Tag: Martin Scorsese (Page 1 of 2)

Movie Review: “The Wolf of Wall Street”

It’s been a while since Martin Scorsese’s last truly great film, but it’s good to see that the director hasn’t lost his touch, because “The Wolf of Wall Street” is another cinematic triumph that works almost like a companion piece, at least thematically, to earlier movies like “Goodfellas” and “Casino.” But while those crime films were about actual gangsters, “The Wolf of Wall Street” is about a different kind of criminal altogether: a Gordon Gekko-like stockbroker whose own greed and hard-partying lifestyle ultimately led to his downfall. The fact that it’s based on a true story only makes it that much more captivating to watch unfold, and between Leonardo DiCaprio’s brilliant lead performance and Terrence Winter’s excellent script, it’s without a doubt the funniest movie that Scorsese has ever directed.

The film opens in 1987 as go-getter Jordan Belfort (DiCaprio) moves to New York City with his wife Teresa (Cristin Milioti) to pursue his dream of working on Wall Street. When the market crashes shortly after starting his new job at a big firm, however, Jordan accepts what appears to be a lowly position selling penny stocks at a strip-mall storefront. But he soon discovers that he can make big bucks selling desperate, blue-collar workers on the promise of instant riches, eventually leaving the company to open his own firm with friend and business partner Donnie Azoff (Jonah Hill). Before long, the newly dubbed Stratton Oakmont is selling those very same penny stocks to the wealthy, turning Jordan and his closest pals into millionaires virtually overnight. Living the high life with a gorgeous new wife (Margot Robbie), more money than he knows what to do with, and enough drugs to tranquilize an entire zoo, Jordan feels invincible – that is, until he catches wind that the FBI has launched an investigation into the firm (and him in particular) for stock market manipulation and other related crimes.

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The Light from the TV Shows: A Chat with Stephen Frears (“Muhammad Ali’s Greatest Fight”)

Director Stephen Frears has done so much notable work for the cinema that it’s sometimes easy to forget that he’s more than capable of dipping his toe into the world of television on occasion as well. His latest effort behind the camera, “Muhammad Ali’s Greatest Fight,” falls somewhere between the two mediums: the HBO Films production is making its TV debut on – where else? – HBO this Saturday, but it was actually screened in Cannes back in August, along with its small-screen brethren, “Behind the Candelabra.”

During this summer’s TCA press tour, I was fortunate enough to sit down with Frears and discuss his work on “Muhammad Ali’s Greatest Fight,” including how he came to join the project and what he knew about Ali’s Supreme Court struggles prior to signing on, but he was also kind of enough to chat about a number of his other films. Although the conversation occasionally drifted in unanticipated directions, the sidebar excursions proved just as enjoyable and entertaining as anything that I’d gone in actually planning to bring up.

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Bullz-Eye: What was your familiarity with the Muhammad Ali story going into this project?

Stephen Frears: Well, it was both a lot and nothing. In other words… I remember Ali fighting (Sonny) Liston, so that’s how old I am. [Laughs.] I don’t remember the Olympics. But then I remember the trouble in America, of course. And then he sort of disappeared, and I couldn’t tell you what happened until he fought in Zaire and he became a sort of comedian. He became very, very funny. So this bit was like a sort of black hole.

BE: How did you come aboard as director?

SF: I ran into Shawn (Slovo) at a party. I said, “What are you doing?” She said, “I’m writing something very, very interesting.” [Shrugs, then laughs.] So I snooped around and found that it was very interesting. Simple as that.

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BE: Had you known her prior to that?

SF: I knew her to gossip to her, to say “hello” and talk to her at that party. [Laughs.] But now I know her much better.

BE: Was the script more or less filmed as written, or did you have to do some tweaking to make it work?

SF: I think there was a certain amount. I like to have the writer on set, because in a sense you’re writing all the time, but that’s just to make scenes clearer, things you learn as you go along. It must at some point have sorted itself out enough for us to say, “Right, let’s make this.” I can’t recall, there might’ve been a couple of drafts that we went through before we made it. And then we were writing the whole time on set, just to make things clearer.

BE: It’s interesting that the film focuses on a key moment in Ali’s career, yet it does so without ever portraying Ali. His presence is simply via archival footage. Was that always the plan?

SF: Yes, that was always planned, and the truth is that it was a great relief. The idea of casting Ali didn’t bear thinking about, so I was really pleased by that. But the interesting thing about archival footage is that people never quite say what you want them to say. [Laughs.] They don’t say what you’d like. But eventually we started finding a way how to deal with it. So it was very, very interesting.

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Blu Tuesday: Old School Marty, The Real Lord of the Dance and More

I’ve mentioned on several occasions how great the selection of Blu-rays has been this summer, and it’s not just the quality of the films that matters, but the variety as well. This week’s lineup of new releases is a perfect example, with something for just about everyone. Though I wish that a review copy of “Lockout” had arrived in time to include in my column, there’s still quite a bit here to keep you entertained for most of the week.

“Mean Streets”

“Mean Streets” is one of those movies that’s lingered on my must-see list for years but I never found the time to watch, so this Blu-ray release was the perfect opportunity to remedy the situation. But whether it was just a case of my expectations being too high or something else altogether, I couldn’t help but feel a little disappointed. Although there’s some great stuff in the movie that Martin Scorsese went on to utilize to even better effect in future projects, the sum of those parts feels too raw and unpolished. Robert De Niro delivers a stellar supporting performance in the first of his many collaborations with Scorsese, but the rest of the acting isn’t quite up to par. The story is also pretty lacking for a movie that runs nearly two hours in length, and it wastes so much time on petty confrontations that by the time the big finale finally arrives, my interest had waned considerably. I may be in the minority when it comes to the gritty crime drama, but when you’ve already seen all the other Scorsese/De Niro team-ups, it’s understandable why this might pale in comparison.

Blu-ray Highlight: Any audio commentary with Martin Scorsese should be considered mandatory listening material, and the one included here featuring the director with co-writer/frequent collaborator Mardik Martin and actress Amy Robinson is no exception.

“Singin’ in the Rain”

For a movie that’s considered by many to be the best musical of all time, it’s surprising that Warner Bros. took so long to release it on Blu-ray, although you could say the same for a lot of their classic titles. In celebration of its 60th anniversary (hardly an important milestone, but one that sounds impressive nonetheless), the studio has spared no expense for the film’s Blu-ray debut, which boasts a new 4k high definition video transfer that looks amazing. Though it’s a little strange to watch the movie after having seen “The Artist” (which, let’s be honest, was obviously heavily influenced by “Singin’ in the Rain”), it’s still a really enjoyable flick. The story is admittedly a bit cheesy, but almost every song-and-dance number is memorable, and the main three actors are perfectly cast in their roles. In fact, although the film may be a Gene Kelly vehicle, it’s his two co-stars that steal the show. Donald O’Connor manages to keep up with the fleet-footed Kelly every step of the way (and makes you laugh while doing so), while Debbie Reynolds is so charming that you’d be crazy not to fall madly in love with her the minute she appears onscreen.

Blu-ray Highlight: The Ultimate Collector’s Edition box set comes packed with some pretty cool goodies (including a 42-page hardcover book and your very own umbrella), but the all-new documentary “Raining on a New Generation” is the best of the limited bonus material. Featuring interviews with the likes of Paula Abdul, Matthew Morrison and Harry Shum Jr. of “Glee,” and the directors and choreographers of recent movie and TV musicals, the featurette is an interesting retrospective on the film that covers the choreography, ensemble cast and the effect that it still has on Hollywood today.

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A Chat with Ray Liotta (“Snowmen”)

Bullz-Eye: I was able to check out “Snowmen” – they sent me a screener – and it was a great little movie. My highest praise is that I’ve got a 6-year-old daughter, and I’d be comfortable with her watching it with me.

Ray Liotta: Yeah, it’s really a good movie, and it definitely…it’s more than just entertaining. It definitely touches on a lot of issues for grown-ups or kids.

BE: How did you find your way into the film?

RL: It just so happens that the producer has a kid in school where my kid goes, and they were gearing up and had cast all the kids, and they were thinking about the adult roles, and my name came up. We talked, he gave me the script, and I loved it and decided to do it.

BE: So how much of the character was on the page, and how much were you able to bring to the character?

RL: It was all on the page. All of it. It was really well written. I mean, my job is to make it as real as possible and try to add as much depth and dimension to it as I can. To pretend that I was a dad whose son was sick and thinks he’s going to die, the bills that I have to pay, the guilt that I have from just working too much to pay those bills, maybe missing some of the things that are going on in his life.

BE: How well did you and Bobby Coleman get on? You seemed to have a pretty strong father-son dynamic going on.

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Is “Boardwalk Empire” the next “The Sopranos”?

Boardwalk Empire

If the strong critical support, the record-setting ratings, and HBO’s decision to renew the show for a second season the morning after its premiere is any indication, then yes, I’d say it has a pretty good chance. But first, it’s going to have to do a lot more than deliver a captivating pilot episode – one that was directed by Martin Scorsese, the man behind some of the best mob films of the last 20 years – if it ever hopes to reach the same level as “The Sopranos.”

One good episode doesn’t exactly make a great series, but you can definitely tell that the pieces are all there to create something really special. And to help make sense of all the corruption, backstabbing, and every sordid piece of back-alley business in between, Will Harris will be blogging “Boardwalk Empire” throughout the season. Here’s a brief taste from his post about the premiere:

“I don’t know about you guys, but I was sucked into the show almost instantly, in no small part because of Steve Buscemi. I mean, it’s not like I haven’t been a fan of his work for years, but it’s great to see him in the lead role for a change. He’s perfect for it, too: Nucky’s a guy who’s got a lot of power but isn’t necessarily the most intimidating fish in the pond.”

In addition, Bullz-Eye is currently running a “Boardwalk Empire” contest asking our Facebook friends to tell us about their favorite cinematic mobsters. The contest runs through next Wednesday, September 29th, and one lucky winner will walk away with a branded flask, a “Boardwalk Empire” book about the real-life characters, and a keychain flash drive preloaded with exclusive content. Head over to the official contest page to find out how to enter and then be sure to visit our “Boardwalk Empire” blog every Sunday night for a recap of all the latest action.

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