When superstar film distributor Michael Schlesinger introduced 1934’s “Bulldog Drummond Strikes Back” at TCM Fest 2016 as the greatest movie we in the audience had never seen, I was inclined to be skeptical. After all, as a lifelong film geek, I’ve heard that one a lot. I was there because I’d long been curious about Drummond, an early pulpy prototype for James Bond created by one H. C. McNeile, aka “Sapper.” I was expecting a historically interesting movie but not one that was likely to become a huge personal favorite.
Imagine my surprise when the movie turned out to be about as good as Mr. Schlesinger had suggested. Indeed, while I remember a theatrical spoof I saw as a young teen, “Bullshot Crummond,” being very funny, it’s hard to imagine it being half as amusing as the film, directed by the highly prolific Roy del Ruth, and co-written by the almost as prolific and incredibly witty and versatile Nunnally Johnson (who also co-wrote last week’s beverage-inspiring “The Keys of the Kingdom“and was a close personal friend of my childhood hero, Groucho Marx).
“Bullshot Drummond Strikes Back” is filled with enough self-referential comedy and wit to play beautifully in the post-“Austin Powers” era, and it’s blessed with top-drawer pacing and a borderline superhuman lead performance by the always super-suave Ronald Colman. In this film, Colman seems to exist in a sort of alternate universe of perfect confidence in the face of numerous socially awkward misadventures as he continuously stumbles over dead bodies, while constantly interrupting the sleep of an increasingly apoplectic Scotland Yard colonel (C. Aubrey Smith) and the wedding night of his hilariously stolid sidekick (Charles Butterworth).
Every year since it’s inception, the organizers of the
This Thursday is Cinco de Mayo, and that’s as good an excuse as any to revisit what I’m guessing is the world’s second most popular tequila cocktail. Indeed, this year I’ve got an additional excuse, which is to give a plug to some work by a DOTW Manor resident and frequent cocktail tester. Seems this enterprising young director was a finalist in a contest being sponsored by one of your classier tequila manufacturers, Avion. Moreover, I found out not long after writing the original draft of this post that he actually won a Grand Prize. Good things can sometimes come to those who imbibe (with moderation) and work (to excess).
The Chocolate Flip doesn’t contain the slightest hint of anything remotely chocolate. No, in the manner of its very close relative,
No need to go into details about the geekiness that brought me there, but this last Easter Sunday found this very secular Jew in downtown L.A. Not wanting to waste an opportunity to hit one of the countless outstanding bars in my town’s ever-cooler civic seat, but also being only too aware that it was a pretty major holiday, it appeared that my best bet for a DTLA libation was the relatively new