureen (Rachel McAdams), urges him to make the sensible decision and call it quits while he’s still on top… and before he becomes so punch drunk that he can’t enjoy his success. When Miguel instigates a fight with him at a charity fundraiser and Maureen is shot and killed among the chaos, Billy spirals out of control, landing himself in trouble with the boxing league and losing his house, his possessions, and most importantly, custody of his daughter Leila (Oona Laurence). Desperate to keep her out of the foster care system where he spent his childhood, Billy seeks help from a gruff, veteran trainer (Forest Whitaker) to get back what he lost.
After a rather lackluster June with very few major releases (and even fewer that were any good), the summer season kicks back into high gear this July with a trio of highly-anticipated sequels, the latest addition to the Marvel Cinematic Universe, and a handful of original comedies that could end up being the biggest surprises of the month.
“Terminator Genisys”
Who: Emilia Clarke, Arnold Schwarzenegger, Jai Courtney and Jason Clarke What: After finding himself in a new timeline, Kyle Reese teams up with Sarah Connor and an aging terminator to try and stop Judgement Day. When: July 1st Why: The “Terminator” movie franchise has been limping along for over a decade now, first with the terrible “Rise of the Machines,” and more recently with the failed reboot starring Christian Bale, but that hasn’t stopped Hollywood from trying to keep the series alive. So what makes this latest attempt any different? For starters, it has James Cameron’s official seal of approval, and it’s easy to see why, since the movie is tied very closely to the first two installments, playing with the time travel aspect in the same way that J.J. Abrams’ “Star Trek” did to reinvent the franchise. It still doesn’t look very good, but we’re willing to give it the benefit of the doubt because we love watching Arnold Schwarzenegger in full Terminator mode.
“Magic Mike XXL”
Who: Channing Tatum, Matt Bomer, Joe Manganiello and Jada Pinkett Smith What: Three years after Mike bowed out of the stripper life, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance. When: July 1st Why: One of the biggest complaints about the first “Magic Mike” was that it was a lot gloomier than moviegoers were expecting for a film about male strippers, and Channing Tatum has addressed those issues with the promise that the upcoming sequel will be a much lighter affair. Though it’s sad to see Matthew McConaughey isn’t involved in the project (he was, after all, one of the highlights of the first film), “Magic Mike XXL” doesn’t appear to be short on colorful characters, including bigger roles for supporting players like Matt Bomer and Joe Manganiello, and the addition of Jada Pinkett Smith. And if the trailers are any indication, it hasn’t lost its self-mocking sense of humor, either.
