Sons of Anarchy 5.08: Ablation

SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.

This post will have to begin like a drunk best man’s half-assed toast: The dictionary defines ablation as “the removal, especially of organs, abnormal growths, or harmful substances, from the body by mechanical means, as by surgery.” It makes sense, there was a whole lot of ablation (metaphorical and otherwise) going on in this week’s episode.

For Gemma, ablation meant hopping on the wagon—quitting booze and pot—following the accident. So she’s literally removing harmful substances from her body, or ceasing to put them in at least. But for Jax and Tara, Gemma is the harmful substance. Putting Abel and Thomas’s lives in danger by driving high was the last straw, and they banish her from the family. Earlier on, Nero told Jax, “You need to accelerate the endgame. Get away from all the shit that’s trying to kill you.” Cutting Gemma off was a step in that direction, or at least it was until Jax needed to use her to ablate Clay, the greater of two evils.

The problem then is that Jax, though fully aware that he’ll never get out of “the life” alive, has done nothing to accelerate the endgame. And with the events of this week’s episode, it’s not too large of a stretch to say he’s shifted into reverse and stepped on the gas. Every time Jax think’s he’s out he pushes himself back in.

You could argue Jax is forced to react to events around him the way a badass biker should and must, that it’s not his fault, that his actions are rational, justified, even moral (at least relative to the show, it’s a real low bar). You could, but you’d be wrong. There have been some subtle changes in Jax’s attitude since Opie died. It’s in his menacing smirk as he beats a prison guard to death with a snow globe or takes an axe to the corpse of the man Frankie hired to kill him. It’s a bit less subtle as he shrugs off Tig killing the guard’s wife as “collateral damage,” or puts his arm around the shoulder of the second attacker in feigned forgiveness before putting a few rounds in his gut. When he did that, even Happy gave him a “who the hell are you, man?” look. Happy, who’s so violent it’s funny (because he’s such a great character and, let’s face it, we might not like a guy who gets a smiley face tattoo for every kill if it was presented as straightforward or serious).

But back to Jax. Then, there’s his newfound buddy-buddy relationship with Pope. Not that much time has passed since the man burned one of Tig’s daughters alive in front of him. Yet Pope is now Jax’s trusted business associate, they do favors for each other, make money together, all the things gangster pals do. Every time they meet you can see Jax’s subconscious gears turning. Even if he doesn’t recognize it yet, Pope is a man he admires and looks up. Jax views him as a role model—a vision of his potential future as a kingpin. None of this depicts the attitude of a man who truly wants to get out.

One last example: Jax’s decision to allow Gemma back into the fold if she helps him to bring down Clay, his archnemesis. Granted, this is the one thing that you could argue (and maybe even get me to agree) is justified. Not only that, it actually meshes with both the purported goal of “accelerating the endgame” and taking the fast lane to kingpinville. The world isn’t big enough for the both of them, and for Jax and Clay, the table is the world. At the end of the day, using Gemma is a theoretically reasonable and potentially effective plan. After all the suffering she’s left in her wake, up to and including falling asleep at the wheel with two toddlers in the backseat, not to mention her role in JT’s death, which Jax doesn’t even know about (yet), you might even say she’s simply reaping what she sowed.

Yet none of those tallies in the “pro” column changes the fact that Gemma is still Jax’s mother, and not only does he decide to whore her out, it’s to a john that Jax knows has beaten her to a pulp for crossing him (at least once) already. Nevertheless, Jax still had my complete support right up until he told Gemma her options were to go along with the plan or “get used to living in a brothel.” The line paralleled Hamlet telling Ophelia to “Get thee to a nunnery,” which made it even more awesome for about five seconds before I realized how incredibly sad it and the situation were for both parties. But after another five it was back to “fuck yeah” because Gemma has been annoying the crap out of us all.

The shit covered fan is officially spinning, and it was announced on Monday that the season’s final five episodes will be extended. Next week, “Andare Pescare” will run 75 minutes (counting commercials) and the four installments that follow will run 90. Finding out we’ll get so much more time to watch the metaphorical feces drip down the wall was the best news I got all week. Please don’t quote that out of context.

A few more things:

-Let’s all say a prayer of thanks to the writers for keeping Chibs alive, I’ll admit they had me spooked. Please, Sutter, if you’re reading this, take any of your characters but never the one true Scotsman.

-I think we all know Clay’s little “moment” with Juice was nothing but a masquerade. He’s not relating to a peer with similar experiences but putting those tidbits in his back pocket until they’re useful. He needs a new lackey, what with Tig a born-again Jaxian, two Nomads dead and the other on the run. My guess is that right when Jax is starting to close in, Clay will throw Juice under the bus and use the controversy as a distraction, metaphorical pocket sand.

-Tara’s response when Jax says they need to cut Clay out and kill him: “How do we do that?” We. If she wasn’t officially an outlaw old lady before, conspiracy to commit murder (a Class A felony in the state of California) will do it.

Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.

  

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