Resurrect a beloved name and attempt to relaunch a franchise? No sweat. Extreme pressure was riding on co-writer/director J.J. Abrams’s “Star Wars: The Force Awakens.” Expectations are more than high for the film, and while this sequel doesn’t quite recapture the glory of the old days, if often comes very close.
“The Force Awakens” is both a retread and a callback to “A New Hope.” Rey (Daisey Ridley) follows in the footsteps of Luke Skywalker (Mark Hamill): she’s an orphaned scavenger on a desert planet, Jakku, and she’s torn between her home and exploring the galaxy. Her life changes when she meets the adorable BB-8, a droid hiding a secret for the best damn Resistance pilot in the sky, Poe Dameron (Oscar Isaac). A conflicted Stormtrooper named Finn (John Boyega) crosses paths with both Poe and Rey, but most of “The Force Awakens” is about those two, as well as the pair of recognizable faces they team up with along the way: Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew).
Even before Han and Chewie appear – and what a wonderful reveal it is – “The Force Awakens” is undeniably a “Star Wars” movie. The film recaptures the spirit of the original trilogy, as it should. The tangible environments, practical creatures and stakes are “Star Wars” through and through, but more than that, it’s the sense of joy, pain and adventure that Abrams and his co-writers, Lawrence Kasdan and Michael Arndt, bring to this sequel that makes it “Star Wars.” This series has always been about friendship and family, and “The Force Awakens” doesn’t forget that, even if some of the relationships aren’t very well defined.