Category: Television (Page 27 of 84)

Blu Tuesday: Now You See Me, The Office and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Now You See Me”

WHAT: When a quartet of illusionists called the Four Horsemen commit a series of crimes as part of a three-show performance bankrolled by business tycoon Arthur Tressler (Michael Caine), FBI agent Dylan Rhodes (Mark Ruffalo) teams up with an Interpol detective (Melanie Laurent) to track them down.

WHY: It’s always nice to see an original idea like “Now You See Me” find success amid the usual summer barrage of rehashed properties (and a sequel has since been greenlit), but unfortunately, the movie doesn’t live up to its full potential. The chemistry between the Four Horsemen – played with verve by Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco – provides many of the film’s best moments, so it’s really disappointing that the actors are used so sparingly. And though Ruffalo is certainly no slouch, following his dogged FBI agent around as he tries to unravel the mystery surrounding the Four Horsemen’s elaborate magic act isn’t nearly as much fun as watching them execute it. The movie is also riddled with giant plot holes, strange story developments and one of the lamest twist endings in recent memory. After all, if you’re going to make a film about magic, you shouldn’t cheat to sell the trick.

EXTRAS: There’s an audio commentary with director Louis Leterrier and producer Bobby Cohen, a making-of featurette, a brief history of magic and deleted scenes.

FINAL VERDICT: RENT

“The Office: Season Nine”

WHAT: Change is in the air at Dunder Mifflin as the documentary is finally scheduled for its TV debut, leading Andy (Ed Helms) to rethink his career choices. Meanwhile, Jim (John Krasinski) and Pam (Jenna Fischer) experience marital problems when he lands a dream job in Philadelphia; Angela (Angela Kinsey) discovers that her marriage has been a fraud; and Erin (Ellie Kemper) hooks up with the new office temp.

WHY: Though it was one of the funnier shows on television during its first few seasons, “The Office” has gradually become less entertaining over the years, with many clamoring for NBC to pull the plug when Steve Carell exited the workplace comedy at the end of Season Seven. Instead, they decided to forge ahead without him, and if the final two seasons are any indication, that was a terrible idea. Despite some desperate attempts to plug the hole with big-name guest stars like James Spader and Kathy Bates (both of whom made Season Eight more tolerable), the writing was already on the wall by the time Season Nine rolled along. From the contrived Jim-Pam subplot, to the complete devolution of the Andy Bernard character (somehow making him more annoying in the process), there wasn’t much to love about this season apart from the well-crafted series finale. It was a bumpy ride getting there, but at least they stuck the ending.

EXTRAS: As usual, there’s a ton of bonus material on the four-disc set, including never-before-seen audition tapes, over two hours of deleted scenes, a behind-the-scenes panel discussion, a blooper reel and more.

FINAL VERDICT: RENT

“The Iceman”

WHAT: Set over the course of several decades, the film tells the real-life story of Robert Kuklinski (Michael Shannon), a devoted husband and father of two who secretly worked as a contract killer for the mob, murdering more than 100 people before finally being arrested.

WHY: “The Iceman” had all the makings of a good film – a magnetic leading man, a great supporting cast (save for a pointless cameo by James Franco), and story almost too crazy to be true – but while it starts out well enough, it never really builds on that early promise. Instead, it seems content to follow the same generic formula of every other gangster drama, and as a result, the movie comes off dull and predictable. For a movie based on fact, it feels an awful lot like fiction, and that may be why it took so long for someone to make a film about Kuklinski’s life. While it’s definitely an incredible story, that doesn’t necessary guarantee that it’ll be interesting, and though that hasn’t stopped Michael Shannon from delivering another fine performance, it’s not quite enough to rescue the movie from the swamp of mediocrity surrounding him.

EXTRAS: There’s a 30-minute making-of featurette and a shorter, EPK-style look behind the scenes with interviews from the cast and crew.

FINAL VERDICT: SKIP

Breaking Bad 5.11 – “Confessions”

As happy as I am that Vince Gilligan has been given the opportunity to take “Breaking Bad” to its conclusion on his own terms, allowing him to end it now rather than a season or two down the road, each new episode of this final batch continues to further cement just what a tremendous, gaping hole is going to be left in my television viewing habits when the series is gone for good.

7bc35cba-0b2f-d094-6c36-6e46535e0818_AMC-Breaking_Bad-5_2238-3

I’m not trying to paraphrase the immortal Stiff Records slogan here—there are plenty of series beyond “Breaking Bad” that most certainly are worth a fuck—but no other show on television has ever…and I mean ever…grabbed me the collar the way this one does, making me so profoundly love and so deeply loathe its characters, often shifting between the two extremes within the same scene.

Continue reading »

Blu Tuesday: The Great Gatsby, Pain & Gain and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Great Gatsby”

WHAT: Bond salesman Nick Carraway (Tobey Maguire) gets pulled into the extravagant world of Jay Gatsby (Leonardo DiCaprio) when he rents a small house on Long Island next to the reclusive millionaire’s lavish mansion. But Gatsby has ulterior motives for befriending Nick – he’s in love with his cousin, Daisy (Carey Mulligan), who’s currently trapped in a loveless marriage with wealthy socialite Tom Buchanan (Joel Edgerton).

WHY: If you ever wondered what a bad movie starring good actors looks like, then you’ll want to check out this disastrous adaptation of F. Scott Fitzgerald’s “The Great Gatsby.” Though Warner Bros. tried to put a positive spin on the film’s delay, it’s pretty clear why they decided not to release it during awards season like originally planned: it’s a boring mess. The only thing worse than a dull movie is one that tries to disguise it with razzle-dazzle, and director Baz Luhrman’s kitschy vision of the Roaring 20s is so oversaturated in style and off-the-wall choices (like the use of a contemporary, mostly hip-hop soundtrack) that he completely ignores the many nuances of Fitzgerald’s novel. The whole thing is executed so poorly that I came up with a drinking game just to keep myself entertained. Take a sip every time DiCaprio says “old sport,” and take a shot every time someone slicks back their hair. You’ll be plastered within the hour, but at least the film will be a lot easier to watch.

EXTRAS: Sadly, there’s no audio commentary by director Baz Luhrmann, but there are a number of featurettes on things like pre-production, costume design and the soundtrack, as well as on-set video diaries by Tobey Maguire, an in-depth look at five sequences and some deleted scenes.

FINAL VERDICT: SKIP

“Pain & Gain”

WHAT: Based on an unbelievably true story, physical trainer Daniel Lugo (Mark Wahlberg) enlists the help of fellow bodybuilder Adrian Doorbal (Anthony Mackie) and recently paroled born-again Christian Paul Doyle (Dwayne Johnson) to kidnap a Miami businessman (Tony Shaloub) and force him to sign over all his assets.

WHY: After three “Transformers” films, it’s nice to see Michael Bay challenging himself with something on a much smaller scale – one that doesn’t involve blowing shit up every 10 minutes – although it may not necessarily look like it due to the director’s trademark ramped-up style. Bay’s movies can be pretty grueling to watch at times between the relentless high energy intensity and overlong runtimes, and “Pain & Gain” is no exception. But whereas a film like “Bad Boys II” had the added annoyance level of Martin Lawrence (to the point that it gave me a headache), this movie actually benefits from its cast. Wahlberg, Johnson and Mackie all deliver enjoyable performances as the amateur criminals, and though no amount charm makes them come across any less idiotic, that’s part of the fun. “Pain & Gain” is a lot like “Raising Arizona” in many respects – if that film was shot up with a potent cocktail of steroids and speed – and though it’s fairly entertaining at times, it eventually becomes too crazy for its own good.

EXTRAS: Surprisingly, there’s no bonus material available. Nothing, nada, zilch.

FINAL VERDICT: RENT

Continue reading »

Breaking Bad 5.10 – “Buried”

(CAVEAT: Portions of this review originally appeared in the AntennaFree.TV piece, ‘Breaking Bad’ Critics’ Thread: Secrets are Unearthed in ‘Buried’, which also features reflections from Joel Keller, Mike Moody, and Mekeisha Madden Toby, all of whom are pretty damned fine writers in their own right.)

When this week’s episode of ‘Breaking Bad’ kicked off, the only thing that was running through my mind was a comment I read somewhere last week: “Join us next time on ‘Breaking Bad’ when Walt breaks the uncomfortable silence and asks, ‘So, Hank, you, uh, gonna open the garage door?’” Before we reached that point, though, we had a quick pre-credits look at what happened in the wake of Jesse’s free-money spree. Last week, I wrote, “It’s only a matter of time before someone identifies the car and says, ‘Let’s see if he’s got any more,’” but that’s not exactly what happened, although someone did end up following the trail back to where it began.

80f904ad-073f-94ce-3258-eabc4617e8e8_AMC-Breaking_Bad-5_2166

I was completely convinced we were going to follow the old man on his path of picking up packets of bills until he met up with someone else who was following the money trail from the other end, at which point things would go terribly wrong…but, no, the trail instead led straight to Jesse, literally going in circles on the playground merry-go-round. It’s a great overheard shot, and knowing this show, the whole going-in-circles thing is probably meant as a metaphor, since he’s clearly wracked with guilt and has no idea what the hell he’s supposed to do. We don’t actually see what happens after the old man stumbles upon him, but he clearly ends up in police custody at some point. (I’m just hoping the old guy ends up keeping a decent amount of cash for himself.)

Continue reading »

The Light from the TV Shows: A Chat with Lennie James (“Low Winter Sun”)

Lennie James is a familiar face to fans of cult and comic-book-inspired TV series, having been a regular in “Jericho” and guesting on “Human Target” and “The Walking Dead,” but now he’s trying his hand at an American cop drama, starring in AMC’s “Low Winter Sun.” James’s career has also featured several notable film roles as well, and he was kind enough to chat about a few of those, too, most notably reflecting on the passing of his “Snatch” co-star Dennis Farina. First, though, we dove into discussion about how he came by his current gig, the difference between how his character’s written and how he plays the part, and his fondness for AMC’s way with surprises.

8c51989d-3178-743c-4d64-ee0b2a5ae05d_Joe2

Bullz-Eye: So were you actively looking for a series gig, or did “Low Winter Sun” just kind of fall into your lap?

Lennie James: Um…I’m trying to remember how it went around! I think it was… I’d gone home to Britain to do a television series over there, and then when I got back, “Low Winter Sun” was… [Hesitates.] Oh, that’s actually what happened. I was just about to lie to you. I’ll tell you the truth now.

BE: The truth is always preferable when I can get it.

LJ: Yeah! Well, I shot a pilot that didn’t go, and the script for “Low Winter Sun” kind of came in, and…it was very conventional: I read it, I liked it, and then went and met on it, and it happened.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑