Category: Videos (Page 48 of 52)

Friday Video – The Godfathers, “Birth School Work Death”

Let’s celebrate the fact that we’ve seen the back of another black day…by not moping about it. I love Depeche Mode and all, but it’s Friday. Time to enjoy life, not survive it.

In the summer of 1988, with those danceteria types dominating the burgeoning modern rock scene, the Godfathers made an instant, indelible impression. Dressed in business suits (and occasionally leather) with nary a synthesizer to be heard for miles, and armed with the best chain gang chorus ever, the Godfathers just oozed cool. And if you can find four other words that describe life more succinctly, we’d love to hear them.

And listen to that sing-speak voice of Peter Coyne. Beats Lou Reed’s all to hell. We’re still trying to figure out just what Michael Caine movie he’s referring to, though. Happy Friday, everyone.

Gentlemen, Start Your Engines: Bullz-Eye Attends the Daytona Coke Zero 400

There are those who, when approached with the opportunity to venture forth to Daytona Beach, FL, and attend not one but two NASCAR races, would do a dance of joy…one which would, quite possibly, resemble the Boot Scootin’ Boogie. (Does anyone even still do that anymore? I apologize: my country music references are highly dated.) My reaction to this kind offer, however, was to acknowledge its inherent coolness in principle, then take a step back and allow someone else to take advantage of the opportunity. Yes, my inner child was jumping up and down at the thought of a free trip to Florida, but my inner journalist immediately reminded me of the score:

“Not only do you not know jack about NASCAR, but you have no real interest in any kind of sports. Surely someone…anyone…would be better suited to tackle this trip than you.”

My inner journalist may not get to come out and play very often, but when he’s right, he’s right. Despite the accuracy of his premise, however, the reality of the situation was that there was no one else to tackle the trip: everyone else’s schedule for the 4th of July weekend was already booked up. As such, all eyes turned to the guy who’d made the mistake of casually saying, “I guess I can do it if no one else is available.”

Whoops. Guess I’m going to Daytona.

Day 1:

As I have never, ever taken a trip for Bullz-Eye that hasn’t involved some sort of flight delay, it doesn’t really come as any surprise that the trip from Norfolk to Daytona finds me stuck in Charlotte for longer than I’m supposed to be. I didn’t even bother to try and find out what the problem was. I just shrugged, sat down and plugged in the laptop, and kept myself occupied until my flight finally did get around to taking off. I did have one brief panic attack when I called the hotel in Daytona to make sure that my delay wouldn’t complicate the rest of the day’s plans, only to learn that there was no reservation listed under my name, but it all worked out in the end. (Turns out everything was booked under the blanket name of “Dodge.”) Once I successfully manage to fly Charlotte to Daytona, I take a taxi to the hotel, check into my room, and gaze longingly at the beach outside my window, never realizing that the weekend will work out such that I will never get to take advantage of it. Still, it sure looked nice…

Once I arrive, I meet my “handlers” for the weekend, Philip and Chuck, who work with Dodge through their employers, New Media Strategies. They’re great guys, but they’re very much car guys…not, as Seinfeld once said, that there’s anything wrong with that. It’s simply that I’m not a car guy. Oh, right, I don’t think I mentioned that before, did I? Yeah, there’s another really good reason why I wasn’t necessarily the best person for this trip. And, yet, in a sense, I’m the perfect person, since I’m able to provide an outsider’s view of the whole experience…or, at least, that’s the angle I’m planning to take. (I say that like there’s any other angle I can take.) I let Philip and Chuck know of my deficiency of knowledge in this weekend’s events. They assure me that they’ll fill me in if I need any additional education to fully appreciate the goings-on. For this, I am grateful.

Continue reading »

Friday Video – Andrew WK, “I Want to See You Go Wild”

The reaction was decidedly mixed when Andrew “Party Hard” W.K. finally released his “lost” third album Close Calls with Brick Walls earlier this year, but after suffering years of pompous, humorless little shits who are far more interested in entertaining themselves than they are the public, the album was a welcome breath of fresh air. It’s not great, no, but it’s fun, damn it. The world could use more of that right now.

And what else would Andrew do with a song like the breakneck-speed “I Want to See You Go Wild” but give it an equally breakneck animated video, stuffed with enough Masonic and occult symbolism to give armchair conspiracy theorists an aneurysm? This is one of the most batshit crazy videos we’ve seen in a while, like a White Zombie album cover come screaming to life. The sound effects drown out the song at times, but see if this doesn’t get your weekend party started off on the right note. Happy 4th, everyone.

Friday Video – The Like, “He’s Not a Boy”

My, how these girls have grown.

They may have had a leg up on getting a record deal thanks to their parents – they’re the daughters of producer Tony Berg and Elvis Costello drummer Pete Thomas, and their original bassist calls producer Mitchell Froom daddy – but there will be no cries of nepotism when people hear their new single “He’s Not a Boy.” Hooking up with white-hot ’60s revivalist Mark Ronson, the Like have turned in one killer slice of ’60s pop, and shot a gorgeous black-and-white video to go with it.

The guys in the crowd look like the Strokes doing their best Beatles impression (for all I know, those are the Strokes), and the girls, well, that ’60s mod look is catnip for me. Lead singer Elizabeth “Z” Berg and keyboardist Annie Monroe in particular make me gooey. Isn’t it funny how girls are actually sexier when they show less skin? I’m personally burned out on the whole ‘stripper teen’ thing. This clip is a sight for sore eyes, on a number of levels.

Like the song? You can download it for free at ESDMusic.

Friday Video – OK Go, “End Love”

When I posted the latest simple-but-awesome video from OK Go to my Facebook page, a friend joked, “No hot tubs? Bitches and hos? Gold chains/teeth? Money being thrown in the air?”

Exactly.

Truth be told, it’s hard to believe that all of those hip hop video cliches still exist. The money they’re throwing? Not real. Hot tub? Only if you want to contract hepatitis. The women? Well, most of them are ho’s, if that one woman’s tell-all book about her life as a video vixen is to be believed. Either way, none of those clips stand apart from the others, and if your video doesn’t stand apart, then odds are your song won’t, either.

OK Go clearly knows this, because they have made a game out of constructing music videos that are easy on the eyes – in that they don’t include a million jump cuts – yet impossibly complex. Their last clip, the Rube Goldberg puzzle “This Too Shall Pass,” set the bar impossibly high, but damned if “End Love” doesn’t rise to the challenge. Using the stop-motion photography that Zbigniew Rybczyński made famous in his clip for the Art of Noise’s “Close (To the Edit),” OK Go shoot a clip that appears to be taking place in real time…really lengthy real time, like 24 hours. And then, just to be cute, they include a couple of super slo-mo shots and at least one shot at normal speed. And check out the goose that follows them everywhere.

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑