Author: Rob Dean (Page 3 of 9)

Coming Soon: A Moviegoer’s Guide to January

january

January tends to be a bit of a cinematic wasteland every year, as studios dump a bunch of films they didn’t like or couldn’t market properly. Meanwhile, most people are catching up on awards contenders that have finally expanded beyond their limited runs. This January is a mixed bag of new installments in old series, a few original movies and a couple of promising new flicks. But even amid those installments of rusty franchises comes some films that may just be weird enough to last beyond the January wasteland.

“Amityville: The Awakening”

Who: Jennifer Jason Leigh, Bella Thorne, Cameron Monaghan and Kurtwood Smith
What: A single mother moves her three children into a haunted house, unaware of its bloody history.
When: January 6th
Why: The story of the Amityville haunting has been pretty well documented in movies, including last year’s “The Conjuring 2,” but this film looks like it’s using the original case as a jumping off point for a new source of terror. The trailer features lots of jump scares and cross-cutting but also some genuinely gross moments and cool visuals. While this could just be a cash-in on an established property, the addition of Jennifer Jason Leigh and Kurtwood Smith in front of the camera and writer/director Franck Khalfoun (who helmed the exceptional “Maniac” remake) behind it suggests that there could be something more to this movie.

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Coming Soon: A Moviegoer’s Guide to December

december

With December comes the push for award season, but there’s a lot of other entertainment being released this month as well. Of course, the big movie for many will be the new “Star Wars,” which looks to extend the brand outside of the episodic entries. And while there’s not a lot of Christmas fare being put out this year, there is the potential new holiday favorite “Office Christmas Party.” There’s also the possible sci-fi heights of “Assassin’s Creed” and “Passengers,” which both appear to be something special and come with many bonafides behind and in front of the camera. The rest of the month’s offerings are awards bait material, but there’s something unique and exciting about most of them, whether it’s the powerful acting of “Jackie,” the stylish thrills of “Live By Night,” or even just the return of Martin Scorsese with “Silence.”

“Jackie”

Who: Natalie Portman, John Hurt, Peter Sarsgaard, Billy Crudup and Greta Gerwig
What: Following the assassination of JFK, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith and define her husband’s historic legacy.
When: December 2nd
Why: The film circuit has been abuzz about Natalie Portman’s performance in this film, directed by Pablo Larraín, with many festivalgoers already predicting an Oscar for her turn as the former First Lady. The film appears to be an actor’s dream, with a meaty script for the actress that allows her to showcase a lot of different emotions at a volatile time in Kennedy’s (and the country’s) life. Add to that a real sense of style that exudes from every frame of the trailer, and it appears like “Jackie” may be a real Oscar contender on multiple fronts while also telling a compelling story that is oft-overlooked in history lessons.

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No Thanks, Thanksgiving: Why isn’t there a “classic” Thanksgiving film?

thanksgiving

The holidays will soon be upon us, and with them come all sorts of rituals and traditions in which families and individuals participate. Pop culture is a part of many of these time-honored acts, with people popping in their favorite holiday films and music to get them properly in the mood. And while there is a bevy of winter holiday film classics to choose from, why isn’t there a go-to Thanksgiving film? The day itself is rife with comic and dramatic possibilities, metaphors revolving around family or tradition, but there isn’t as deep a list of Thanksgiving films when compared to Christmas, Halloween, Valentine’s Day or even Fourth of July.

When asking people about their favorite Christmas films, there’s a wide host of answers, from “It’s A Wonderful Life,” “National Lampoon’s Christmas Vacation” and “A Christmas Story,” to alternative offerings like “Die Hard” and “Gremlins.” Heck, there’s even a whole subgenre of horror films set around Christmas like “Silent Night, Deadly Night,” “To All a Goodnight,” “Krampus” and “Black Christmas,” among many others. But when thinking about films that people watch during the Thanksgiving season, that number dries up pretty quickly. “Planes, Trains and Automobiles” is probably the closest to a “classic” film for the holiday, but even that really doesn’t deal with Thanksgiving at all (it culminates in attending the meal) and instead is more about holiday travel.

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Revisiting “Carrie” on its 40th Anniversary

carrie

Despite many attempts at rebooting and remaking Stephen King’s first novel (including most recently in 2013), the 1976 version of “Carrie” remains the best version of the story. The story itself is a perennial tale that strikes a chord with anyone that has ever felt out of place, ridiculed or powerless. But it is director Brian De Palma’s version that has lasted for 40 years (celebrating its anniversary on November 3rd) and has woven itself so completely into the fabric of pop culture.

There has been one other film adaptation of King’s book, a TV movie, a sequel and a Broadway musical, and yet it’s De Palma’s vision that has stood the test of time and embedded itself into the public consciousness. Much of this is the great work of screenwriter Lawrence D. Cohen, translating King’s epistolary novel into a vital examination of teenager outsiders, but it also is De Palma’s expert direction. The film is melodramatic at times, with heightened emotions echoing throughout its running time (even in the comic moments, it’s a pretty heightened view of reality). But that’s perfect for the tableau of teenage life, where everything is the most important; every social faux pas, every Prom, every moment is weighted against surging hormones and a rigid societal structure within the school. By using larger emotions, the dramatic score by Pino Donaggio, and the excellent framing of camera shots, De Palma puts the audience into the mindset of a teenager and allows them to empathize easily with the emotions.

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Coming Soon: A Moviegoer’s Guide to November

november

The blockbuster season has some last vestiges in November with “Doctor Strange” and the latest from the “Harry Potter” universe, but mostly it’s crowd pleasers and awards bait. Although there are a few comedies and family films, the rest of the releases are dedicated to serious stories that will hopefully draw critical raves and awards nominations soon enough. Luckily, the quality on display seems to be evident and should be entertaining for the average cinephile as they wade through the month’s options. Even those blockbuster types seem slightly different with unique visuals and stories that should be engaging for audiences.

“Doctor Strange”

Who: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Mads Mikkelsen and Benedict Wong
What: A former neurosurgeon embarks on a journey of healing only to be drawn into the world of the mystic arts.
When: November 4th
Why: Marvel’s first foray into the more mystical side of their multiverse comes with some truly impressive acting pedigrees, from Cumberbatch as the titular doctor to Tilda Swinton as the Ancient One that teaches him the power of sorcery. The visuals on display suggest a trippy aesthetic that will play with people’s minds as they enjoy the origin story of Marvel’s Sorcerer Supreme. Director Scott Derrickson, who co-wrote the script with Jon Spaihts and C. Robert Cargill, has done mostly horror (“Sinister”) but looks ready to leap into the blockbuster foray with this genre defying action tale.

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