Category: Television (Page 66 of 84)

Sons of Anarchy 4.12 – Burnt and Purged Away

There was a lot more build-up to the season finale this week as the Irish Kings arrived in Charming to talk with SAMCRO about expanding their business relationship. The Irish aren’t exactly sold on the idea of selling RPGs and other heavy artillery to a drug cartel, but Clay persuades them to at least sit down with Romeo and hear what he has to say. And now that a time and place for the meeting has been set, Juice has contacted Lincoln to fulfill his end of the deal, meaning that whoever shows up to the powwow representing the Sons is screwed. But while all of this is likely to play a big part in the final two episodes, tonight’s show was mainly about one thing: the fate of Clay.

After Gemma learns that Opie has found out the truth about Piney’s death, she begins to worry that he’s going to kill Clay, and even scolds Unser for telling him. If Unser looked a little confused, it’s because Gemma doesn’t seem to know what she wants anymore, and the poor guy was left scratching his head just like I was while watching it. It wasn’t that long ago that she went to Unser demanding that Clay needed to die at the hands of a Son, so why the sudden change of heart? You’ve got me, but whatever the reason, she’s obviously decided that she no longer wants Clay dead, and even makes the effort to warn him that Opie is coming for him with a vengeance.

But before we jump to that juicy showdown, it’s worth discussing the events that occurred right before it. Is it just me or is Clay having second thoughts about killing Tara? The previews for this week’s episode hinted at Clay finishing the job himself, but after talking with Romeo about the botched hit, he didn’t seem too convinced that she needs to die anymore, even after Romeo offers to handle it personally. Instead, his visit to Tara’s hospital room was actually quite diplomatic, even if it was a bit of a threat in disguise. He claims that he’s willing to help Jax and Tara get out of town in exchange for John Teller’s letters, and I actually believe him. All he cares about now is saving his own neck, and if Tara is no longer a threat, then it’s actually in his best interest to get her and Jax out of his way so that he can continue his reign over the club.

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The Light from the TV Shows: “Hung” is still worth hanging onto

“Hung” is a series that, not unlike a particular physical attribute of its lead character, caught my eye immediately. The reason it did so, however, was less because of the apparent anaconda residing in the trousers of Ray Drecker, played by Thomas Jane, and more because of the people behind the scenes.

Now in its third season on HBO, “Hung” was created by Dmitry Lipkin and Colette Burson. I was well familiar with Lipkin’s name from his previous small-screen creation, “The Riches,” which lasted for an all-too-short two seasons on FX. As such, I would’ve followed him anywhere his next project might have taken him…and when I discovered that it revolved around a well-endowed high school baseball coach who turns to prostitution as a way of making ends meet, I’d have to say that I wasn’t entirely surprised that it took him to a premium cable network.

Alas, as is often the case in the life of a TV critic, there never seem to be enough hours in the day to keep up with every series you’d like to watch, and although I was decidedly curious to see how a concept such as this might play as a series, I wasn’t really able to give it a good look until Season 1 made its DVD debut. Unsurprisingly, those first ten episodes proved highly entertaining, making it easy as pie to dole out a four-star review while musing on the conceptual (if not necessarily tonal) similarities between “Hung” and “Breaking Bad,” both focusing on what a father is willing to do to make ends meet for his family. Sadly, though, I wasn’t nearly as charmed by the goings-on in Season 2, and by the end of those ten episodes, I’d reached a point where I was left wondering whether or not it was going to worth the time and effort to follow the series into its third season.

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Sons of Anarchy 4.11 – Call of Duty

After the events of last week’s riveting episode (are you reading this Emmy voters?), it didn’t seem like Tara would ever be able to forgive Jax for what happened. But now that she’s had a night to calm down, she certainly seems willing to try, even if she doesn’t look entirely convinced that they’ll be able to leave Charming as promised. Jax still believes that they can get out, though, and now that the hospital in Providence has offered Tara a job despite her recent accident, their plans to start a new life together are still alive. Or at least they were until Tara foolishly broke her hand all over again after freaking out following Wendy’s visit. Personally, I don’t see why it’s such a big deal. Wendy is, after all, Abel’s biological mother, and if she’s completely reformed, then why shouldn’t she be able to get to know her son? Gemma sees the reasoning behind it and agrees to let Wendy into Abel’s life, but only under her rules. That could mean that Drea de Matteo is coming back to “SOA” full-time, but I wouldn’t place any bets just yet.

Meanwhile, with the rest of the club now aware of Tara’s attempted kidnapping, they’ve agreed to join Jax in exacting revenge on Lobos Sonora by teaming up with Romeo’s men to get rid of the cartel’s presence in Charming. The attack doesn’t go quite as planned, however, and they accidentally wander into a minefield just outside of the Lobos’ camp. During the ensuing firefight, Kozik steps on one of the mines and is blown to pieces – an event that will likely go down as the most pointless death in the history of the show. I don’t really see any reason why Kozik had to die apart from the fact that Kenny Johnson (the actor who plays him) has a new gig on NBC’s “Prime Suspect,” especially when he was just beginning to mesh with the rest of the cast. That whole sequence played really false to me, with Jax and Chibbs even using some rocket launchers (or as Juice called them, “‘Call of Duty’ shit”) like they were seasoned pros.

Apart from that strange detour, the rest of the episode did a great job of getting all the show’s ducks in a row in preparation for the finale. One of the biggest loose ends still looming in the background was the deal that Clay struck with Georgie to trick Hale into thinking he had new investors for Charming Heights. Unfortunately, the plan worked a little too well, and one of the Asian families went behind Georgie’s back and actually made a deal with Hale, ensuring that the property deal would go through. When the Sons learn that Georgie can’t do anything to stop it, Bobby forces him to confess the truth about Luanne’s murder before giving Tig and Opie the go-ahead to kill him like they should have weeks ago. As expected, Georgie was involved in her death, although he claims that it was an accident and she was only meant to be roughed up a bit.

Of course, that particular piece of intel isn’t going to mean much to Otto since Bobby already lied to him about killing Georgie once. And now because of it, he’s decided to rat on SAMCRO after Lincoln agrees to a list of demands that include giving Lennie the Pimp back some of his prison rights and moving up his execution date. Oh yeah, and he also wants to be the one to tell Bobby that he gave up the club, although that last one is going to blow up in his face as soon as he learns that Georgie was responsible for Luanne’s death. Then again, as long as Otto doesn’t sign off on his testimony, there’s always a chance that he’ll be able to retract his statement in time. And from where I’m standing, that’s SAMCRO’s only hope of getting out of this whole mess in one piece.

Other thoughts from the episode:

* Otto’s traitorous decision wasn’t even the biggest talking point of the night, but rather it was Opie finally discovering Piney’s body in the cabin. I’m not sure why Unser didn’t go finish the frame-up job immediately after speaking with Gemma, but now Opie knows the real truth, and Unser’s warning that Clay needs to die before he “kills someone else you love” suggests that Opie will indeed be the Son who puts him down for good.

* But it’s entirely possible that someone totally unexpected will be the one that pulls the trigger instead. If Tig killed Clay, it would continue in the tradition of the show’s other Shakespearean influences, although it would be more “Julius Caesar” than “Hamlet.” And after confronting Clay about being shut out in recent weeks and then turning over his Sgt. at Arms patch after seeing what he did to Gemma, Tig certainly has motive.

* And then there’s Juice, who’s trying to save the club and his brothers by essentially going against everything they stand for. If he would have just went confided in Chibs in the first place about the whole race issue (who claims that it isn’t an issue at all because his birth certificate says he’s Hispanic), he wouldn’t be in the difficult situation that he’s in now, which only makes it that much harder to swallow.

The Light from the TV Shows: Getting Your Scare On with “American Horror Story”

The Television Critics Association press tour is always an exciting opportunity to mingle with my TV critic peers, meet and greet with the individuals involved in the latest and greatest (and otherwise) new series, and get the scoop on what we’ll all be seeing on the small screen over the course of the subsequent six months. This summer’s tour was the first time I didn’t subsequently write up my recollections of the event – my only excuse lies in the lyrics of John Lennon: Life is what happens to you while you’re busy making other plans” – but had I pulled together a list of highlights, one of them certainly would have been that I had the opportunity to head over to the 20th Century Fox lot and attend a special advance press screening of the pilot episode of FX’s “American Horror Story.”

Creators Ryan Murphy and Brad Falchuk were in attendance to introduce the pilot, along with cast member Connie Britton, and, as is par for the course for series creators when they’re standing in front of an audience of TV critics, Murphy and Falchuk seemed as excited for us to see the episode as they were nervous to learn what we thought of it. Indeed, unless they were skulking in the back of the auditorium, they didn’t stick around to witness our reactions to the events unfolding onscreen, let alone to hear any of our discussions after the closing credits had rolled.

It should come as no surprise to learn that critical reaction was mixed – I mean, that’s pretty much a given for any new series, right? – but if there was one recurring theme to the many conversations going on about “American Horror Story” during our post-screening dinner, it was that a great number of the people who wouldn’t necessarily commit to actually liking what they’d seen were at least willing to concede that it was going to stay near the forefront of their thoughts for quite some time to come…which, as it happens, is where I was with the show, too.

If you’ve seen the pilot, you can probably appreciate my position: it’s creepy, disconcerting, and, yes, there are a few legitimate scares amidst the cheap but effective made-ya-jump moments, but it’s also full of a multitude of horror tropes and plot devices, including (but not limited to) a haunted house, gory murders, ghostly apparitions, eccentric neighbors, a sinister stranger delivering a warning of impending tragedy, and a pregnancy possibly brought about by evil forces.

Was it memorable? Absolutely. Did it make an impact? I dare say it did: even though I didn’t know if I liked it, I already couldn’t wait to watch it again. Was it sufficiently intriguing for me to want to seek out a second episode? You better believe it. But even with these things said, in addition to getting the feeling that Murphy and Falchuk were throwing things against the wall to see what stuck, I was also left with nagging uncertainty about where the hell they were going with this thing.

Now that I’m six episodes into the proceedings, I’m far more confident about the situation, but I won’t lie to you: it was a little bit touch-and-go for a bit.

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Sons of Anarchy 4.10 – Hands

If you haven’t already heard, FX recently granted Kurt Sutter an additional episode so that he could see out the current season the way he intended, and for as good as this year has been up until now, it’s easy to see why the network gave in to his demands. Tonight’s show was a pretty pivotal episode in terms of where the rest of the season is headed, and although there were some other important developments apart from the main storyline (like Jax informing Opie that he was leaving the club and Juice agreeing to work with Lincoln to save it), I’ve decided to focus this week’s blog post entirely on the intensifying drama around the Teller/Morrow clan.

Though last week’s cliffhanger may have tried to play coy about whether Clay was actually moving forward with his plan to order a hit on Tara, it was confirmed within the first few minutes of tonight’s episode. I found it a little strange that Clay demanded Tara’s death to be handled cleanly, however, because if he was planning on blaming it on the cartel, isn’t that the complete opposite of what they would do? Regardless, it didn’t take long for Gemma to realize that Clay was up to no good when she discovered that the money was missing, but I don’t think she knew what he had done just yet.

The look on Clay’s face upon learning that Jax and the kids were joining Tara on her trip up to Oregon was priceless, and although he tried to call it off, Romeo said that it wasn’t possible. What he doesn’t know is that Romeo could have easily canceled the hit if he wanted to, but now that he knows that Tara is a potential liability, he’s going to do whatever it takes to protect the cartel – even if that means killing her himself. Of course, as soon as Romeo does come after Tara, that’s surely going to spell the end of the cartel’s relationship with SAMCRO, which is exactly what the club wants anyways.

Still, for as much as that guy was paid to kill Tara, you’d think that he would be a little better at his job. Though he successfully got her into the van, Jax was able to shoot out the tires, prompting Tara to try and escape only to have her hand crushed by the door. As soon as that happened, I immediately knew where the story was headed. With Tara’s career as a surgeon pretty much finished (save for some miracle recovery), Jax will be forced to stay in the club in order to support her and the family. The fact that I didn’t even consider that possibility before is a little embarrassing, but I have to applaud Sutter for doing what was necessary without making it feel like a jumping the shark moment. The emotional ramifications are going to be huge, because I can’t really see how Jax and Tara will able to be continue their relationship when she already resents him for what happened.

There may be a dearth of strong female characters on television, but “Sons of Anarchy” has two incredible ones in Tara and Gemma. The latter really showed her fortitude tonight when, after confronting Clay about breaking his promise to stay away from Tara, she pulled a gun on him and threatened to tell Jax everything. But while Gemma certainly got a few good punches in after he attacked her, Clay did most of the damage, beating her up so badly that she looked even worse than she did after the rape in Season Two. I honestly don’t see how Clay is going to make it out of this season alive, and now that Gemma has finally admitted he’s beyond saving, she’s ready to let him go. Unser would prefer he’s delivered justice by the law, but Gemma believes he has to die, and only at the hands of a Son. But who will it be? Jax, Opie or someone else?

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