Category: Movie Reviews (Page 74 of 81)

Movie Review: “Lovelace”

Starring
Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Chris Noth, Hank Azaria, James Franco
Directors
Rob Epstein & Jeffrey Friedman

1972’s “Deep Throat” was the porn flick that took blowjobs out of the closet and put them on “The Tonight Show.” It’s star was by far the most famous pornographic performer of all time and, it turns out, a victim of shocking abuse.

The only surviving film of a pair of planned projects about the woman who will forever be known as Linda Lovelace, “Lovelace” stars Amanda Seyfried as Linda and Peter Sarsgaard as her first husband, sexual Svengali and tormentor, Chuck Traynor. The most interesting thing about “Lovelace” is its structure. The film breaks down pretty clearly into two parts: one largely comedic, the other brutally tragic.

Part one is mostly a shockingly cheerful porn biopic that will please those who are longing for a less weighty “Boogie Nights” follow-up. It shows us how a sleazy but nevertheless charming and love struck Traynor seduces sweet and only slightly damaged 21-year-old Linda Boreman away from her unpleasantly rigid, super-traditional Catholic mom (Sharon Stone), her low-key security officer dad (Robert Patrick) and her understandably suspicious best friend (Juno Temple). The tone grows more blackly comedic as skeezy Chuck gets involved with pornsters and sells them on his wife’s borderline disturbing ability to suppress her gag reflex. Linda Lovelace is born.

Sometime after we see Hugh Hefner (a miscast James Franco) suggest that life should imitate art in a very specific way during a screening of the now hugely successful “Deep Throat,” “Lovelace” abruptly takes us six years later into 1980 as Linda Marchiano – she’s now married to apparent good-guy cable installer Chuck Marchiano (Wes Bentley) – passes a polygraph test and promotes her book, “Ordeal,” on the “Phil Donahue Show.” Just as abruptly, the film circles back to give us Linda’s very personal point of view of the events surrounding “Deep Throat.” It’s no prettier than the visible bruises on her legs.

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Movie Review: “We’re the Millers”

Starring
Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter, Ed Helms
Director
Rawson Marshall Thurber

It hasn’t been a particularly memorable year at the movies, especially for those in search of a good comedy, so it’s a relief to see a film like “We’re the Millers” arrive in theaters, because although it’s not as funny as its behind-the-scenes talent might suggest, it’s one of the better comedies released thus far. Directed by Rawson Marshall Thurber (“Dodgeball: A True Underdog Story”) and co-written by the guys behind “Wedding Crashers” and “Hot Tub Time Machine,” “We’re the Millers” doesn’t break any new comedic ground, but it’s packed with some great laughs and an ensemble cast that seems game for just about anything, no matter how outrageous or inappropriate it may be.

“SNL” veteran Jason Sudeikis stars as David Clark, a low-level drug dealer who gets robbed one night by a group of thugs, losing his entire stash and personal savings in the process. His slimeball boss (Ed Helms) doesn’t take the news well, but he offers David a chance to make amends by smuggling a “smidge” of marijuana across the Mexican border in exchange for a clean slate and $100,000. David knows that a single guy traveling alone in an RV will only draw attention from the border police, so he recruits a fake family to serve as a disguise, including the stripper who lives in his apartment building (Jennifer Aniston), the dorky virgin next door (Will Poulter) and a bratty teen runaway (Emma Roberts). But when they arrive in Mexico, the aforementioned “smidge” turns out to be a few metric tons, and worse yet, it belongs to someone else, forcing the ersatz Miller family on the run from a ruthless drug lord.

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Movie Review: “2 Guns”

Starring
Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton, James Marden, Edward James Olmos
Director
Baltasar Kormákur

If you told us that the script for “2 Guns” had been collecting dust in Universal’s vault since 1997, it wouldn’t surprise us in the slightest. Between the reluctant but chatty partners, the non-linear timeline, the quirky but deadly spooks, the unconventional interrogation, the lone female character of importance-turned-hostage, the Mexican standoff, and most importantly, the complete disregard for logic, movies don’t get much more ‘90s than this one. Thankfully, it’s also a lot of fun. It may not have an original thought in its head, but it has Denzel Washington and Mark Wahlberg, and they sell the hell out of it.

Bobby (Washington) and Stig (Wahlberg) are trying to make a big score with Mexican drug lord Papi Greco (Edward James Olmos). The deal doesn’t go down the way they expect, so the two hatch a backup plan: steal the money that their closest ally in Papi’s camp has been stashing, in a small bank in a one-horse town north of the border. Bobby and Stig are expecting a certain amount of cash, but wind up with over ten times that much, and before they know it, they are on the run from every law enforcement agency in the country, not to mention Papi’s drug cartel. Also of note: Bobby and Stig are undercover agents for the DEA and the Navy, respectively, though neither of them knew about the other until everything hit the fan.

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Movie Review: “The Wolverine”

Starring
Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Svetlana Khodchenkova, Will Yun Lee
Director
James Mangold

Hugh Jackman has been pretty vocal about atoning for the disappointment of “X-Men Origins: Wolverine” with his latest (and sixth) appearance as the popular mutant, but while “The Wolverine” is a slight improvement on the character’s first solo outing, it’s kind of like giving someone a less bruised piece of fruit and expecting them to be grateful for it. Though director James Mangold should be applauded for trying to do something different with a superhero movie, it’s still plagued by some of the same problems (and a few new ones, as well), ultimately resorting to an all-too-familiar formula in the end. As a character piece, “The Wolverine” is Jackman’s best performance in the role, but as a summer blockbuster, it fails to deliver the Wolverine that audiences want to see.

Loosely based on the much-loved miniseries by Chris Claremont and Frank Miller, the film picks up sometime after the events of “X-Men: The Last Stand,” with Logan (Jackman) now living in the woods like an animal and haunted by visions of Jean Grey (Famke Janssen), the woman he loved but was forced to kill. His past catches up to him once again when a mysterious Japanese girl named Yukio (Rila Fukushima) comes to whisk Logan away to Tokyo to pay his respects to her master, Yashida (Hal Yamanouchi), a dying billionaire whose life he once saved as a young soldier during the 1945 bombing of Nagasaki. Yashida claims to have the technology to free Logan of his so-called curse and transfer his mutant powers to someone else, but when he refuses and the old man dies shortly after, Logan reluctantly agrees to protect Yashida’s granddaughter Mariko (Tao Okamoto) from the local yakuza, despite losing his coveted healing ability after he’s poisoned by an evil, snake-like mutant called Viper (Svetlana Khodchenkova).

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Movie Review: “The To Do List”

Starring
Aubrey Plaza, Johnny Simmons, Scott Porter, Bill Hader, Rachel Bilson, Alia Shawkat, Sarah Steele
Director
Maggie Carey

There are lots of individual things to like about “The To-Do List.” Aubrey Plaza delivers a fearless performance as the curious virgin, her supporting cast delivers laughs by the pound, and the movie has a coming-of-age vibe to it that was unexpected but most welcome. (You would think that the themes of first-time sex and coming of age would cross paths often, but they really don’t.) For everything it does well, though, it could have done it better. It’s funny, but could have been funnier. It’s clever, but botches golden opportunities to deliver a memorable, poignant one-liner. It works in fits and starts, but there always seems to be something that derails its momentum.

It is June 1993, and Brandy Klark (Plaza) has just graduated from high school. She is class valedictorian, fond of correcting her friends’ grammar, and the most inexperienced virgin on the planet. After a drunken, mistaken-identity encounter with mysterious college-age hunk Rusty Waters (Scott Porter), Brandy decides that before she heads off to college, she needs to know how to handle herself when it comes to sex, the ultimate goal being losing her virginity to the out-of-her-league Rusty. As she gains experience, though, she loses perspective on how her actions affect those around her, particularly her longtime adoring lab partner Cameron (Johnny Simmons).

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