Frankly, we’re surprised we didn’t feature this song in this column earlier. It’s upbeat, it’s catchy, and it’s about having a drink or three with your mates. What’s not to love? Oh, right, that whole misogynist subtext. (Sample lyric: “And then we ask all the questions, and you take all your clothes off, and go back to the kitchen sink.”) Yeah, sorry about that.
But hey, look, Norman “Fatboy Slim” Cook is on the right in the white cardigan sweater! That’s right, Fatboy Slim was the Housemartins’ bass player, and a damn good bass player at that. Funny that he decided to scrap instruments for turntables. Not that we’re complaining, because it led to this giagantic slice of awesomeness.
Sigh. we’re still stinging from the death of MCA last Friday. *pours out 40*
We saw Fatboy Slim open up for the Chemical Brothers in 1999. Cook threw out a ridiculous hodgepodge of tunes, from Prince to the Kinks, and it all worked remarkably well. When he played his own remix of the Beastie Boys’ “Body Movin’,” though, he blew the roof off the joint, and even the Chemicals had a hard time topping it. It was one of those ‘right place, right time’ moments. And we were there, man.
Happy Friday, everyone. May your weekend be one of those ‘right place, right time’ moments.
We conclude our May 4, 2012 doubleheader with one of the most legendary of all cocktails and the ultimate Derby Day tradition. It’s also a drink, I’m ashamed to admit, I’ve only tried for myself in the last couple of weeks.
According to such experts as New Orleans bartender Chris MacMillian, the Mint Julep was to the 19th century what the Martini was to the 20th. As MacMillians also reminds us, this super classic drink’s roots actually go back far further — juleps were eulogized in 1634 by “Paradise Lost” poet John Milton in his “Comus,” which some of us old English majors have actually read, even if we don’t remember a word of it. Today, the bourbon, sugar and mint concoction is primarily associated with Southern belles and gents in old movies seeking a cool libation on a powerful hot day, not to mention the ultra-famed horse race which will once again be run tomorrow afternoon.
As I heard from numerous sources, however, the actual juleps served in recent years at the home of the Kentucky Derby have been anything but satisfying. If word on the cocktail street is correct, Churchill Downs has fallen prey to the #1 enemy of good cocktails — a pre-mix! Tragic, perhaps but also almost understandable given the enormous crowds who arrive each year for Derby Day. In any case, if you want a really good Mint Julep, you’ll have to go a high quality bar with a decent mixologist in residence or, of course, you may make one yourself.
The Mint Julep
2.5-3 ounces bourbon whiskey
1/2 ounce simple syrup or 1 tablespoon sugar and a splash of water
About 5-8 fresh mint leaves
Lots of ice — preferably crushed.
Combine mint leaves, simple syrup or sugar (preferably superfine or powdered) and water in a rocks/old fashioned glass or, if you have one (I don’t) a traditional metal julep glass. Gently muddle the mixture, being careful not to overdo it as, we are warned, over-muddling mint can release some displeasing bitterness. Fill up your glass with ice, add the bourbon of your choice, and stir. Toast your favorite racehorse and sip slowly.
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There’s no doubt about it, I’m a piker when it comes to the Mint Julep. I’ve made a few decent versions of it but I don’t own the special sack — called a Lewis bag — or the mallet needed for making the crushed ice fine enough to make the julep a sort of highly alcoholic snow cone and I also don’t own a blender. Even so, this drink works fine with lots of ordinary ice, particularly if you’re a bourbon lover, as I am. I made some very good versions of it using the remainder of my Angel’s Envy — I still had some left over from my exploration of the Chicago Sour — but I had good luck as well using some very inexpensive yet sweeter and highly drinkable Evan Williams brew. I’m sure Maker’s Mark or really any brand of bourbon you like a lot would work delightfully.
The only problems I encountered were when I tried to dial back the sweetness. None other than James Bond in “Goldfinger” ordered his drink tart. When I tried it that way, the flavors simply didn’t come together. Just because you own a license to kill and save the world once a year doesn’t mean you know everything.
Of course, I don’t know everything either. Something tells me the drink, as prepared a bit differently from me by Chris MacMillian himself below, was really something.
Few press releases have cause us to lose our breath quite like the one we received last week that referred to Gaz Coombes as “former Supergrass frontman.” FORMER? We get 600 music emails a week, and no joke, this was the first we had heard about Supergrass disbanding. Worse, it happened two years ago. Even after a quick poll of our Anglophile friends, several people admitted that they hadn’t heard the news, either. This is not happening, this is not happening…
Having said that, it doesn’t surprise us in retrospect that the ‘Grass decided to call it a day. They’d come up with a killer tune here and there, and even a solid album – we remember loving Road to Rouen, though we haven’t listened to it in years, which is telling – but by and large the band’s best days were behind them. From listening to the opening of “Hot Fruit,” the first single from Coombes’ solo debut Here Come the Bombs, we’re starting to wish the band had broken up sooner, because the first 15 seconds of the song have more unique ideas happening at the same time than anything Supergrass has released in a decade. The album drops on May 21. The day can’t come quickly enough.
Bonus video: We never miss an opportunity to post this one. “Pumping on Your Stereo” should be mandatory viewing for anyone who wants to get into the music video business. You don’t need hot chicks (though they’re nice) or fast cars (though they’re nice, too) in your clips: you just need to turn the band into giant muppets.
This week brought us a special dilemma here at Drink of the Week central. Tomorrow, you see, is May 5 and that translates into the Mexican but mostly American holiday of Cinco de Mayo, one of the most beloved yearly excuses to drink that exists in all of los Estados Unidos. Tomorrow is also, however, the annual running of the Kentucky Derby, which is also the only major sporting event I can think of to have it’s own official cocktail. The only truly fair solution, as far as I could figure, was a special pre-May 5, 2012 cocktail double bill where each drink would get it’s own properly timed place/post in the sun.
So, we lead off with a salute to the great nation of Mexico which, precisely 150 years tomorrow, defeated invading French forces — insert Franco-phobe snickers here — at the Battle of Puebla. Of course, most of the revelers of all ethnicities who will be drinking way too many way too blended margaritas tomorrow night in bars from Los Angeles and San Antonio to New York City and Chicago will have no idea about the holiday’s historic underpinnings, or the fact that the Mexicans’ unexpected victory over the forces of Napoleon III might have indirectly paved the way for the Union victory in the U.S.’s Civil War. That’s inevitable, but at least Cinco de Mayo celebrants should a decent alternative to a boozy Slurpee at the ready.
We’ve already covered the correct way to make a margarita, so that’s one outstanding option should you find a bartender classic cocktail knowledgeable enough or open-minded enough to make the drink sans blender. Drinkers who will really want to imbibe they way they do in actual Mexican and Mexican-American climes, however, may want to check out the simple, sweet and also kind of tart highball variation named, for some reason, for the lowly pigeon and the more esteemed dove. It might read like a simple variation on your basic booze and sugary soda combo, but it drinks more like a gin and tonic — a solid hot weather libation and un poco sofisticado.
La Paloma
2 ounces white/silver tequila
Jarritos Grapefruit Soda or Squirt
1/2 ounce fresh squeezed lime juice
Pinch of salt
Combine tequila, lime juice and salt in a highball/Tom Collins glass. Stir. Add ice and top off with soda. If you want, instead of adding the salt to the drink, you can rim the top of the glass with it margarita-style. Stir once more and sip, saluting the brave folks who struck a blow for indigenous rule and freedom throughout the Americas under General Ignacio Zaragoza Seguín all those years ago.
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Today’s DOTW is brought to us very largely by Peligroso Tequila, which is celebrating its third anniversary tomorrow with a series of events in California and Hawaii and which we last encountered while making a perfectly fabulous version (up, with fresh OJ) of the Tequila Sunrise back in early March. Once again, I can say from personal experience that making a la Paloma with this toddler of a booze brand is definitely just a little bit better than using the better known mass market tequila I also happen to have on hand at the moment. While my sources within the tequila-drinking community agree it’s a very nice drink indeed when made with Peligroso Silver, some actually prefer that theirs be made with Squirt — which is, indeed, grapefruit based. I, however, think my bird flies slightly higher with Jarritos Toronja.
And now we leave you with who else but Los Lobos and a bit of music appropriate to the spirit of all great drinking holidays such as Cinco de Mayo. Just remember, if you do get loaded on La Palomas, Tequila Sunrises, or a bottle of anything, tomorrow, keep very far away from a steering wheel. There’s nothing festive about a drunken encounter with la policia after a car accident.
Junior Senior made one five years ago with “Can I Get Get Get,” where they asked their fans to send in clips of themselves lip synching the song. And now New York blues rock quartet Wild Adriatic has done a similar bit, though it’s more focused on dancing than lip synching, which is just as well, because there are some women in this clip that you will want to watch as they dance. Take, for example, the adorkable girl dancing in front of the Star Wars poster. She only shows up twice, but she’ll haunt your dreams.
As for the song “Bound to Let You Go,” the lead single from the band’s forthcoming Lock & Key EP (it comes out April 27), well, they’re a blues rock band, so the song is pretty basic, but it’s crazy catchy, employing that chord between chorus and verse that instantly reminded us of the great song “Spooky,” made famous by the Classics IV though if we’re being honest, we prefer the version Atlanta Rhythm Section recorded 11 years later. Anyway, this a fun tune, if a bit oversung here and there (Jeff Buckley would not have made a good blues singer). And the clip is a trip. We love you, Star Wars Girl.