Movie Review: “X-Men: Days of Future Past”

Starring
Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Peter Dinklage
Director
Bryan Singer

Just when it seemed like Fox was engineering a smart reboot of its X-Men franchise with “First Class,” the series’ original director, Bryan Singer, has returned to combine the old with the new in “X-Men: Days of Future Past.” That’s not exactly bad news for fans who appreciate the lengths that Singer has gone to in an attempt to fix the continuity issues within the X-movies, but by doing so, he’s tethered the prequels to the earlier films in a way that ensures they’ll never be able to exist on their own. And considering the potential of where the franchise was headed prior to this “sidequel,” it’s a little disappointing to see Singer turn his back on that initial vision. Granted, there’s still quite a bit to like about “Days of Future Past,” but it feels more like a step backward than the creative leap forward that Matthew Vaughn’s prequel pointed towards.

In the near future, mutants are being hunted down by advanced versions of Sentinel robots that can instantly adapt to any situation, making them impossible to defeat. With only a handful of X-Men remaining, Kitty Pryde (Ellen Page) uses her powers to send Logan’s (Hugh Jackman) consciousness back in time to his younger body circa 1973 in order to reunite Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) for a single purpose: stopping Mystique (Jennifer Lawrence) from murdering the creator of the Sentinel program, Dr. Boliver Trask (Peter Dinklage), in the hope that it will alter the course of history. Meanwhile, the X-Men from the future must hold off an impending Sentinel attack to provide Logan enough time to complete his mission, although that’s much easier said than done.

Read the rest of this entry »

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

Movie Review: “Blended”

Starring
Adam Sandler, Drew Barrymore, Bella Thorne, Terry Crews, Kevin Nealon, Wendy McLendon-Coven
Director
Frank Coraci

Adam Sandler hasn’t made that many good movies in his 20-year career, but the ones co-starring Drew Barrymore are some of his best, so it’s no surprise to see the duo teaming up again for a third romantic comedy with “Blended.” It couldn’t have been a very hard sell for Barrymore, who probably jumped at the chance for a free trip to Africa, even if it is their weakest collaboration yet. And while “Blended” isn’t as aggressively terrible as the actor’s recent crop of films, it’s not very funny either – a dumb and uneven rom-com that can’t seem to find a balance between Sandler’s typical man-child antics and his rarer, more grown-up side.

It’s been a long time since Jim (Sandler) and Lauren (Barrymore) have been on a date, and their inexperience shows when they agree to be set up by some mutual friends. It doesn’t go very well (or about as well as you’d expect for any blind date that takes place at Hooters), and they vow to never see each other again. After all, their lives are already busy enough with their kids – Jim is a widowed father of three daughters and Lauren is a recently divorced mother of two boys – whom they’re having difficulty raising on their own. But when a unique opportunity arises to take their respective families on an incredible vacation getaway to Africa, Jim and Lauren can’t wait to tell their children, completely unaware that they’ve both landed the same deal. Worse yet, because of the nature of how they got the trip, all of their activities and meals at the resort are planned together, and you can pretty much guess what happens from there.

Read the rest of this entry »

  

Movie Review: “Million Dollar Arm”

Starring
Jon Hamm, Lake Bell, Suraj Sharma, Madhur Mittal, Pitobash, Bill Paxton, Alan Arkin, Aasif Mandvi
Director
Craig Gillespie

For about seven years, Disney cornered the market on ‘true sports’ movies (“Remember the Titans,” “The Rookie,” “Miracle,” “The Greatest Game Ever Played,” etc.). Unfortunately, that seventh year was eight years ago, which makes “Million Dollar Arm” quite the fish out of water. Perhaps Disney thinks that this is the one that will start the next wave of true sports movies. They’d be mistaken, though: the movie is at least 20 minutes too long and spends too much time setting up the redemption of the lead character. It boasts solid performances from the supporting cast, and has heart and smarts to spare, but even this diehard baseball fan was looking at his watch before the credits rolled.

Sports agent J.B. Bernstein (Jon Hamm) is running out of options. The upstart firm that he started with friend and colleague Aash (Aasif Mandvi) is nearly broke and has no roster to speak of. When his chance at reeling in a big fish goes south, J.B. realizes that he needs an angle, something no one else has considered in terms of global scouting. Inspired by Aash’s love of cricket, J.B. decides to head to India to hold a competition to find the next great baseball pitcher in a country rich with athletic talent. The two finalists are Rinku (Suraj Sharma) and Dinesh (Madhur Mittal, who looks like an Indian Bruno Mars), and J.B. takes these two boys, who have never left the towns in which they were born, to Los Angeles, and expects that they will be fine on their own in a hotel. Hey, he’s a single guy, and he doesn’t have time to be an agent and a role model and a caretaker. He has deals to make and women to bed, people!

Read the rest of this entry »

  

Movie Review: “Godzilla”

Starring
Aaron Taylor-Johnson, Bryan Cranston, Ken Watanabe, Elizabeth Olsen, Sally Hawkins, David Strathairn
Director
Gareth Edwards

How can a movie about giant monsters be so boring? That’s the biggest question surrounding Hollywood’s latest attempt to bring the King of the Monsters stateside. Though not quite as bad as Roland Emmerich’s farcical 1998 version, “Godzilla” is a bewildering piece of blockbuster filmmaking, stuck somewhere between an old-school monster extravaganza and a po-faced thriller that’s almost afraid to have too much fun. Gareth Edwards may have seemed like the perfect director to revive the scaly beast on the big screen – especially for anyone who saw his 2010 indie, “Monsters” – but it’s possible that he was a little too right for the job, because what worked so well in that movie doesn’t have the same effect here. Of course, it doesn’t take a nuclear physicist to realize that a Godzilla film should probably have more, you know, Godzilla.

The film opens with a lengthy prologue set in 1999 detailing how a mining company in the Philippines inadvertently awakened something deep underground, prompting the massive creature to leave its hiding spot for Japan, where it leveled a nuclear power plant that killed hundreds, including the wife of American scientist Joe Brody (Bryan Cranston). 15 years later, Joe is still obsessing about what happened that day, convinced that it was more than just an earthquake. After he’s arrested for trespassing in the quarantine zone, his military son Ford (Aaron Taylor-Johnson) travels to Tokyo to bail him out of jail.

Joe is adamant that he’s uncovered more evidence that not only confirms his original claim, but proves that it’s about to happen again, and before he can say “I told you so,” a pair of insect-like MUTOs (Massive Unidentified Terrestrial Organisms) burst from their cocoons and begin to wreak havoc. The military plans to lure the radiation-fueled MUTOs to a single location (tough luck, San Francisco) using a nuclear missile in the hope that they’ll be destroyed in the blast, but when the long-dormant Godzilla rises from the Pacific Ocean, Japanese scientist Dr. Ichiro Serizawa (Ken Watanabe) believes that nature has already provided them with all the firepower they need to stop the monsters. After all, Godzilla is a nice dude, and he’s more than willing to help.

Read the rest of this entry »

  

Movie Review: “Neighbors”

Starring
Seth Rogen, Zac Efron, Rose Byrne, Dave Franco, Christopher Mintz-Plasse
Director
Nicholas Stoller

Everything about “Neighbors” screams bro – had we been tasked with pitching the script to a producer, we would have said, “’Tin Men,’ with bros” – and then a funny thing happens: Rose Byrne comes along and wipes the floor with every man in the cast. She puts on a master class in comedy here, and in the process (unintentionally, for sure), she out-funnys the funny guy. This is okay, mind you, and in fact wouldn’t even be a problem if the movie had a coherent script, but it doesn’t. It’s a funny script, and it hits all of the right notes in the end, but the path it takes to get there is dubious, to be sure. Someone, anyone, should have gotten arrested.

New parents Mac and Kelly Radner (Seth Rogen and Byrne) have bought a new home, and love their idyllic grown-up existence. The house next door is up for sale, and to their horror, a fraternity moves in. Mac and Kelly, eager to maintain their youth while dealing with being new parents, try to play the part of the cool neighbors at first, but as the frat’s continuous late-night antics threaten to wake their baby girl, they call the police on them after their attempts to contact them go unanswered. The president of the fraternity, Ted (Zac Efron), declares war, and the two sides engage in a series of escalating stunts designed to put the other side down for good, yet they’re strangely chummy the entire time.

Read the rest of this entry »

  

Related Posts