Here’s lovely blonde Ali Sonoma is her Blast from the Past shoot for Bullz-Eye as she models in an unbuttoned shirt and lacy panties showing her tight body and sexy cleavage.
Check out more models with unbuttoned shirts here.
Whether you use them for GPS fitness and nutritional intake information, physical activity and life sign monitors, or merely to combine all that you love in your smartphone in something compact, stylish, and wrapped around your wrist, wearable gadgets are only now beginning to captivate public attention in dramatic ways. With untold health-related and even virtual reality-based technologies on the horizon, it’s time for your company to get ahead of the curve and start investing in wearable technology in a major way.
As can be gleaned from this graphic, the data sent and received by wearable devices around the world is anticipated to increase (and almost double) in each year from now until the end of the decade. The market for wearable tech is estimated to reach close to 13 billion dollars per year by 2018, and according to Forbes, over 70 percent of young adults aged 16 to 24 desire some form of wearable tech. Just as mobile applications emerged, then irrevocably changed the way customers interact with brands, wearable technology is set to make a profound and fascinating impact on popular culture, consumerism, and lifestyle branding in the near future.
Sam Rockwell, Rosemarie DeWitt, Jared Harris, Kennedi Clements
Gil Kenan
“Poltergeist” is the worst kind of remake. Director Gil Kenan’s film is neither terrible nor good, but rather flat-out uninspired. This is a remake that brings nothing new to the table. Instead of updating the classic 1982 film, it’s a stale and safe retread. The story is almost exactly the same, and although most horror remakes don’t usually stray too far from the source material, screenwriter David Lindsay-Abaire (“Rabbit Hole”) hardly ever makes this version feel fresh. Beat by beat, “Poltergeist” is a lame cover song.
After falling on hard times, Eric Bowen (Sam Rockwell) has to move his family – his wife, Amy (Rosemarie DeWitt), and their three children – to a cheap neighborhood. The neighborhood is actually quite nice from the looks of it, but there’s a catch: the house they bought is built on an old graveyard, and the bodies in the ground rise up to terrorize the Bowen family. After the abduction of the Bowens’ youngest daughter, it’s obvious why the family has to stay in their haunted house – they can’t call the cops or just leave her there – but this is still a horror movie where characters make incredibly stupid mistakes, and these decisions never come across as believable character traits or flaws, but instead, cheap tricks to achieve scares or move the plot along.
The film mostly consists of expected jump scares. Kenan and his DP, Javier Aguierresarobe, try to build an unnerving atmosphere with roaming camerawork, but they never build any real tension. Technically speaking, their work is more than competent, but none of their aesthetic choices ever add up to more than a few pretty frames, all serving a lifeless purpose. The third act comes close to conjuring up some scares, but by that point, it’s impossible to get invested in anything that’s happening on screen.
On a trip to Europe during the years 1872 to 1873, a 26-year-old colonel from Kentucky, M. Lewis Clark, visited multiple horse racing facilities in England and France. He also met with European horse racing leaders, including Vicompte Darn, French Jockey Club vice president, and Admiral Rous of England. Clark wanted to create a jockey club in Louisville, for horse racing. He returned home and created the Louisville Jockey Club and Driving Park Association in 1874.
After selling subscriptions for $100 each to 320 people, he leased 80 acres of land from his uncles, John and Henry Churchill. Clark opened the famous Churchill Downs horse track, along with a grandstand, a porter’s lodge, a clubhouse, and six stables, in 1875. Nearly 20 years later, the Louisville Jockey Club appointed a new president, William F. Schulte, who constructed a grandstand featuring the beautiful twin spires that are the symbols of the Kentucky Derby. In 1903, after 28 years in business, Churchill Downs finally turned a profit.
