Category: Television (Page 69 of 84)

A Chat with Robert Kirkman (“The Walking Dead”)

October 13, 2011 /

ALSO: Check out our Season Two preview, as well as interviews with actors Jon Bernthal and Norman Reedus.

Bullz-Eye: I know you don’t remember me, but you and I met briefly when you were doing the press roundtables at the New York Comic-Con.

Robert Kirkman: Oh, good! I hope I did okay.

BE: Oh, yeah, you did great. It was a lot of fun. I just got the Season 2 press kit, and I’m 95% of the way through the first episode, so it killed me to have to get on the phone with you.

RK: (Laughs) Awesome!

BE: So how excited are you about the premiere of the show’s second season?

RK: I’m extremely excited. I mean, you know, there’s a lot of pressure to follow up our first season. It was a big success, and, you know, knowing what I know of the second season and seeing what I’ve seen, I’m fairly confident that we’re still going to come out of the gate and impress people, so I’m really anxious to see what people think of it. A lot of hard work has been going into this season, and it’s great that it’s going to finally be enjoyed by some people. So I’m really excited.

BE: When it comes to adapting the original source material, you’ve obviously got an advantage, given that it’s yours… (Laughs) …but I’m sure it’s hard to pick and choose which bits actually make it onto television.

RK: It’s a process. There’s not really a way to nail down exactly what goes into it. But everyone in the room is familiar with the comic, and we all sit down knowing what happened in the book, and we look at where the show’s going and what the characters are doing, and we just kind of figure it all out. Sometimes we take things directly from the comic, and there are a lot of times when we’re talking about things from the comic, and things will go to different characters in the show, or it’ll spin off into something entirely new that wasn’t in the comic, but the starting point was something that did appear in the comic. So it’s an evolving process, and it’s neat to be sitting down to adapt something that I wrote awhile ago. The earlier material in “The Walking Dead” is something I wrote some time ago, so it’s good to be able to revisit that stuff.

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Entertainment, Interviews, Television

The Walking Dead: Season Two Preview

October 13, 2011 /

ALSO: Check out our interviews with actors Jon Bernthal and Norman Reedus and executive producer Robert Kirkman.

It’s no secret that AMC has endured a difficult year filled with one PR nightmare after the next – including public contract disputes that suspended production on Season Five of “Mad Men” and threatened the future of “Breaking Bad,” as well as audience backlash over the season finale of “The Killing” – but it suddenly felt very personal when Frank Darabont, creator and executive producer of “The Walking Dead,” was unexpectedly relieved of his duties only a few days after promoting the show at San Diego Comic-Con. Though the network never gave a clear reason for his dismissal, it’s believed to have something to do with forced budget cuts for the second season, which came as a surprise to Darabont after the show set a new cable ratings record in its debut season.

But despite all the backroom drama and concerns that Darabont’s absence would spell trouble for the hit zombie series, AMC was insistent that “The Walking Dead” was in the capable hands of his replacement, Glen Mazzara. Then again, Darabont was already hard at work on the show for months before getting the axe, and mapped out the entire season prior to his departure, so audiences may not notice many differences (if any at all) until the show’s third season. It should be noted, however, that Mazzara is no slouch when it comes to making great TV (having previously spent five years behind the scenes on “The Shield”), and he’s still working with the same team that Darabont put together, including zombie experts Robert Kirkman and Greg Nicotero. In fact, based on the first two episodes alone, it’s pretty clear that fans have nothing to worry about.

When we last left Rick Grimes and the rest of the survivors, they had just escaped the Centers for Disease Control in Atlanta by the skin of their teeth and hit the road once again in search of a new refuge. Though they don’t actually arrive at Hershel’s Farm – the provisional sanctuary featured in Kirkman’s comics – until the second episode, the season premiere has more than enough going on to keep them busy, including a tension-packed opening sequence where the survivors must hide from a herd of zombies after Dale’s RV breaks down on the highway. There’s plenty of action and gore as well, with one survivor wounded pretty badly in the aforementioned attack, another one shot in what is likely the first of many “holy shit” moments of the season, and a truly disgusting zombie moment that some people might not be able to stomach. Oh yeah, and fan favorite Daryl kicks a lot of zombie ass, but I’m guessing you already knew that.

Of course, the series is first and foremost about the relationships between its large cast of characters, and although some viewers might bemoan the slower pace of these early episodes, it allows for a lot of great interactions – particularly involving the Rick, Lori and Shane love triangle – that will only make you even more invested in their survival. And if there’s one thing that AMC can never take away from Darabont, it’s the amazing job he did with laying down a strong foundation on which those characters could grow. Because while he may no longer be around to captain the ship, Darabont’s fingerprints are all over “The Walking Dead,” and it’s the main reason why the show will continue to operate at such a high level of excellence. It may not have gone down exactly the way we would have liked, but the audience still comes out the winner in the end.

“The Walking Dead” returns to AMC on October 16th at 9/8c with a special 90-minute premiere. Can’t wait that long? Check out a sneak peek of the new season below.

Entertainment, Television

Sons of Anarchy 4.6 – With an X

October 11, 2011 /

At the end of last week’s cliffhanger, it didn’t seem possible that Juice would be able to keep himself out of the crosshairs for much longer, but amazingly, he’s done just that, albeit at the cost of one of his biker brothers. Though the Sons and Mayans were quick to start blaming each other for the missing brick, the club came to the conclusion that the only people dumb enough to try stealing from them were the prospects. And after pretending to torture Miles in a failed attempt to scare Dirty Phil and Rat Boy into a confession (and, let’s be honest, have a little laugh in the process), they forced them to play a game of Russian roulette in order to prove their commitment. Anyone watching had to know that there wasn’t actually a bullet in the gun, and that was part of the problem, because although they both passed the test, it didn’t get the club any closer to finding out who took the cocaine.

With time running out until Romeo’s arrival, Clay decides that he has no other choice but to condemn the pair to death and try and save face with the cartel. But Juice, who doesn’t exactly want their blood on his conscience, suggests that they give the prospects one last chance to return the brick with no questions asked. If it shows up, they’ll be kicked out of the club, but at least they’ll still be alive. That gives Juice just enough time to run out into the woods, grab a sample for Roosevelt, and take the brick back to the warehouse… or so he thinks. Instead, he runs into Miles, who quickly puts two and two together and realizes that Juice is the thief. The ensuing chaos led to one of the series’ biggest “holy shit” moments yet, with Juice getting a hold of Miles’ gun and shooting him clean through the face. And now that everyone thinks Miles was the one responsible, Juice has been given yet another lifeline.

But how much longer can this realistically go on? Though the club was a little surprised that it was Miles who stole the cocaine, they don’t seem to be putting too much thought into why he might have done it. Chibs, on the other hand, is the only one who’s even remotely suspicious of the whole situation, especially after the way Juice was acting around him all day. Their conversation about the prohibition of color in SAMCRO must have come across as pretty random to Chibs, and I wouldn’t be surprised if he started sniffing around Juice’s personal life. Those two appear to have a stronger friendship with each other than most guys in the club, so Chibs will undoubtedly want to do everything he can to get Juice out of trouble before the rest of SAMCRO finds out. The whole thing still feels a bit contrived to me, and even more so after Chibs admitted that many of the club’s rules were pretty outdated. After all, if one of its own members doesn’t even agree with certain by-laws, then surely there’s room for some change.

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Entertainment, Television

A Chat with Nick Swardson

October 11, 2011 /

It would be fair to say that the comedy of Nick Swardson is an acquired taste, as anyone who’s seen his films, including “Grandma’s Boy” and “Bucky Larson: Born to Be a Star,” or his TV series, “Nick Swardson’s Pretend Time,” can tell you. With the latter now back in Comedy Central’s Wednesday night line-up for its second season, Swardson took a few minutes to chat with Bullz-Eye about what we can expect from Season 2 of “Pretend Time,” what he thinks of his lack of critical love, and more.

Bullz-Eye: To start off by kind of stating the obvious, I’m sure you’re psyched about your show returning for a second season.

Nick Swardson: Yeah, I am. I’m really excited, ‘cause I feel like, no matter what happens, this is the show I wanted to make.

BE: So what are the origins of “Nick Swardson’s Pretend Time,” anyway? Did you pitch them the idea, or did they come to you with the idea?

NS: My friend Tom (Gianas) actually pitched me the idea. He created “Human Giant” and ran that show on MTV, and he did “Tenacious D” on HBO. He’s an old friend of mine. He directed “Gay Robot,” this original pilot that I did years ago. He’s really, really brilliant, and he came to me with this idea. I’ve always wanted to do sketch comedy, and I trust Tom a lot, so I was, like, “All right, let’s do it.” And we just jumped into the show. We pitched it to the network, and they bought it off the pitch. We didn’t even get a pilot. They ordered six episodes. Which was kind of good and bad. I kind of wish we had a pilot, because it was kind of a tricky show to make. (Laughs) We didn’t really have that trial by fire. We were just kind of thrown into the volcano.

BE: You have a pretty vocal fanbase. I presume you’ve gotten some advice, either helpful or otherwise, as far as where to take the show in its second season.

NS: Yeah, it’s been interesting, because people didn’t really know what to expect from the show. My fans were kind of, like, “Well, wait, what is it? Is it stand-up? I don’t understand what it is.” They were kind of confused. Obviously, comedy’s subjective, and people either bought the show or they didn’t. (Laughs) But the people who got it, they loved it.

BE: So is Season 2 along the same lines as Season 1, or do you think you’ve kind of fleshed it out a bit more as far as what you want from the show?

NS: Um… (Long pause) I mean, it’s more aggressive. Like, there’s some really crazy stuff. (Laughs) It’s really aggressive. But we’ve kind of counterbalanced this season with doing more of a live element and more storytelling than stand-up.

BE: How much flexibility do you have with Comedy Central as far as your vision for the show? Has there been any point when they were, like, “Uh, can you dial it back a bit?”

NS: Uh, yeah. (Laughs) At the beginning, they were, like, “This is way too aggressive.” But that’s the whole point of having and doing a show. Why not make it the most aggressive thing you can do? I just didn’t want to play it safe. I wanted to just throw it against the wall, and hopefully it works. Hopefully people will dig it.

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Entertainment, Interviews, Television

Netflix backs down and keeps DVD service

October 10, 2011 /

Netflix responded quickly to the backlash surrounding their recent announcement to split their traditional DVD subscription business from their streaming business by reversing their previous decision. The announcement to create “Quickster” as a new service that would handle DVD subscriptions going forward was a PR disaster for Netflix, partly because it was handled poorly and seemed to come out of nowhere. Customers were blindsided, and this followed very unpopular price increases.

Here’s the email that Netflix sent out to subscribers:

Dear ____________,

It is clear that for many of our members two websites would make things more difficult, so we are going to keep Netflix as one place to go for streaming and DVDs.

This means no change: one website, one account, one password…in other words, no Qwikster.

While the July price change was necessary, we are now done with price changes.

We’re constantly improving our streaming selection. We’ve recently added hundreds of movies from Paramount, Sony, Universal, Fox, Warner Bros., Lionsgate, MGM and Miramax. Plus, in the last couple of weeks alone, we’ve added over 3,500 TV episodes from ABC, NBC, FOX, CBS, USA, E!, Nickelodeon, Disney Channel, ABC Family, Discovery Channel, TLC, SyFy, A&E, History, and PBS.

We value you as a member, and we are committed to making Netflix the best place to get your movies & TV shows.

Respectfully,

The Netflix Team

Many analysts and tech experts actually liked the move, since the streaming and DVD businesses are so different. Yet the stock has lost more than half of its value since July of this year.

While the whole episode, including today’s reversal, seems like a case of bad management decisions, it also highlights the difficulty companies are facing with the constantly changing landscape surrounding content delivery. With new tablets, smart phones and consoles, consumer behavior evolves rapidly, and business models can see significant success followed by the threat of obsolescence. Netflix helped put the final nail in the video store business, and now streaming is shaking up the DVD by mail model. The brain trust at Netflix can’t seem to stick with a strategy, but it’s hardly surprising given the uncertainty out there.

Meanwhile consumers have tons of options, and the next few years should offer a dizzying number of new options. For many of us, that’s part of the fun.

Gadgets, News, Television

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