Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: In order to protect himself and his family from being targeted for retaliation, honest cop Rama (Iko Uwais) agrees to go undercover to find the source of corruption in the city’s police force. After making friends with the son of a respected crime boss, Rama is hired as an enforcer for the syndicate, only to find himself smack dab in the middle of a turf war between his boss and the Japanese yakuza.
WHY: It would have been all too easy for Gareth Evans to deliver a rinse-and-repeat sequel to his 2012 cult classic, so it’s refreshing to see the filmmaker take a risk with such a strikingly ambitious follow-up like “The Raid 2,” a slower, operatic crime saga with a lot more moving parts than its predecessor. The first movie was a non-stop action-fest with very little room for anything else, but while the added depth and drama is greatly appreciated this time around, Evans never forgets that he’s making an action film, sprinkling some bone-crunching, blood-spurting set pieces into each act. Many of the action scenes aren’t as memorable as the ones from the original, but they’re all ridiculously entertaining, including a fight inside a moving car that’s unlike anything you’ve ever seen. Though the movie is a bit long at 150 minutes, the runtime is mostly justified considering the vast scope of the story. Some fans will undoubtedly be disappointed at how different it is from the original, but that’s exactly what makes it so great, because although “The Raid 2” may not provide the same adrenaline rush of its faster-paced, more contained predecessor, but it’s a richer and more sophisticated action-thriller that ranks among the best crime films ever made.
EXTRAS: In addition to an audio commentary by director Gareth Evans, the Blu-ray release includes a short making-of featurette, a pair of more in-depth featurettes on location shooting and action choreography, a lengthy Q&A session with Evans, star Iko Uwais and composer Joe Trapanese and an ultra-violent deleted scene.
FINAL VERDICT: BUY
WHAT: After middle-aged loser Guy Trilby (Jason Bateman) uncovers a loophole in the spelling bee bylaws that allows him to participate in – and win – his regional tournament, he’s begrudgingly invited to the prestigious Golden Quill national spelling bee. But while Guy has ulterior motives for taking part in the competition, his endgame is threatened when he befriends a precocious 10-year-old contestant (Rohan Chand) willing to do whatever it takes to win.
WHY: If “Bad Words” sounds like the 2003 comedy “Bad Santa,” you’re not alone. But while the comparisons are inevitable, “Bad Words” isn’t nearly as crude or edgy as the holiday cult classic. That’s not to say that Jason Bateman’s directorial debut doesn’t have a mean streak, because it relishes every opportunity to be naughty, but the film also feels like it’s playing it safe at times so as to not completely alienate its protagonist. Guy is hardly a saint (his motives are not only selfish, but pretty juvenile), but he also isn’t as bad as he appears on the surface, as evidenced in the big brother-little brother bond that he forms with Chand’s pint-sized sidekick. The child actor is excellent opposite his director/co-star, but this is Bateman’s show, with Andrew Dodge’s script playing to the actor’s strengths so well that you’d think it was written specifically for him. It’s not easy making a jerk like Guy seem likable, but Bateman does a solid job of pushing boundaries without going too far over the line. That’s a credit to his work behind the camera as well, because although the story is a little undercooked and the big “twist” is entirely predictable, “Bad Words” delivers enough hilarious, foul-mouthed mischief to deserve its title.
EXTRAS: There’s an audio commentary by Jason Bateman, a making-of featurette and some deleted and extended scenes.
FINAL VERDICT: RENT
WHAT: When she’s found beaten in an alley by a scholarly gentleman (Stellan Skarsgard) and taken into his home to tend to her wounds, self-diagnosed nymphomaniac Joe (Charlotte Gainsbourg) recounts her sexually depraved life story, from adolescence to adulthood.
WHY: Split into two parts for its U.S. release, probably because it would have been unbearable to watch in one sitting, “Nymphomaniac” is almost maddeningly pretentious, even for a director like Lars von Trier. This is a film with its head so far up its own ass – stretching to draw parallels between Joe’s sexual misadventures and subjects ranging from fly fishing to music theory) that it’s hard to discern whether von Trier is just fucking with the audience. “Nymphomaniac” is neither as intelligent nor as darkly comical as it pretends to be, and it’s also surprisingly anti-erotic for a movie largely about sex, although in the case of the latter, that might actually be the point. Unfortunately, that message is lost amid the dense screenplay, the lack of a compelling protagonist and some terrible acting by Shia LaBeouf, Christian Slater and others. Newcomer Stacy Martin delivers a fearless and assured debut as the young Joe, but she’s one of the few highlights in an otherwise ugly and uninteresting film. So when her character weepingly declares, “I don’t feel anything,” at the end of Volume One, it’s easy to relate, especially with another (and worse) volume still left to slog through.
EXTRAS: There’s a behind-the-scenes fluff piece produced for AXS TV and a trio of featurettes about the film’s characters, director and sex scenes.
FINAL VERDICT: SKIP