Author: Jason Zingale (Page 102 of 112)

SXSW Film Fest 2012: Day One

March 10, 2012 / Jason Zingale

This is my third year down in Austin for the South by Southwest film festival, and I think that I’ve finally figured out the science to covering the event all on my lonesome. Instead of past years, where I’ve done a mix of both full-length and shorter movie reviews, this time around, I’m going to be doing daily blogs with even shorter, capsule-style reviews of the films that I saw the previous day. I’m hoping this will make me more productive than usual, but as my schedule is constantly in flux, please bear with me. And if you can’t wait for my daily posts, be sure to follow me on Twitter @JasonZingale for more.

“The Cabin in the Woods”

Leave it to Joss Whedon to take the horror genre and turn it on its head. Though it appears to be nothing more than a typical slasher flick at first sight, “The Cabin in the Woods” (which was directed by Drew Goddard and co-written with Whedon) is an entertaining and completely original genre hybrid film that has more than a few tricks up its sleeve. The setup is simple: five friends head to a cabin located in the middle of nowhere for a weekend of fun, only to find themselves fighting for their lives when they accidentally resurrect a family of killer rednecks from the dead. Of course, there’s much more to the story than that, as the audience learns very early on that there’s a third party behind all the death and destruction. It’s an excellent twist on a tired genre, with Whedon and Goddard’s script not only defying convention on several occasions, but also lightening the mood with deft strokes of humor. Though the film features Chris Hemsworth in a role that precedes his “Thor” days, the real stars are Fran Kranz (from Whedon’s short-lived “Dollhouse”) as the pot-smoking comic relief, and Richard Jenkins and Bradley Whitford as the men orchestrating all the mayhem. It goes a bit off the rails in the final act, but for a movie this ambitious, sometimes it takes that kind of risk to yield such a refreshing reward.

“The Babymakers”

It may not be an official Broken Lizard movie in theory, but that’s not going to stop some people from comparing “The Babymakers” to the group’s other films, mainly because it was directed by Jay Chandrasekhar and features him and fellow member Kevin Heffernan in supporting roles. But while it definitely shares the group’s brand of goofball humor, “The Babymakers” feels like a cheap imitation without the other Lizards. Fortunately, it still has its share of funny moments thanks to Paul Schneider, who delivers a wonderfully dry performance as a man so desperate to impregnate his wife (Olivia Munn) that he plots to steal the last vial of sperm he donated years before after learning that his current count is too low for conception. Much like fellow “Parks and Rec” alumnus Adam Scott, Schneider has been on the verge of a big breakout for years, and “The Babymakers” proves that he’s a more than capable comedic lead. Munn is better than usual, but she’s definitely not leading lady material, while the rest of the cast fails to do much with a script that goes for the easy joke far too often. And that’s a shame, because with a sharper script and better execution, “The Babymakers” could have been the perfect Broken Lizard vehicle.

Entertainment, Movies

Bradley Whitford Chris Hemsworth Drew Goddard Fran Kranz Jay Chandrasekhar Joss Whedon Kevin Heffernan Olivia Munn Paul Schneider Richard Jenkins South By Southwest SXSW SXSW 2012 SXSW film The Babymakers The Babymakers review The Cabin in the Woods The Cabin in the Woods review

Blu Tuesday: Iron Thrones, Killer Rabbits and More

March 6, 2012 / Jason Zingale

If you’re wondering why there wasn’t a column last week, it’s pretty simple – there really weren’t any movie or TV-related Blu-rays worth talking about except for “Hugo,” and if you want to hear my thoughts on that film, you can just read my review here. Fortunately, this week is the complete opposite, with so many titles to choose from that I didn’t have the time to cover them all. While one could argue that it might have made more sense devoting a spot to a movie that actually deserved the attention instead of “Jack and Jill” (like, say, “The Deer Hunter” or Alfred Hitchcock’s “To Catch a Thief”), I simply couldn’t pass up on the opportunity to talk about Adam Sandler’s latest cinematic catastrophe.

“Game of Thrones: The Complete First Season”

Forget about “Boardwalk Empire” or “Luck,” because “Game of Thrones” is hands down HBO’s best new series. Based on George R.R. Martin’s “A Song of Ice and Fire” novels, “Game of Thrones” is exactly the kind of fantasy epic that you’d never expect to see produced on this scale for television. The scope of the series is massive (from its large cast of characters, to its gorgeous landscapes, to its incredibly detailed production design) and the acting is all top-notch as well, particularly screen veteran Sean Bean as Eddard Stark, newcomer Kit Harington as Ned’s bastard son Jon Snow, and Peter Dinklage in his Emmy and Golden Globe-winning role as the perpetually entertaining Tyrion Lannister. The show has it all – drama, comedy, action, suspense – and the fact that it’s so faithfully adapted from Martin’s source material is just the cherry on top of what is an already very delicious fantasy sundae. The only thing negative to say about “Game of Thrones” is that the first season is only comprised of 10 episodes, because you can never have too much of a show this good.

Blu-ray Highlight: When all is said and done, HBO’s Season One release of “Game of Thrones” will be remembered as one of the best Blu-rays of the year. There’s so much great bonus material packed onto the five-disc set that it’s hard to choose just one highlight, but despite the inclusion of seven audio commentaries, a 30-minute making-of featurette, and an interactive encyclopedia about George R.R. Martin’s expansive world, there’s one extra that goes above and beyond the rest. “Anatomy of an Episode” is an in-depth look at the making of Episode Six (“A Golden Crown”) that features cast and crew interviews and behind-the-scenes footage detailing the various aspects of virtually every sequence in the episode as it plays in the bottom corner of your screen.

Entertainment, Movies

Blu Tuesday Game of Thrones Game of Thrones: The Complete First Season Jack and Jill Monty Python and the Holy Grail new Blu-rays Peter Dinklage The Skin I Live In

Mike’s Hard Lemonade gets the low-cal treatment

February 28, 2012 / Jason Zingale

I’ve never been much of a beer guy, but I do love a good glass of wine every now and again. Unfortunately, a dry red wine doesn’t really hit the spot on a hot summer day, which is probably where the idea for wine coolers came from. But those are a little too girly – even for someone who doesn’t like the taste of beer – and that’s why I started drinking Mike’s Hard Lemonade. Granted, they’re both variations of malt liquor, but you don’t feel like a total pansy knocking back a few bottles of Mike’s in front of your friends.

In recent years, the company has introduced a number of varieties to expand the Mike’s brand – including Mike’s Harder Lemonade, the Classic Margarita and Mike’s Hard Punch – but it’s a bit surprising that it’s taken this long for them to come out with a low calorie version of their classic drink. Mike’s Lite Hard Lemonade not only has half the calories (109 versus 220), but approximately half the sugar and carbs as well. It’s also gluten-free for those unlucky bastards who have to worry about things like that, and is available in the drink’s two most popular flavors: Lemonade and Cranberry Lemonade.

The guys at Mike’s were kind enough to send over samples of both flavors for me to try out, and although it boasts the same great sweet and sour flavor of the original variety, Mike’s Lite has a slight aftertaste that’s similar to most diet sodas. That wasn’t totally unexpected considering the nutritional info, but it was a bit disappointing nonetheless, even if those who are used to that distinctly diet taste won’t notice it. If you’re looking for ways to cut calories without completely removing alcohol from your diet, Mike’s Lite Hard Lemonade is certainly one of the best low-cal alternatives on the market, but for me, it’s just not worth it when a regular Mike’s Hard Lemonade tastes so much better.

Food & Drink, Vices

Cranberry Lemonade lemonade low calorie alcoholic drinks malt beverage Mike's Hard Lemonade Mike's Lite Hard Lemonade review

Coming Soon: A Moviegoer’s Guide to March

February 26, 2012 / Jason Zingale

Springtime is finally here, and as the weather starts to get a little better, so does your choice of movies. Though March wasn’t always known as a month where you could score big at the box office, Zack Snyder’s “300” changed all that, and since then, the studios have been more open to releasing some of their higher profile films in an attempt to cash in on the pre-summer excitement. If it’s big-budget epics you’re after, or just a great comedy anchored by some big names, then you’ll want to continue reading.

“BEING FLYNN”

Who: Robert De Niro, Paul Dano, Olivia Thirlby and Julianne Moore
What: While working in a Boston homeless shelter, Nick Flynn re-encounters his estranged father, a con man and self-proclaimed poet.
When: March 2nd
Why: This is the kind of film that you’d normally expect to see during awards season, which is what makes Focus Features’ decision to release it in March so refreshing. Of course, it could just mean that the movie simply isn’t good enough to be Oscar bait, but with actors like Robert De Niro and Paul Dano involved, it seems pretty unlikely. Based on playwright Nick Flynn’s memoir, “Another Bullshit Night in Suck City” (a great book title, but hardly one that rolls off the tongue when buying a ticket at the movie theater), “Being Flynn” might just be the film that finally gets De Niro’s acting career back on track. If nothing else, it’s great to see Paul Weitz directing some much headier material following the dreadful “Cirque du Freak: The Vampire’s Assistant” and “Little Fockers.”

“JOHN CARTER”

Who: Taylor Kitsch, Lynn Collins, Willem Dafoe, Dominic West and Mark Strong
What: After a Civil War veteran is inexplicably transported to Mars, he becomes mixed up in a conflict amongst the habitants of the planet.
When: March 9th
Why: I had never even heard of Edgar Rice Burroughs’ series of pulp fantasy novels when a “John Carter” movie was first rumored a few years ago as a possible directing project for Jon Favreau, but after seeing the initial trailer, I was sold. It’s been awhile since a sci-fi epic has come along that actually looks the part, and a lot of that credit goes to Andrew Stanton, who, although he’s best known for directing Pixar hits like “Finding Nemo” and “Wall-E,” is following in the footsteps of colleague Brad Bird with his live-action debut. While it will be interesting to see what Stanton can do outside the realm of animation, however, the film’s success will ultimately depend on whether Taylor Kitsch can prove to be the action star that Hollywood is betting on him to become.

Entertainment, Movies

21 Jump Street Being Flynn Casa de mi Padre Coming Soon Friends with Benefits Jeff Who Lives at Home John Carter March movies Mirror Mirror The Raid Wrath of the Titans

Blu Tuesday: Crazy Cults, Tower Heists and More

February 21, 2012 / Jason Zingale

There are plenty of new Blu-rays on tap this week, and as usual, it’s a bit of a mixed bag. I didn’t even bother writing entries for Clint Eastwood’s “J. Edgar” and the “Shrek” spin-off “Puss in Boots” because the sooner we forget about both movies the better, while other noteworthy titles like Criterion’s “Anatomy of a Murder” and the first season of BBC’s “The Fades” weren’t available for review. Fans of Criterion’s previous releases can confidently blind-buy the former, however, knowing it will live up to their standards.

“Martha Marcy May Marlene”

Sean Durkin’s directorial debut was a big hit at last year’s Sundance Film Festival, and after finally seeing the movie myself during its theatrical release, it’s easy to understand why. A disturbing yet mesmerizing psychological thriller about a girl who runs away from a cult only to become increasingly paranoid that its members have tracked her down, “Martha Marcy May Marlene” (so titled for the various names that its protagonist uses throughout the course of the film) is bone-chilling suspense at its best. Durkin’s cleverly edited transitions between past and present are so disorienting that you start to become as paranoid as Martha herself, while star-in-the-making Elizabeth Olsen delivers an incredible performance that should have netted her an Oscar nomination. “Martha Marcy May Marlene” is one of those rare movies that stay with long after it’s over, sparking debate about its purposefully vague ending. It’s sure to enrage some, but most cinephiles will love every gripping minute.

Blu-ray Highlight: The list of included bonus material isn’t as impressive as it sounds, but fans of the movie will still no doubt be interested in director Sean Durkin’s short film “Mary Last Seen,” which serves as a companion piece to “Martha Marcy May Marlene.”

“Tower Heist”

Though a lot of people were quick to condemn “Tower Heist” before they even had a chance to see it, I was hopeful that Brett Ratner – who’s a better director than he gets credit for – would prove them wrong. After all, not only did the movie boast a promising setup and a great cast (including the potentially dynamic pairing of Ben Stiller and Eddie Murphy), but the script was co-written by Ted Griffin, who penned the “Ocean’s Eleven” remake and co-created the excellent but short-lived FX drama “Terriers.” In hindsight, I probably shouldn’t have been so optimistic, because despite its timely subject matter and the aforementioned components, “Tower Heist” never really makes the most of its potential. There are a handful of humorous moments littered throughout, but for the most part, it’s a rather unmemorable heist movie that’s biggest disappointment is its mediocrity.

Blu-ray Highlight: Universal has provided a solid collection of bonus material for the two-disc release, but the audio commentary with director Brett Ratner, co-writers Ted Griffin and Jeff Nathanson, and editor Mark Helfrich is the clear standout. In addition to revealing some interesting anecdotes about the long road from development to production (including Eddie Murphy’s original pitch for an all-black cast with guys like Chris Rock, Dave Chappelle and Chris Tucker), the quartet also talks about working with the ensemble cast and the challenges of filming the movie’s various set pieces.

“The Son of No One”

Channing Tatum must have made a deal with the Devil earlier in his life, because it’s the only possible explanation as to why Hollywood is so obsessed with him. After seven years in the business, Tatum hasn’t delivered a single performance that’s convinced me he has any real talent as an actor, and yet he continues to get work in high-profile projects. Director Dito Montiel is perhaps the worst offender, having cast him in all of three of his films, including this laughable police drama that also stars Al Pacino, Ray Liotta and Katie Holmes. The only thing worse than watching Tatum bumble his way through yet another leading role is the dreadful script by Montiel, which lazily strings together a series of incredibly pointless events and moments of manufactured conflict that are so easily avoidable it can be viewed as nothing less than an insult to the audience’s integrity.

Blu-ray Highlight: There are only two extras on the disc, but the audio commentary with writer/director Dito Montiel and executive producer/editor Jake Pushinsky offers up some interesting nuggets about making the film despite the long stretches of silence.

Entertainment, Movies

Blu Tuesday Martha Marcy May Marlene new Blu-rays The Son of No One Tower Heist Weeds Weeds: Season Seven