Adam Sandler, Josh Gad, Peter Dinklage, Michelle Monaghan, Kevin James, Brian Cox, Sean Bean

Chris Columbus

Adam Sandler has said that the goal of “Pixels” was to be a modern-day version of an early-period Amblin Entertainment film (think “The Goonies,” “Gremlins” and “Who Framed Roger Rabbit”), something entertaining but also absolutely bonkers, and plays by its own rules. By that measure, “Pixels” is a smashing success. This movie is ridiculous, but in watching it, you realize that it’s been a long time since a live-action summer movie had the nerve to be ridiculous. It’s been this superhero movie or that graphic novel, and with the exception of “Scott Pilgrim vs. the World,” they’ve all been deathly serious. “Pixels” revels in its silliness, and in the process gives the audience some wildly entertaining battle and chase sequences as a bonus. This is one absurd, but fun, movie. If it had a theme song, it would be “Weird” Al Yankovic’s “Dare to Be Stupid.” That’s a compliment, for the record.

When Sam Brenner (Sandler) was a teen (in 1982), his future was impossibly bright. He was the best video gamer in town, but his hopes were crushed when smack-talking Eddie Plant came to town and beat him in a tournament. (Eddie is played by Peter Dinklage, who modeled his look after real-life Donkey Kong champion, and “The King of Kong” supervillain, Billy Mitchell. If you have not yet seen this movie, stop reading this and watch it right now. NOW, damn it.) The footage of that tournament was sent into space, where it was received by an alien race…and interpreted to be a declaration of war.

Thirty-three years later, the aliens arrive, in the form of the 8-bit video game characters that were in the video, destroying a US military base in Guam, and then a major international landmark. Sam now installs high-tech audio and video systems, while his teen years buddy Will Cooper (Kevin James) is the President of the United States. President Cooper, once he realizes what they’re up against, brings in Sam, and their onetime gamer friend-turned-conspiracy theorist Ludlow Lamonsoff (Josh Gad) to advise the military, much to the military’s chagrin, on how to defeat their enemy. Later, when Sam and Ludlow show that they are better soldiers in this war than the actual soldiers, the government makes a deal with the now-incarcerated Eddie to enlist the help of the self-branded “Fireblaster” (that nickname is so very ‘80s, and so very douchey). They’ve already lost the first two battles, though, so using video game logic, if they lose one more, it’s game over for the planet.

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Kevin Hart, Josh Gad, Kaley Cuoco-Sweeting, Alan Ritchson, Olivia Thirlby

Jeremy Garelick

The premise for “The Wedding Ringer” has a blind spot the size of Texas. If someone were to actually do what Kevin Hart’s character does here, it would not be long before they ran into one of their former clients’ spouses, or a girl they hooked up with after the reception, or a family member of the wedding party (you get the idea), while pretending to be the new character. Not to mention, the movie wrings laughs out of a scenario where men spin a hideous web of lies to their wives-to-be as a means of impressing them, which is the worst possible way to start a marriage. It’s a house of cards, with a near-zero level of plausibility, and yet, “The Wedding Ringer” works in spite of all of these things. Hart and Josh Gad have great chemistry, the script is surprisingly smart for such a broad comedy (they don’t stoop to making the supporting characters dunces in order for the plot to work), and there is an underdog mentality to it that is intoxicating.

Doug Harris (Gad) has a problem. He’s about to get married to out-of-his-league Gretchen (Kaley Cuoco-Sweeting), but he doesn’t have any friends, and therefore no best man or groomsmen. The wedding planner sniffs this out (Gretchen, conveniently, is still in the dark about this), and suggests that Doug meet Jimmy Callahan (Hart), who runs a business providing services for men who need a best man. Doug, however, doesn’t just need a best man: he needs a best man and a whopping seven groomsmen, something Jimmy has joked about but never executed before. The groomsmen Jimmy recruits are less than ideal, but Doug goes along with it given the circumstances. As Doug and Jimmy get to know each other – Jimmy has a strict ‘This is a business arrangement, and we are not friends’ policy – and as Gretchen’s family gets to know Jimmy, lines get blurred.

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Mark Ruffalo, Tim Robbins, Josh Gad, Gwyneth Paltrow, Patrick Fugit, Alecia Moore, Joely Richardson

Stuart Blumberg

Sex addiction is a tricky topic – some believe that it’s a genuine disease that deserves to be treated on the same level as drugs and alcohol, while others think it’s a convenient excuse for a certain type of behavior – which is probably why so few movies have been made on the subject. But whereas 2011’s “Shame” took a darker look at the effects of sex addiction, writer/director Stuart Blumberg’s “Thanks for Sharing” is more interested in the recovery phase. As a result, it’s bound to garner much less attention than the NC-17 rated Steve McQueen drama, and rightfully so, because this is pretty standard indie fare that’s only elevated by its ensemble cast.

The film follows the intersecting lives of three men in various stages of recovery. Eco-friendly businessman Adam (Mark Ruffalo) has been sober for five years, and when he finally jumps back into the dating pool at the behest of his sponsor Mike (Tim Robbins), he meets the beautiful Phoebe (Gwyneth Paltrow), who has obvious concerns about his “addiction.” Mike, meanwhile, is a 12-step guru who trusts so much in the program that he doesn’t believe his drug addict son Danny (Patrick Fugit) – who suddenly returns home one night after a years-long absence – could possibly get clean on his own. And lastly, there’s Neil (Josh Gad), a schlubby doctor who’s been court ordered to attend sex addiction meetings and assigned Adam as his sponsor. Neil is in denial about the whole thing, but when he gets fired from his job for secretly filming up his boss’ skirt, he decides to take the program more seriously with the help of a fellow sex addict named Dede (Alecia Moore, aka Pink).

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