Author: Jason Zingale (Page 55 of 112)

Movie Review: “Fury”

Starring
Brad Pitt, Logan Lerman, Shia LaBeouf, Jon Bernthal, Michael Pena
Director
David Ayer

Dayid Ayer has always made macho movies; it’s evident even in his early screenplays for films like “The Fast and the Furious” and “Training Day.” But once he stepped behind the camera, Ayer’s proclivity for telling stories about manly men doing manly things became somewhat of a trademark for the filmmaker, one that he wears like a badge of honor in his latest movie, “Fury.” Although it’s nice to see Ayer taking a much-needed break from the crime thrillers that have dominated his career since the beginning, “Fury” also represents a more mature piece of work for him, showcasing his growth as a storyteller without abandoning the gritty style that sets the film apart from the countless others in the genre.

The movie takes place in April 1945, and while World War II has all but ended, the fanatical German resistance continues to fight, forcing women and children to pick up arms and hanging those who refuse. The U.S. military is suffering as well, but with an end in sight, they make their final push through Germany to wipe out the remaining Nazis. At the front of the lines is Sgt. Don “Wardaddy” Collier (Brad Pitt), a seasoned tank veteran who’s been fighting with the same crew – including Boyd “Bible” Swan (Shia LaBeouf), Trini “Gordo” Garcia (Michael Pena) and Grady “Coon-Ass” Travis (Jon Bernthal) – since North Africa. But when their assistant driver is killed, clerk typist Norman Ellison (Logan Lerman) is ordered to replace him, despite having no experience on the battlefield, let alone inside a tank.

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Movie Review: “Men, Women & Children”

Starring
Adam Sandler, Rosemarie DeWitt, Jennifer Garner, Kaitlyn Dever, Ansel Elgort, Olivia Crocicchia, Judy Greer, Dean Norris, Elena Kampouris
Director
Jason Reitman

It’s never fun seeing a filmmaker you enjoy stuck in a rut, but that’s exactly what seems to have happened with Jason Reitman, who tainted his near-flawless body of work with last year’s soapy romance “Labor Day.” And though his latest movie isn’t nearly as bad, it’s a fairly mediocre drama that doesn’t completely succeed in its attempt to be a merciless social commentary on communication in the digital age. “Men, Women & Children” might as well have come with the subtitle, “Or Why the Internet is Really Bad,” because that’s pretty much the message that Reitman is preaching. Is it a little heavy-handed, melodramatic and obvious at times? Sure, but it also features some great performances and an intriguing multi-story narrative that doesn’t pull any punches in its denunciation of the internet.

Adam Sandler stars as Don Truby, a middle-aged schlub whose sex life with his wife Helen (Rosemary DeWitt) is so non-existent that he’s resorted to watching porn on his teenage son’s computer. Bored with the lack of excitement in his marriage, Don hires an escort from an online service, totally unaware that Helen is using a website for married people seeking affairs to have one of her own. Their son Chris (Travis Tope), meanwhile, has become so desensitized from watching porn at a young age that he’s unable to perform when he hooks up with sexpot cheerleader Hannah (Olivia Crocicchia), whose own mother (Judy Greer) has been enabling the wannabe actress by posting provocative photos of Hannah on her modeling website. And the worst part is that she doesn’t think she’s doing anything wrong.

The other kids at school are just as messed up. Fellow cheerleader Allison (Elena Kampouris) has resorted to anorexia in an attempt to win the affections of the school hunk, while star quarterback Tim (Ansel Elgort) has been taking his mother’s recent abandonment so hard that he’s quit the football team and rechanneled that energy into playing an online role-playing game. Having lost most of his friends as a result of that decision, Tim forms a bond with shy girl Brandy Beltmeyer, whose mother Patricia (Jennifer Garner) is so obsessed about the potential dangers of the internet that she monitors all of Brandy’s online activity and tracks her every movement with her phone. So when Patricia discovers that Brandy has been secretly hanging out with a boy, she doesn’t think twice about the ramifications of her constant meddling.

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Checking out what’s new in Vegas at MGM Resorts

wine_amplified

Las Vegas is constantly evolving, and no one is more attuned to the necessity of making those changes than MGM Resorts International, the company behind such Vegas properties like Mandalay Bay, Aria and Bellagio. Two weeks ago, Bullz-Eye was invited to check out MGM’s latest hotel, the completely renovated Delano Las Vegas, and sample the accommodations, restaurants and nightlife that visitors can expect during their stay. But because there’s a lot more to what MGM Resorts is doing beyond the launch of the Delano to enhance its guest experience, we were invited back this past weekend to witness first-hand some of the newer additions that have helped transform Las Vegas into a destination that’s more about luxury than gambling.

In fact, MGM has seen a major shift over the last 10 to 15 years in how important things like food, entertainment, pools and nightclubs have become for the typical Vegas visitor, to the point that casino gaming now only makes up about 30% of its business. That’s a pretty remarkable statistic for a city where gambling used to be its bread and butter, but it just goes to show why MGM is striving to stay ahead of the curve in addressing the priorities of its guests, and they’ve done an amazing job so far. This may have been my first visit to Sin City, but after discovering all the cool things it has to offer, it definitely won’t be my last.

Day One

There’s nothing worse than air travel, especially when you’re forced to deal with unwanted layovers and delays, so by the time I finally arrived in Las Vegas and checked into my room at the hip and swanky Delano, the only thing on my mind was face-planting into the comfy hotel bed for a much-needed nap. But the folks at MGM had invited myself and three other travel writers joining me on the trip to an once-in-a-lifetime cognac dinner at Sage inside Aria, and it was an event not to be missed.

sage

In addition to a specially crafted five-course menu by Chef Shawn McClain, with Drappier champagne pairings chosen by Director of Wine Kim Wood, we sampled five different cognacs brought by special guest Benedict Hardy, the CEO of Hardy Cognac. Though the menu featured plenty of highlights, including a Fois Gras Custard Brulee, Kobe Skirt Steak Diane and Dark Chocolate Panna Cotta, the chance at tasting some high-end cognacs was a real delight, especially the pre-1870s unblended variation confidently called Perfection, a genuine antique that runs $25,000 bottle (or about $800 a glass), of which only 200 or so remain.

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Movie Review: “Dracula Untold”

Starring
Luke Evans, Dominic Cooper, Sarah Godon, Art Parkinson, Charles Dance
Director
Gary Shore

It seems like everyone is getting an origin story these days, so it was only a matter of time before Hollywood treated its original bad boy to one of his own. Unfortunately, the last thing that anyone needed was another film that tries to humanize a classic villain with a backstory explaining why they broke bad, especially one as iconic as Dracula. Whoever thought it was a good idea to turn the Prince of Darkness into a romantic hero clearly doesn’t understand the essence of the character, because it completely undermines everything that makes him so fascinating. There isn’t a whole lot of the Dracula we know and love in “Dracula Untold,” and although that means very little blood-sucking from the man himself, that hasn’t stopped director Gary Shore from sucking the fun out of cinema’s greatest villain.

Inspired by the real-life story of Vlad the Impaler (Luke Evans), who was taken hostage as a teenager and forced to fight for the Ottoman Empire, the movie picks up decades later after the Transylvanian prince has put down his sword in order to rule his people. But when Turkish sultan Mehmed (Dominic Cooper) demands 1,000 Transylvanian youths for his army – including Vlad’s only son, Ingeras (Art Parkinson) – Vlad refuses to submit, resulting in a Turkish retaliation that reduces Castle Dracula to a pile of rubble. Grossly outnumbered and desperate to protect his people, Vlad makes a deal with an ancient vampire (Charles Dance) who lives in the nearby mountains by drinking his blood in exchange for ultimate power. If Vlad can resist the overwhelming thirst for blood for three days, he’ll revert back to his mortal self, but of course, we already know that isn’t going to happen.

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Blu Tuesday: Edge of Tomorrow, A Million Ways to Die in the West and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Edge of Tomorrow”

WHAT: When he’s ordered onto the front lines as part of a synchronized attack against alien invaders, Major William Cage (Tom Cruise) is killed in action… only to discover that he’s been infected with the aliens’ ability to control time. Stuck in an infinite loop where he must repeat the same day over and over again (with his death serving as the reset button), Cage teams up with a celebrated war hero (Emily Blunt) to track down the alien hive and end the war.

WHY: Though it shares a similar plot device as “Groundhog Day” and “Source Code,” Doug Liman’s “Edge of Tomorrow” is a truly original piece of science fiction that Hollywood should make more often. Clever, fun and surprisingly bold, it also happens to be ultimate Tom Cruise movie. Those who like the actor will enjoy watching him thrive in one of his best roles in years, while those who hate Cruise get to watch him die about 50 times over the course of the film. Emily Blunt is also in top form as the face of the war effort – a total badass who wields a helicopter blade as a sword and is nicknamed Full Metal Bitch – and Bill Paxton delivers a hilarious supporting turn as a scene-chewing Master Sergeant in charge of Cage’s military unit. In fact, the movie as a whole is much funnier than you might expect, using comedy to break up the monotonous nature of the story, and it works remarkably well thanks to a combination of smart writing, great actors and pitch-perfect editing by James Herbert. “Edge of Tomorrow” isn’t without its faults – the script has some logistical problems and the final act is pretty generic – but those are minor annoyances for a film that proves to be such a satisfying breath of fresh air.

EXTRAS: The Blu-ray release includes a making-of documentary, dedicated featurettes on the exo-suits, alien creatures and filming the Operation Downfall sequence, as well as some deleted scenes.

FINAL VERDICT: RENT

“A Million Ways to Die in the West”

WHAT: When cowardly sheep farmer Albert (Seth MacFarlane) challenges his ex-girlfriend’s new beau (Neil Patrick Harris) to a duel in the hopes of winning her back, a beautiful stranger (Charlize Theron) agrees to help him become a better gunfighter, falling for the lovable loser in the process. But what Albert doesn’t realize is that the woman is married to a dangerous outlaw named Clinch Leatherwood (Liam Neeson), who rides into town upon hearing of his wife’s infidelity to kill the man that stole his woman.

WHY: There’s a reason why there aren’t many comedy Westerns, and even fewer that are any good, and that’s because the subgenre as a whole is very difficult to pull off. So you have to credit Seth MacFarlane for not only having the cojones to follow up “Ted” with such an offbeat film, but actually succeeding where so many others have failed. “A Million Ways to Die in the West” is probably his most ambitious project to date, and although that may sound strange for a man who made a movie about a talking teddy bear, it’s nice to see a filmmaker with that kind of confidence. By setting the film in the 1800s, MacFarlane has effectively forced himself to eschew from his usual pop culture references in favor of more observational humor about the general horribleness and idiosyncrasies of the American frontier. Not every joke works, and the toilet humor is totally unnecessary, but there’s a lot of great material. The movie starts to drag in the latter half as it meanders towards its conclusion (there’s no reason this needed to be almost two hours long), and it would have benefited from some stronger supporting characters, but “A Million Ways to Die in the West” is a really solid comedy with more than enough laughs to offset its minor shortcomings.

EXTRAS: In addition to an audio commentary by director/co-writer/star Seth MacFarlane, co-writers Alec Sulkin and Wellesley Wild and actress Charlize Theron, there’s a short making-of featurette, an alternate opening and ending, deleted scenes and a gag reel.

FINAL VERDICT: RENT

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