Category: Entertainment (Page 151 of 277)

Blu Tuesday: Now You See Me, The Office and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Now You See Me”

WHAT: When a quartet of illusionists called the Four Horsemen commit a series of crimes as part of a three-show performance bankrolled by business tycoon Arthur Tressler (Michael Caine), FBI agent Dylan Rhodes (Mark Ruffalo) teams up with an Interpol detective (Melanie Laurent) to track them down.

WHY: It’s always nice to see an original idea like “Now You See Me” find success amid the usual summer barrage of rehashed properties (and a sequel has since been greenlit), but unfortunately, the movie doesn’t live up to its full potential. The chemistry between the Four Horsemen – played with verve by Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco – provides many of the film’s best moments, so it’s really disappointing that the actors are used so sparingly. And though Ruffalo is certainly no slouch, following his dogged FBI agent around as he tries to unravel the mystery surrounding the Four Horsemen’s elaborate magic act isn’t nearly as much fun as watching them execute it. The movie is also riddled with giant plot holes, strange story developments and one of the lamest twist endings in recent memory. After all, if you’re going to make a film about magic, you shouldn’t cheat to sell the trick.

EXTRAS: There’s an audio commentary with director Louis Leterrier and producer Bobby Cohen, a making-of featurette, a brief history of magic and deleted scenes.

FINAL VERDICT: RENT

“The Office: Season Nine”

WHAT: Change is in the air at Dunder Mifflin as the documentary is finally scheduled for its TV debut, leading Andy (Ed Helms) to rethink his career choices. Meanwhile, Jim (John Krasinski) and Pam (Jenna Fischer) experience marital problems when he lands a dream job in Philadelphia; Angela (Angela Kinsey) discovers that her marriage has been a fraud; and Erin (Ellie Kemper) hooks up with the new office temp.

WHY: Though it was one of the funnier shows on television during its first few seasons, “The Office” has gradually become less entertaining over the years, with many clamoring for NBC to pull the plug when Steve Carell exited the workplace comedy at the end of Season Seven. Instead, they decided to forge ahead without him, and if the final two seasons are any indication, that was a terrible idea. Despite some desperate attempts to plug the hole with big-name guest stars like James Spader and Kathy Bates (both of whom made Season Eight more tolerable), the writing was already on the wall by the time Season Nine rolled along. From the contrived Jim-Pam subplot, to the complete devolution of the Andy Bernard character (somehow making him more annoying in the process), there wasn’t much to love about this season apart from the well-crafted series finale. It was a bumpy ride getting there, but at least they stuck the ending.

EXTRAS: As usual, there’s a ton of bonus material on the four-disc set, including never-before-seen audition tapes, over two hours of deleted scenes, a behind-the-scenes panel discussion, a blooper reel and more.

FINAL VERDICT: RENT

“The Iceman”

WHAT: Set over the course of several decades, the film tells the real-life story of Robert Kuklinski (Michael Shannon), a devoted husband and father of two who secretly worked as a contract killer for the mob, murdering more than 100 people before finally being arrested.

WHY: “The Iceman” had all the makings of a good film – a magnetic leading man, a great supporting cast (save for a pointless cameo by James Franco), and story almost too crazy to be true – but while it starts out well enough, it never really builds on that early promise. Instead, it seems content to follow the same generic formula of every other gangster drama, and as a result, the movie comes off dull and predictable. For a movie based on fact, it feels an awful lot like fiction, and that may be why it took so long for someone to make a film about Kuklinski’s life. While it’s definitely an incredible story, that doesn’t necessary guarantee that it’ll be interesting, and though that hasn’t stopped Michael Shannon from delivering another fine performance, it’s not quite enough to rescue the movie from the swamp of mediocrity surrounding him.

EXTRAS: There’s a 30-minute making-of featurette and a shorter, EPK-style look behind the scenes with interviews from the cast and crew.

FINAL VERDICT: SKIP

Coming Soon: A Moviegoer’s Guide to September

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Now that summer is officially over, moviegoers are bound to see a greater variety of films arriving in theaters beyond the usual barrage of action flicks and comedies. Though the September release slate isn’t as promising as it’s been in past years, there are a few potential Oscar nominees among the pack, as well as new movies from A-list stars like Robert De Niro, Hugh Jackman and Gwyneth Paltrow.

“RIDDICK”

Who: Vin Diesel, Katee Sackhoff, Dave Bautista, Bokeem Woodbine and Karl Urban
What: Left for dead on a sun-scorched planet, Riddick teams up with a new breed of mercenary against an alien race of predators.
When: September 6th
Why: Though “Pitch Black” was a cool sci-fi thriller that introduced the world to Vin Diesel, director David Twothy’s 2004 follow-up, “The Chronicles of Riddick,” failed to convince audiences that the character warranted additional adventures. That hasn’t stopped Diesel from moving forward with a third installment anyway, and after the blockbuster success of the last two “Fast and Furious” movies, Universal was hardly in a position to say no. But whereas the sequel bit off more than it could chew with its grand space battles and expansive mythology, especially after the more character-based first film, “Riddick” seems to fall somewhere in the middle, and it’s that balance that could help transform the series into the franchise Diesel always envisioned.

“INSIDIOUS: CHAPTER 2”

Who: Patrick Wilson, Rose Byrne, Barbara Hershey, Leigh Whannell and Lin Shaye
What: The haunted Lambert family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.
When: September 13th
Why: James Wan may be the reigning king of horror, but I’m not exactly sure what to think about the sequel to his 2010 sleeper hit. That movie ended with Patrick Wilson’s character supposedly becoming possessed by the demon that haunted him as a child, and yet “Chapter Two” gives the impression that Wilson is now leading a happy life with his family. So what happened between the two films? And will it even be addressed in the sequel? That seems to be one of the biggest questions leading into the movie, and unless Wan and writing partner Leigh Whannell have come up with a doozy of an explanation, prepare to be disappointed.

“THE FAMILY”

Who: Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones and Diane Agron
What: A notorious mafia family is relocated to France under the witness protection program, where fitting in soon becomes challenging as their old habits die hard.
When: September 13th
Why: It’s been awhile since Luc Besson last directed an action film (though he’s kept busy over the years as a writer/producer on the “Transporter” and “Taken” franchises), and he couldn’t have picked a better movie for his return to the genre than “The Family.” Besson has never had trouble attracting big names to his films, but that doesn’t make the involvement of Robert De Niro and Michelle Pfeiffer (both returning to their mob roots here) any less exciting. Though the veteran actors have been in films together before (2007’s “Stardust” and 2011’s “New Year’s Eve”), this marks the first time that they’ll actually share the screen, and that alone gives me hope that “The Family” will be just as much fun as it sounds.

App of the Week: ReRave

Developer: Step Evolution

Compatible with: iPhone 3GS and up, iPod Touch 3rd Gen and up, iPad

Requires: iOS 5.1

Price: $0.99

Available: here

While there are quite a few gaming franchises I want to come back (“Crimson Skies”!!!!!!), I think the one that I may be most personally nostalgic for is “Elite Beat Agents.”

Released around the height of music gaming’s popularity, “Elite Beat Agents” may have been based around a bizarre story (save the world with the power of dance, basically), but the gameplay couldn’t have been more simple, as you tapped various buttons in time with the beat of a song, en route to victory. Impossibly addictive and incredibly unique, this game wore down my stylus to a nub and stands amongst the crowded DS library as a true highlight.

The fact that talks of a sequel remain only rumors used to sadden me, but those feelings have been recently alleviated somewhat by the discovery that there is a spiritual successor to that experience by the name of “ReRave.”

Though it bears no official similarities to “EBA,” “ReRave” sports a similar concept that sees you tap circles in correct sequence to the beat of the songs. The difference is, that whereas “EBA” required a shrinking outer circle to reach the borders of your button before you could tap it, “ReRave” sees you manipulating circles that bear resemblance to the power button of many devices, and tapping them only when the line on the bottom reaches the 12 o’ clock position,until the song is done. While most are vanquished with a  simple touch, some require you to hold them until they finish a bath, some require multiple taps at 1/8th beat intervals, and the dreaded double circles appear that must be completed simultaneously.

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Like any good rhythm game, this is a system that allows for an “easy to learn, tough to master,” philosophy, and quickly pulls you into the overall experience. A big part of this has to go to the music which may not make my playlist in everyday life (it’s a lot of club like music), but works absolutely perfectly in a gaming environment such as this, as their unique beats and paces result in creative playgrounds of rhythm based tapping that will have your fingers dancing across the screen with maniacal precision. Thankfully multiple difficulty levels allow you to adjust as needed if things get too intense, or not near intense enough.

Now while it’s nice that the game features leaderboards, downloadable songs (both free and paid), and a ton of achievements, in truth if the game came with nothing but a few tracks and just the gameplay screen, I’d still be hopelessly addicted to it. This style of gameplay for a music game was flawless in “EBA,” and it maintains that untainted luster here as “ReRave” is one of the most engrossing games available in the music gaming genre, and in all of mobile gaming.

Normally I’d look down on a game for borrowing so liberally from another title, but it’s about time someone brought back this style of gameplay to mobile gaming, and the team behind “ReRave” have done so with near flawless execution. When you really think about it, gaming has long been pressing a series of buttons in proper order, so it really says something that the concept has almost never been as hopelessly addictive as it has in “ReRave,” a can’t miss app of the week.

Breaking Bad 5.11 – “Confessions”

As happy as I am that Vince Gilligan has been given the opportunity to take “Breaking Bad” to its conclusion on his own terms, allowing him to end it now rather than a season or two down the road, each new episode of this final batch continues to further cement just what a tremendous, gaping hole is going to be left in my television viewing habits when the series is gone for good.

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I’m not trying to paraphrase the immortal Stiff Records slogan here—there are plenty of series beyond “Breaking Bad” that most certainly are worth a fuck—but no other show on television has ever…and I mean ever…grabbed me the collar the way this one does, making me so profoundly love and so deeply loathe its characters, often shifting between the two extremes within the same scene.

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Miley Cyrus channels Jim Carrey

Miley Cyrus served up one of the lamest performances in the history of the MTV Video Music Awards, with many on the web suggesting that her look was inspired by this classic Jim Carrey skit. Check out more Miley jokes here.

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