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Blu Tuesday: Time Travel, Fantasy Girls and Dirty Politics

Movie fans have plenty to look forward to this week with plenty of great titles arriving on Blu-ray. And it’s not just limited to the films featured below, either, because Criterion is releasing the horror classic “Rosemary’s Baby” for the first time on the format, and Universal’s “Alfred Hitchcock: The Masterpiece Collection” is finally coming to stores.

“Safety Not Guaranteed”

“Safety Not Guaranteed” is an amalgamation of everything that’s great about independent filmmaking – from its hugely original script to its wonderful cast of characters – but the one thing that it does better than anything else is create a cinematic experience that’s rich in both comedy and emotion. A lot of movies have tried to juggle the two in the past, but Colin Trevorrow’s directorial debut is one of those rare few that actually pulls it off. Though it can technically be described as a time travel movie, “Safety Not Guaranteed” is more about the characters’ relationships than the veracity of its sci-fi premise, and that’s thanks to Derek Connolly’s excellent script and the fantastic cast. All four actors click really well as a group, but they also deliver some great individual performances, especially Aubrey Plaza, who proves that she can do more than spout witty one-liners and mug for the camera. Though the movie didn’t enjoy as much success in theaters as it did on the festival circuit, it’s hands down one of the funniest and most sincere films I’ve seen all year.

Blu-ray Highlight: It’s not much, but “A Movie Making Mission” provides some good insight into the making of the film, with interviews from director Colin Trevorrow and the cast discussing the movie’s origin, shooting certain scenes and the time machine.

“The Campaign”

It’s been a while since Will Ferrell starred in a comedy that really made me laugh, and Zach Galifianakis isn’t as funny as his popularity would suggest, but “The Campaign” is better than I expected, even if it never fully takes advantage of its promising setup. The movie walks a fine line between silly and stupid, and although it veers into the latter far too often, it’s no surprise why director Jay Roach cast the two comedians, because they excel at playing these types of buffoonish characters. The film’s real MVP, however, is Dylan McDermott, who does more with a single look or line of dialogue than what Ferrell and Galifianakis are able to achieve in an entire scene. The duo still earns its share of laughs with their usual shtick, but while the movie’s goofball tone is successful to some degree, “The Campaign” would have worked even better as an edgier, darker comedy in the same vein as Alexander Payne’s “Election.” Roach has even had some success in recent years with the HBO election dramas “Recount” and “Game Change,” so it seems strange that he was afraid to push any boundaries here, because it was a big missed opportunity.

Blu-ray Highlight: There’s nothing of note worth discussing, but the two-disc effort does include an extended cut of the film, a handful of deleted scenes and a gag reel.

“Ruby Sparks”

It’s been six years since Jonathan Dayton and Valerie Faris’ directorial debut “Little Miss Sunshine” took Hollywood by storm, and people were beginning to wonder whether the filmmaking duo would end up becoming just another one-hit wonder. The dreaded second album syndrome is something that haunts artists working in any medium, so it’s curious that Dayton and Faris decided to approach the subject head-on by making a film about that very thing. It may seem a bit presumptuous of Zoe Kazan to write the movie with herself and long-time boyfriend Paul Dano in mind for the lead roles, but it’s evident pretty early on that the two actors have great chemistry. Dano continues to impress in his second outing with Dayton and Faris, while Kazan, although solid as the title character, deserves more kudos for her debut screenplay, creating a charming and mostly original love story that doesn’t always go in the direction you’re expecting. Though it was only inevitable that “Ruby Sparks” would be compared to “Little Miss Sunshine,” the movie is a clever but flawed Woody Allen-esque comedy that proves that its directors aren’t just a one-trick pony.

Blu-ray Highlight: Fox’s Blu-ray release is a pretty disappointing affair. Although the bonus material includes five featurettes on a variety of topics like the story, the cast and filming in Los Angeles, they’re so brief that it feels like little more than an afterthought.

Product Review: Schick Xtreme 3 Eco

http://g-ecx.images-amazon.com/images/G/01/hpc/detail-page/c26-B006DR2BTC-1-l.jpg

The Schick Xtreme 3 Eco is a temporary/disposable razor, but it works with the effectiveness and feel of any full-time blade. Made from recycled plastic hangers and available in a four pack via packaging of 100% post-consumer recycled paper, the Xtreme 3 is light and straightforward.

It’s a disposable razor, but it’s a long way from what you normally expect from a disposable razor. The main thing I expect whenever I hear the term “disposable razor” is a certain level of cheapness, something similar to this – just a stiff piece of lightweight plastic with a shard of metal used to scrape the whiskers off your face when you’re in a hurry visiting the in-laws or on that business trip. Expecting anything but agony from a disposable blade is foolhardy.

The Xtreme 3 Eco’s handle is contoured to fit your hand, so you can actually negotiate the terrain of your face comfortably, rather than a non-contoured handle that makes you adjust your shaving style to it. Another surprising feature was the fact that the triple blade set up flex and pivot based on the amount of pressure you apply to it. Generally speaking, that type of a blade isn’t available in disposable form.

I really couldn’t get over how it didn’t just bend, but the whole surface of the blades adjusted themselves when in use. I sat there like an idiot for several minutes pressing the blades with my finger from different angles; I was mesmerized.

Located just above the triple blade setup is the Comfort Strip. The Comfort Strip delivers the ingredients Vitamin E and Aloe to your skin immediately after being gone over by the triple blades, which seriously reduces irritation.

One small thing I liked in particular was the razor cover. Most disposable blades that I have encountered usually have a cheap plastic slidey thing to cover the blade when not in use. But the Extreme 3 had a cover that could only be removed if you pinched both ends at the same time – it was almost like a clamp, which is great if you’ve got this in the bottom of a loosely fitting gym bag, or if you have a curious four-year-old.

The Schick Xtreme 3 Eco is a great disposable razor. Based on your amount of beardage, and if you’re only using it at irregular intervals, you can get at least 25 quality shaves out of it.

For ordering information, click here.

Coming Soon: A Moviegoer’s Guide to November

After a tepid last couple of months, Hollywood is finally gearing up for award season, and with it comes a host of really promising films from the likes of Steven Spielberg, Joe Wright, David O. Russell and Ang Lee, many of which are already projected to land several Oscar nominations. But perhaps the most highly-anticipated release this November isn’t an award contender at all, but rather the long-awaited 23rd installment in the James Bond series, which looks to be Daniel Craig’s best 007 adventure yet.

“WRECK-IT RALPH”

Who: John C. Reilly, Jack McBrayer, Sarah Silverman and Jane Lynch
What: A video game villain sets out to fulfill his dream of being a hero, but his quest brings havoc to the whole arcade where he lives.
When: November 2nd
Why: I was cautiously optimistic about “Wreck-It Ralph” when it was first announced, but after seeing the film, I can say unequivocally that it’s one of the best movies the studio has put out in years, and that includes the Pixar stuff as well. In fact, “Wreck-It Ralph” is the kind of film that you’d almost expect Pixar to make, because it’s a remarkably original idea that’s catered to both kids and the adults who grew up playing retro games. Director Rich Moore comes from a background that includes “Futurama” and “The Simpsons,” and it really shows in the type of humor on display, while John C. Reilly and Sarah Silverman shine in their voice roles. The animation is also really gorgeous, especially the attention to detail between games, and the much-publicized cameos help bring an authenticity to the world that only makes it even more enjoyable.

“FLIGHT”

Who: Denzel Washington, Don Cheadle, John Goodman, Kelly Reilly and Melissa Leo
What: An airline pilot saves a flight from crashing, but an investigation into the malfunctions reveals that he may have been drunk at the time.
When: November 2nd
Why: After spending nearly a decade helping pioneer motion capture technology with movies like “The Polar Express,” “Beowulf” and “A Christmas Carol,” Robert Zemeckis marks his return to live-action filmmaking with something that has a little more bite to it. Early reviews have been almost unanimously positive, with Denzel Washington singled out for his amazing performance, and though he may be considered a bit of a dark horse with so much stiff competition this year, I wouldn’t be surprised if the Academy rewarded the actor with his first nomination since 2002’s “Training Day.” The subject matter certainly carries the danger of becoming too melodramatic, but between the interesting premise and excellent cast, “Flight” is exactly the kind of riveting character drama that should help remind audiences just how good Zemeckis’ movies used to be.

“THE MAN WITH THE IRON FISTS”

Who: RZA, Russell Crowe, Lucy Liu, Jamie Chung, Rick Yune and Dave Bautista
What: A humble blacksmith defends his village from a band of assassins and mercenaries when they come to town in search of a fabled treasure of gold.
When: November 2nd
Why: Anyone who knows anything about Wu Tang Clan founder RZA is that he loves kung fu cinema, so you can be sure that his directorial debut is going to be nothing short of a love letter to the genre, albeit one with a hip-hop soundtrack. The fact that he’s managed to attract the kind of talent that he has is certainly a sign of the film’s potential, because let’s be honest, Russell Crowe is the last person you’d expect to show up in this type of movie, even if it only ends up being an extended cameo. With that said, however, “The Man with the Iron Fists” looks every bit like the kind of chop-socky B-movies that RZA grew up watching, so if you’re expecting something more along the lines of “Kill Bill,” there’s a pretty good chance you’re going to walk away disappointed.

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App of the Week: Drive

Developer:
Create Digital Media

Compatible with:
iPhone 3GS or up (optimized for iPhone 5)

iPod touch 3rd gen or up

iPad

Requires:
iOS 5.1

Price:
$0.99

Available here

Don’t use your phone while driving.

From nationwide campaigns to motherly warnings, we’ve had that simple message drilled into our heads for as long as we’ve had cell phones. Most people know the dangers, and most agree with the idea in principle, but unlike other driving safe philosophies, like “don’t drink and drive” or “wear your seatbelt,” the idea of putting down your smartphone while driving is not catching on any time soon. You see it all of the time, and probably have been guilty of it yourself a few times, yet as much as it seems like common sense, it’s pretty obvious people are not in a hurry to stop doing it in mass.

Developers Create Digital Media seems to realize this and have created a compromise of sorts. If you are going to use your phone while driving, then at least limit yourself. They’ve removed your game apps, Facebook, keyboard, and Twitter, and have designed the app Drive, which trims your smartphone down to four main functions, all grouped together and handled by a beautifully minimalist design.

The functions are call, music, text, and map. Coupled with the large font, brightly colored ways they are displayed, the actual methods to using these features are also pleasantly simple and often require only bold gestures and swipes.

For instance, the music app allows you to change songs by horizontal swipes, and change the volume with two finger vertical motions (you can also play the music randomly via a shuffle playlist). Texts and calls use simple scroll and tap methods for going through your contacts, and for texts you are able to program general important statements for quick sends. The map features is maybe the least developed of the bunch, but it does provide integration with Apple Maps as well as standard directional functions and a nice, easy to view on the fly general map in tune with your current location.

The developers of the app are promising to keep developing all of its functions, with the map feature seeming to be a main point of emphasis with these updates. Even in its early stage though, Drive provides one of the more complete driver friendly apps I’ve ever seen as it successfully allows you to use the most important abilities of your phone without severely impairing your ability to drive. It’s an incredibly intelligent app, that with enough improvements you could evolve into a standard mode for all out of the box smartphones as it presents a realistic idea for handling the using your phone while driving problem, and also provides and alternative, simpler phone use option for any other times when your ability to use your phone to its full extent is hindered.

If you’re guilty of using your iPhone or, even worse, iPad, while driving then you owe it to yourself, and honestly other drivers, to give Drive a shot. Not only is it sleek, intuitive, and incredibly user friendly, it’s also my app of the week.

Hidden Netflix Gems: Michael Collins

This week’s Hidden Netflix Gem: “Michael Collins” (1996)

“Michael Collins” is a 1996 historical biopic starring Liam Neeson as the titular Irish revolutionary. Written and directed by Academy Award winner Neil Jordan, the film won the Golden Lion, the highest prize at the Venice Film Festival, and became the highest-grossing picture of all-time in Ireland upon its release. The high profile cast includes Alan Rickman (Éamon de Valera), Stephen Rea (Ned Broy), Brendan Gleeson (Liam Tobin), and Julia Roberts (Kitty Kiernan).

For those who don’t know, Michael Collins was an Irish revolutionary, military, and political leader who made the liberation of his homeland from its British colonial overlords his life’s work. In the now 90 years since his death (and well before it), his actions made him a folk hero, “The Big Fellah,” the single most important figure in the fight for Irish freedom. As such, “Michael Collins” begins with the following opening crawl:

At the turn of the century Britain was the foremost world power and the British Empire stretched over two-thirds of the globe.

Despite the extent of its power, its most troublesome colony had always been the one closest to it, Ireland.

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