Every year since it’s inception, the organizers of the TCM Classic Film Festival have been letting me in without paying. Most of those years, I’ve been celebrating that fact by putting together my own drinks inspired by the films I was lucky enough to see there.
My first 2016 beverage du cinema (please don’t tell if that’s not actual French) is actually drawn from a film I saw on the last day of the fest which, frankly, was rather a last minute choice. An adaptation of a novel by A.J. Cronin, “The Keys of the Kingdom” isn’t a movie even hardcore film geeks hear that much about, even if it netted a young Gregory Peck his first Oscar nomination. As the decades-long tale of an idealistic priest from Scotland who finds himself a missionary in China, I have to admit that I had some qualms about spending my dwindling TCM time on what seemed likely to be a rather draggy bit of classic-era Hollywood Oscar bait from John Stahl, a director best known for making the original 1930s versions of the classic melodramas “Imitation of Life” and “Magnificent Obsession.” (If you know them at all, you’re likely more familiar with the 1950s remakes directed by Douglas Sirk.)
However, I should have more thoroughly considered the talents of two of classic Hollywood’s most skilled and witty screenwriters, Joseph Mankiewicz (“All About Eve”), who also produced, and the hugely versatile Nunnally Johnson (“The Grapes of Wrath,” “How to Marry a Millionaire,” and, get this,”The Dirty Dozen.”) As good as the suprisingly humorous and compelling script turned out to be, I was very pleasantly surprised by the film’s treatment of its many Asian characters. They are well-rounded non-stereotypes and, even more of a surprise, all played by actual Asian actors. That’s more impressive than it should be considering that, up to this very moment, Hollywood seems to be allergic to casting Asian actors in large roles.
“The Keys to the Kingdom” is a bit longish but, otherwise, a terrific example of classic-era Hollywood at it’s humanistic, entertaining, inspiring, and relatively progressive semi-best. Why not make it a cocktail?
This Thursday is Cinco de Mayo, and that’s as good an excuse as any to revisit what I’m guessing is the world’s second most popular tequila cocktail. Indeed, this year I’ve got an additional excuse, which is to give a plug to some work by a DOTW Manor resident and frequent cocktail tester. Seems this enterprising young director was a finalist in a contest being sponsored by one of your classier tequila manufacturers, Avion. Moreover, I found out not long after writing the original draft of this post that he actually won a Grand Prize. Good things can sometimes come to those who imbibe (with moderation) and work (to excess).
The Chocolate Flip doesn’t contain the slightest hint of anything remotely chocolate. No, in the manner of its very close relative, 
No need to go into details about the geekiness that brought me there, but this last Easter Sunday found this very secular Jew in downtown L.A. Not wanting to waste an opportunity to hit one of the countless outstanding bars in my town’s ever-cooler civic seat, but also being only too aware that it was a pretty major holiday, it appeared that my best bet for a DTLA libation was the relatively new 
Looking up “Chatham” on 
