Month: October 2011 (Page 7 of 12)

A Chat with Robert Kirkman (“The Walking Dead”)

ALSO: Check out our Season Two preview, as well as interviews with actors Jon Bernthal and Norman Reedus.

Bullz-Eye: I know you don’t remember me, but you and I met briefly when you were doing the press roundtables at the New York Comic-Con.

Robert Kirkman: Oh, good! I hope I did okay.

BE: Oh, yeah, you did great. It was a lot of fun. I just got the Season 2 press kit, and I’m 95% of the way through the first episode, so it killed me to have to get on the phone with you.

RK: (Laughs) Awesome!

BE: So how excited are you about the premiere of the show’s second season?

RK: I’m extremely excited. I mean, you know, there’s a lot of pressure to follow up our first season. It was a big success, and, you know, knowing what I know of the second season and seeing what I’ve seen, I’m fairly confident that we’re still going to come out of the gate and impress people, so I’m really anxious to see what people think of it. A lot of hard work has been going into this season, and it’s great that it’s going to finally be enjoyed by some people. So I’m really excited.

BE: When it comes to adapting the original source material, you’ve obviously got an advantage, given that it’s yours… (Laughs) …but I’m sure it’s hard to pick and choose which bits actually make it onto television.

RK: It’s a process. There’s not really a way to nail down exactly what goes into it. But everyone in the room is familiar with the comic, and we all sit down knowing what happened in the book, and we look at where the show’s going and what the characters are doing, and we just kind of figure it all out. Sometimes we take things directly from the comic, and there are a lot of times when we’re talking about things from the comic, and things will go to different characters in the show, or it’ll spin off into something entirely new that wasn’t in the comic, but the starting point was something that did appear in the comic. So it’s an evolving process, and it’s neat to be sitting down to adapt something that I wrote awhile ago. The earlier material in “The Walking Dead” is something I wrote some time ago, so it’s good to be able to revisit that stuff.

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First Drive: 2012 Hyundai Veloster

2012 Hyundai Veloster

Hyundai has been on a roll with its new models as we’ve noted in our recent reviews. With its emphasis on aggressive and unique styling, leading gas mileage and overall value, Hyundai is being rewarded with steadily increasing sales. The Veloster coupe is no exception as we discovered when we drove this newly introduced model last week in Michigan.

Exterior

The styling of the new Veloster is truly impressive. As you can see from the photos, Hyundai is going for a new generation of buyers with Veloster. The front end is very assertive with the wraparound headlights and prominent lower grille. LED headlight accents also come standard. The rear view is equally aggressive, and I liked the centered placement of the rear exhaust pipes. Veloster comes with 17-inch alloy wheels standard and optional 18-inch wheels with painted inserts that match the color of the vehicle. Consumers can also personalize body graphics when ordering their Veloster which should appeal to younger buyers.

The hidden third door stands out however as my favorite styling feature. The door is located on the passenger side and the door handle is hidden in the top left corner in the black trim area when you stand facing that side of the vehicle. With this convenience the coupe is much more functional as back seat passengers can avoid crawling in and out of the vehicle. The executives at Hyundai were non-committal when asked by reporters about the possibility of adding a fourth door on the driver’s side, but that’s hardly necessary.

Interior

The interior comes in three colors – black, gray and black and red – and it’s similar to the edgy designs we’ve seen in other Hyundai models with some unique variations. Brand Manager Brandon Ramirez explained their goal of creating a motorcycle-themed design for this coupe, with the inspiration being a high-performance sport bike. I like the funky silver-colored door handles and the overall feel of the interior.

Hyundai is using Veloster to introduce a host of new technology features, creating a reverse halo effect where less expensive models are used to introduce features, particularly those that will appeal to tech-savvy consumers. It comes with a standard LG 7-inch multimedia touch screen display with a number of standard and optional features. Veloster features Hyundai’s first application of Gracenote technology and Pandora, and XM radio is also available.

The Veloster features Hyundai’s new Blue Link service which comes in three packages – Assurance, Essentials and Guidance. One of the innovative features in the Essentials packages is Geo-Fence, which empowers parents to set a geographical area and then get electronic notifications if their kids go outside that area. You can learn more about the “connected” features offered by Blue Link here. Each package comes with initial trial periods followed by annual subscriptions for consumers who decide to stick with the service. It will be interesting to see of consumers embrace subscription services of this type.

Performance

Hyundai has generated significant buzz with its lineup of vehicles that achieve 40 MPG on the highway in the base model of three of its vehicles. The Veloster is a new addition to that impressive lineup, with estimated gas mileage of 28 MPG city and 40 on the highway with the six-speed manual transmission (it’s 29 city, 38 highway in the automatic). Again, weight reduction was a driver of the gas mileage achievement. And as with the other models, you don’t have to purchase an upgrade package to hit that number. Two fuel economy games are also available to encourage drivers to improve their gas mileage.

The car has adequate power with the automatic transmission. The eco button let’s you shoot for even better gas mileage and I didn’t notice much of a difference in performance from zero to 25 miles per hour so it’s a good option in the city. If you’re doing highway driving or hitting higher speeds in the city you’ll want to stay in the normal mode. The manual is also a good option if you want a little more zip for this vehicle.

Hyundai officials would not comment in future engine possibilities but this car will be ideal for a performance/sport model in the future.

Overview

Overall this looks like another hit for Hyundai, with a pricing range of $17,300 to $22,550. The styling will grab the attention of buyers, and the technology and customization features should be appealing to a wide range of consumers.

The Walking Dead: Season Two Preview

ALSO: Check out our interviews with actors Jon Bernthal and Norman Reedus and executive producer Robert Kirkman.

It’s no secret that AMC has endured a difficult year filled with one PR nightmare after the next – including public contract disputes that suspended production on Season Five of “Mad Men” and threatened the future of “Breaking Bad,” as well as audience backlash over the season finale of “The Killing” – but it suddenly felt very personal when Frank Darabont, creator and executive producer of “The Walking Dead,” was unexpectedly relieved of his duties only a few days after promoting the show at San Diego Comic-Con. Though the network never gave a clear reason for his dismissal, it’s believed to have something to do with forced budget cuts for the second season, which came as a surprise to Darabont after the show set a new cable ratings record in its debut season.

But despite all the backroom drama and concerns that Darabont’s absence would spell trouble for the hit zombie series, AMC was insistent that “The Walking Dead” was in the capable hands of his replacement, Glen Mazzara. Then again, Darabont was already hard at work on the show for months before getting the axe, and mapped out the entire season prior to his departure, so audiences may not notice many differences (if any at all) until the show’s third season. It should be noted, however, that Mazzara is no slouch when it comes to making great TV (having previously spent five years behind the scenes on “The Shield”), and he’s still working with the same team that Darabont put together, including zombie experts Robert Kirkman and Greg Nicotero. In fact, based on the first two episodes alone, it’s pretty clear that fans have nothing to worry about.

When we last left Rick Grimes and the rest of the survivors, they had just escaped the Centers for Disease Control in Atlanta by the skin of their teeth and hit the road once again in search of a new refuge. Though they don’t actually arrive at Hershel’s Farm – the provisional sanctuary featured in Kirkman’s comics – until the second episode, the season premiere has more than enough going on to keep them busy, including a tension-packed opening sequence where the survivors must hide from a herd of zombies after Dale’s RV breaks down on the highway. There’s plenty of action and gore as well, with one survivor wounded pretty badly in the aforementioned attack, another one shot in what is likely the first of many “holy shit” moments of the season, and a truly disgusting zombie moment that some people might not be able to stomach. Oh yeah, and fan favorite Daryl kicks a lot of zombie ass, but I’m guessing you already knew that.

Of course, the series is first and foremost about the relationships between its large cast of characters, and although some viewers might bemoan the slower pace of these early episodes, it allows for a lot of great interactions – particularly involving the Rick, Lori and Shane love triangle – that will only make you even more invested in their survival. And if there’s one thing that AMC can never take away from Darabont, it’s the amazing job he did with laying down a strong foundation on which those characters could grow. Because while he may no longer be around to captain the ship, Darabont’s fingerprints are all over “The Walking Dead,” and it’s the main reason why the show will continue to operate at such a high level of excellence. It may not have gone down exactly the way we would have liked, but the audience still comes out the winner in the end.

“The Walking Dead” returns to AMC on October 16th at 9/8c with a special 90-minute premiere. Can’t wait that long? Check out a sneak peek of the new season below.

Horrible Bosses: a lesson in comedic economics

Click here to read our review of “Horrible Bosses”

The thing about people who are naturally good at making people laugh is that they often lose sight of when it’s time to drop the mic and walk away. Now take a movie like “Horrible Bosses,” which is 96 of the funniest minutes you’ll spend this year or any other. For a movie so packed with humor and wit, there is surely something just as awesome that didn’t make the cut, right?

Well, maybe. The truth is, we have yet to watch the extended version of the film (it’s eight minutes longer, and if we knew where those eight minutes were, we’d go straight to them), but if the deleted scenes in the Special Features section on the Blu-ray are any indication, the makers of “Horrible Bosses” left nothing in the bag, as it were. There are a couple of alternate openings, neither of which is as good as the one in the final film, and we get to hear the full recording of Kurt’s tryst with Nick’s boss’ wife (hint: it doesn’t take long). The only other scene worth the film it’s printed on is Colin Farrell at the supermarket, accosting the pharmacist (a snippet of which you can see in the closing credits of the movie). There are featurettes on working for horrible people and how much fun it is to play mean, but the general tone of the featurettes is pretty dry. This is a movie worth owning, no question, but don’t expect the bonus features to serve as the motivation for the purchase. They’re really just a pleasant addition.

Of course, we may change our minds on that once we’ve seen the Totally Inappropriate Edition of the movie, but we’re betting against it. ‘Unrated’ tends to mean ‘overrated’ when it comes to these things.

Sons of Anarchy 4.6 – With an X

At the end of last week’s cliffhanger, it didn’t seem possible that Juice would be able to keep himself out of the crosshairs for much longer, but amazingly, he’s done just that, albeit at the cost of one of his biker brothers. Though the Sons and Mayans were quick to start blaming each other for the missing brick, the club came to the conclusion that the only people dumb enough to try stealing from them were the prospects. And after pretending to torture Miles in a failed attempt to scare Dirty Phil and Rat Boy into a confession (and, let’s be honest, have a little laugh in the process), they forced them to play a game of Russian roulette in order to prove their commitment. Anyone watching had to know that there wasn’t actually a bullet in the gun, and that was part of the problem, because although they both passed the test, it didn’t get the club any closer to finding out who took the cocaine.

With time running out until Romeo’s arrival, Clay decides that he has no other choice but to condemn the pair to death and try and save face with the cartel. But Juice, who doesn’t exactly want their blood on his conscience, suggests that they give the prospects one last chance to return the brick with no questions asked. If it shows up, they’ll be kicked out of the club, but at least they’ll still be alive. That gives Juice just enough time to run out into the woods, grab a sample for Roosevelt, and take the brick back to the warehouse… or so he thinks. Instead, he runs into Miles, who quickly puts two and two together and realizes that Juice is the thief. The ensuing chaos led to one of the series’ biggest “holy shit” moments yet, with Juice getting a hold of Miles’ gun and shooting him clean through the face. And now that everyone thinks Miles was the one responsible, Juice has been given yet another lifeline.

But how much longer can this realistically go on? Though the club was a little surprised that it was Miles who stole the cocaine, they don’t seem to be putting too much thought into why he might have done it. Chibs, on the other hand, is the only one who’s even remotely suspicious of the whole situation, especially after the way Juice was acting around him all day. Their conversation about the prohibition of color in SAMCRO must have come across as pretty random to Chibs, and I wouldn’t be surprised if he started sniffing around Juice’s personal life. Those two appear to have a stronger friendship with each other than most guys in the club, so Chibs will undoubtedly want to do everything he can to get Juice out of trouble before the rest of SAMCRO finds out. The whole thing still feels a bit contrived to me, and even more so after Chibs admitted that many of the club’s rules were pretty outdated. After all, if one of its own members doesn’t even agree with certain by-laws, then surely there’s room for some change.

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