Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

Ben Affleck’s directorial career suffers its first major setback with “Live by Night,” a gorgeously crafted gangster film that doesn’t really add anything new to the genre. It’s basically a hodgepodge of much better movies, and while it features some great action and performances, the execution itself is pretty clunky. Working once again from a novel by Dennis Lehane, Affleck is unable to condense the sprawling crime drama into a cohesive two-hour film; he simply tries to do too much, tackling serious themes like race and religion while also juggling a number of subplots that could have easily been excised. Though fans of Affleck’s previous movies will still find plenty to enjoy here, “Live by Night” is easily his weakest directorial effort to date.

Extras include an audio commentary by director/writer/star Ben Affleck, a series of featurettes on the characters, author Dennis Lehane and the car chase sequence, and deleted scenes with optional commentary. FINAL VERDICT: RENT

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Emma Watson, Dan Stevens, Luke Evans, Josh Gad, Kevin Kline, Ewan McGregor, Ian McKellan, Emma Thompson, Gugu Mbatha-Raw

Bill Condon

As sweet and lovely as Disney’s 1991 animated film “Beauty and the Beast” is, the story has some, um, inconsistencies. Belle somehow manages to get an injured, beaten Beast up on a horse to bring back to the castle. There is a painting of an adult Prince that could not possibly have been painted. And how is it that the local village has no knowledge of an enchanted castle just a short ride away? All of these issues, thankfully, are addressed in the live-action remake of the film, and the emotional stakes are raised quite a bit in the finale (though not in the manner that you might think). The production design is gorgeous, Belle’s yellow dress is as stunning as Cinderella’s blue dress in the 2015 remake of that film, and Emma Watson is an inspired choice to play Belle, and is quite the singer as well.

The movie takes a while to find its rhythm, though. The three biggest musical numbers in the movie’s first half bite off more than they can chew, as if Disney had told director Bill Condon, “Just ask yourself: what would Baz Luhrmann do? And then ask us if we think Baz would do that, and we’ll tell you whether or not you’re right.” Condon captures the excessiveness of a Luhrmann number but not its energy, and that is a very important distinction. The movie’s second half, though, is much better. The relationship between Belle and the Beast comes into focus, and one small cameo makes a world of difference in the end.

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Ewan McGregor, Jonny Lee Miller, Ewen Bremner, Robert Carlyle, Anjela Nedyalkova, Kelly Macdonald

Danny Boyle

Let’s set aside, for the moment, the fact that “T2 Trainspotting” is one of the most unnecessary sequels the world has ever seen. Instead, let’s discuss my pitch for what that sequel would look like:

Sick Boy and Begbie find Renton and spend the entire film beating him to death. Roll credits.

As it turns out, that is not far off from the reality. “T2 Trainspotting” is the culmination of a lifetime of bad decisions and the influence that they have on a person even when they know it’s time to make better ones. If “Trainspotting” was equal parts tragic and upbeat, “T2” is mostly pathetic, capped by a long-overdue dose of karma. That it still manages to be entertaining despite looking, sounding and feeling exactly like the original film is to the great credit of director Danny Boyle, with slightly less credit to screenwriter John Hodge for reasons which will soon become apparent.

Mark Renton (Ewan McGregor) returns to his childhood home of Edinburgh for the first time after stealing £16,000 from his junkie friends 20 years earlier. Life for those friends, sadly, is more of the same. His former bestie Simon “Sick Boy” Williamson (Jonny Lee Miller) is working extortion schemes with the help of pretty Bulgarian Veronika (Anjela Nedyalkova), while Daniel “Spud” Murphy (Ewen Bremner), having recently lost his job, is attempting suicide via overdose when Mark visits and subsequently saves him, much to Spud’s chagrin.

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Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

Developed from one of the hottest scripts in Hollywood and starring two of its most bankable stars, “Passengers” should have been a slam dunk. But while the movie fails to reach its lofty ambitions, it’s still a thought-provoking piece of genre-hopping sci-fi that’s biggest misstep is the way in which it handles the story’s ethical dilemma. The world that director Morten Tyldum and writer Jon Spaihts have created is so captivating that it’s easy to see how their focus may have been derailed, but despite a few cool sequences in the latter half, the setup is much better than the payoff. Although it’s ultimately held together by some fantastic chemistry between Chris Pratt and Jennifer Lawrence, your mileage will vary depending on how you respond to the film’s polarizing plot twist.

Extras include a trio of featurettes on casting, production design and visual effects, as well as some outtakes, deleted scenes and more. FINAL VERDICT: RENT

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Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, Toby Kebbell, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann

Jordan Vogt-Roberts

After the disappointment of 2014’s “Godzilla,” my expectations were pretty low going into “Kong: Skull Island” despite the talented cast and effective marketing campaign, but boy does it feel good to be proven wrong. Combining blockbuster filmmaking with the B-movie monster genre, “Kong: Skull Island” is Hollywood commercialism at its finest – a visually stunning adventure film that boasts great special effects, exciting set pieces and lots of humor. Though Peter Jackson’s 2005 remake was a decent but bloated take on the classic King Kong story, “Kong: Skull Island” is better in almost every way. This is what a modern day King Kong movie should look like, even one that has a foot firmly planted in the past.

The year is 1973, and with the Vietnam War drawing to a close, a pair of scientists (John Goodman and Corey Hawkins) from Monarch – the mysterious organization that unearthed Godzilla in the 2014 reboot – convinces the U.S. government to fund an expedition to an uncharted island in the South Pacific under the guise of a geological mapping mission. Joining them on their journey is former British SAS captain James Conrad (Tom Hiddleston), war photojournalist Mason Weaver (Brie Larson) and a military escort led by the tightly-wound Lt. Col. Preston Packard (Samuel L. Jackson), who jumps at the chance to extend his deployment, even if the rest of his squadron (including Toby Kebbell, Jason Mitchell, Shea Whigham and Thomas Mann) don’t quite share his enthusiasm.

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