Seriously, who doesn’t want a motorcycle with machine guns on it? Props to YouTube user pepelemacho for assembling this fun video. Merry Christmas, fuckers.
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Seriously, who doesn’t want a motorcycle with machine guns on it? Props to YouTube user pepelemacho for assembling this fun video. Merry Christmas, fuckers.
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Ah, Christmas music. Some of it is awesome. Most of it stinks, and it doesn’t help that radio stations are flipping to the all-Christmas format earlier and earlier each year. That is why we are dedicating the Friday Video column all month to our favorite holiday songs, as a means of standing up to the “Grandma Got Run Over by a Reindeer”s of the world.
What’s cool about this one, written by Squeeze founders Glenn Tilbrook and Chris Difford in 1979 in the hopes that they would land the coveted UK Christmas #1 (as it turned out, the song failed to chart), is that it sounds like a Squeeze song first and foremost, rather than sounding like a Christmas song performed by Squeeze. Plus, the video has a gratuitous close-up of a woman’s rack. Difford, Tilbrook and boobies: that’s a party, right there.
Donald Fagen and Walter Becker would probably take offense at the idea of appropriating their song for use as a theme to the biggest shopping day of the year, but oh well. Have a good holiday weekend, everyone.
Any time we get a chance to bang the drum for this English duo/sextet (two official members, six touring members), we take it. Following their releases on this side of the pond can be a bit of a challenge; their (fab) 2009 album See the Light was available as a download on Amazon for about five minutes, and to the best of our knowledge, never saw an official US release on CD. The band’s “new” album, It’s Not How You Start, It’s How You Finish, is a Franken-album, compiling the best songs from See the Light and 2006’s Narcissus Road plus two new songs. And even that album has gone through release date hell, getting bumped from early October to late November. Oh well, better late than never, as far as we’re concerned.
To promote the long-overdue US release of their music – you’ve heard these guys already, though; that’s them playing in the background of that Nike “human chain” ad – the band wisely decided to recut the video for “See the Light,” where director Tony Kate (“American History X”) shoots Sienna Miller in a hospital gown losing her mind. The problem with the original clip is that it included audio of Sienna’s ramblings, sending the song to the background. And you don’t put this song in the background. One of those slow-burning, two-chord monsters, “See the Light” grows and grows until it explodes. In a world where all people focus on is negativity and mistakes – we are officially sick to death of reading the word ‘fail’ on the internet – it’s nice to see a band look at the positive. We see the light, fellas.
The Hours – “See The Light” 2010 Edit from Adeline Records on Vimeo.
This is money. “Entourage” is a huge hit with the BE staff, and the show has the best cheesesake ratio of any show on TV (new servings each week!), but in this clip made to promote the show’s syndication debut on Spike TV, the women strike back, lampooning how they worked tirelessly to land a job as an actress in Hollywood, only to be offered the role of stripper, hooker, escort or groupie. And worse, they have to blow Drama or Turtle? They don’t even get to maintain their dignity by being able to tell their friends that they got to do Vince? These women have our sympathy, and if they ever feel like crying on our shoulders, they’re welcome to stop by any time. Best line to the camera: “Sorry, Mom and Dad!”
Oh, and did we mention Gary Busey? Everything’s better with Gary Busey.
The Sexy Women of Entourage from SPIKE on Vimeo.
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