There are film franchises where each installment comes with a checklist of the beats the film will hit. A chase, a shot, a musical cue, a line of dialogue, a plot device, those sorts of things. “Jason Bourne” takes that idea to an absurd level. This is a film where the audience isn’t just reminded that they’re watching a Bourne film (though they are, constantly); at times, they’re watching a featurette on the making of a Bourne film. Several scenes are staged in such a manner that they look like test runs of the final shot, rather than the final shot. The plot is rather threadbare for a series that prides itself on convoluted story lines, but the most damning thing about “Jason Bourne” is what a bloodless, cold viewing experience it is. From start to finish, I was not emotionally invested in a single thing that took place. In fact, I couldn’t wait for it to be over – definitely a first for a Bourne film.
Jason Bourne (Matt Damon) is living off the grid, making money in underground fighting. He receives a visit from former operative Nicky Parsons (Julia Stiles), who tells Jason that she has hacked the CIA database and has uncovered information on Treadstone, the now-defunct program of which he was a part, as well as their latest program, which involves surveillance. The database hack draws the attention of Heather Lee (Alicia Vikander), a talented and ambitious coder who works for CIA director Robert Dewey (Tommy Lee Jones). Dewey enlists an assassin, known only as The Asset (Vincent Cassel), to find and kill Bourne. As Lee listens to Dewey talk about Bourne, she starts to question Dewey’s motives and volunteers to run point on Bourne’s capture (or death) in order to discover if there is more to the story.