Month: October 2013 (Page 6 of 11)

App of the Week: Device 6

Developer: Simogo

Compatible with: iPhone, iPad, iPod Touch

Requires: iOS 5.1

Price: $3.99

Available: here

Developer Simogo is a company on a mission. Their project history showcases some of the most artistically challenging, creative, and entertaining apps ever released, as they seem to be dead set on winning the race to make a gaming app that showcases the full potential of mobile devices, even when it feels like they’re the only ones really in the running.  While the music/stealth hybrid game “Beat Sneak Bandit” showed they were getting warmer, and the beautifully morbid adventure “Year Walk” almost got there, it’s “Device 6” that will likely go down as Simogo’s magnum opus, and one of the finest mobile experiences ever made.

I mentioned before that it felt like Simogo was aiming for the ultimate mobile gaming experience, yet somehow it doesn’t feel right calling “Device 6” a gaming app, or really trying to define it at all. On a very basic level it’s a callback to the old text adventures like “Zork” that saw you type in basic commands to advance a story. Your story here is that of a woman named Anna who wakes up on a mysterious island, unsure of how she got there, or what to do next. It’s a tired set up but, to be honest, then again so are text based adventure games. This makes the two something of an oddly appropriate match, but probably doesn’t help to explain why “Device 6” is so incredible.

The answer to that lies in the storytelling. “Device 6” doesn’t just tell a tale that you occasionally advance with basic commands, but rather presents a story that constantly requires you to interact with it in significant ways. Sometimes this comes in the form of “choose your own adventure” style moments that diverts the tale onto slightly different paths, but more often it’s in the way the game requires you to participate in mini-game like moments where you are momentarily put into the shoes of the character to solve a variety of puzzles and overcome other obstacles. Rarely taking the same form twice, these interludes of interactivity are, without exception, incredibly challenging and unbelievably creative moments that go a long way to breathing new life into the old text adventure format not just because they provide a game like break from the reading, but rather because they enhance the story in a way that allows it to evolve to a level far beyond what is possible with just printed words.

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Were “Device 6” to stop there, though, it would probably only find itself atop the growing heap of interactive story games on mobile devices. However, its trump card comes in the way it formats the text adventure. For instance, there’s a point in the story where you encounter a staircase. At that moment, the text physically diverges into both a downstairs and upstairs path which you’ll have to choose between. Another example of this imaginative style comes when you walk through a corridor, and the words suddenly form into a shifting single file line that requires you to tilt your device to keep up with them, simulating the feeling of walking down the same corridor Anna does. These may sound kind of gimmicky, but combined with the constant stream of timely visual elements and puzzles, they help to make “Device 6” the most engaging novel you’ll ever read.

“Device 6” reminds me of another recent release “The Stanley Parable” in that both showcase new, and previously unthinkable, ways of telling a story within an interactive medium. Where “Device 6” differs though is that it doesn’t feel like an isolated experience, or test run to a new method of storytelling, but rather a fully realized showcase that might just redefine how books are formatted in the digital age, or even create an entertainment medium that we don’t even associate with traditional books. That might sound like a bold statement, but the confidence and skill that “Device 6” exhumes when showcasing its unique methods is all of the reference needed to justify it’s potential as a game changer. Like watching a hotshot backup on your favorite football team come in and win an impossible game for the aging starter, once you get a taste of “Device 6” it’s clear that there is no going back.

Book, game, something in-between…I don’t care what you call “Device 6,” because I’m just glad it’s on the app store so I can talk about it here and tip you off to the moment when interactive storytelling shed nearly all of its conventions, and the idea of the capabilities of e-books changed forever.  Then again even if “Device 6” doesn’t change the storytelling world, it still stands as a one of a kind experience without equal in concept or quality on the app store. For want of a greater honor to provide it, I humbly name “Device 6” my app of the week.

Drink of the Week: The Bijou

The Bijou. Last week, I invoked the literal spirit of Will Rogers to deal with the insanity that seemed to be sweeping our nation’s capital. As I begin writing this week, it’s starting to appear that some sanity is returning. That’s something we’ll be drinking to this week, with a genuine antique that’s approved of by many of the cocktail cognoscenti. I just wish I loved this one a bit more than I do.

I stumbled over the Bijou in my increasingly well worn copy of Harry Craddock’s The Savoy Cocktail Book, but it’s history goes back to turn of the 20th Century, we are told, when it was included in a manual by bartending legend Harry Johnson. On this political week, it’s worth mentioning that it also got a big shot in the arm back in 2009 when cocktail loving MSNBC icon Rachel Maddow made one for Jimmy Fallon. Alas, I never saw that segment and it’s been pulled from Hulu for some reason. (I blame the Koch brothers.)

I, therefore, have no way of knowing if the woman who accompanies many of my dinners — and whose old Air America radio show helped me to discover the classic cocktail spirit — introduced some twist in her preparation which made the drink sing a bit more for her and Fallon than it does for me. The version I’ve been making is worth is worth a try even if I didn’t love it to death.

The Bijou

1 ounce Plymouth Gin or regular London dry gin
1 ounce Chartreuse
1 ounce sweet vermouth
1 dash orange bitters

Combine your ingredients in a cocktail shaker or mixing glass, stir fairly vigorously, and strain into a chilled cocktail glass. This week, let’s consider a toast to pure, sweet sanity as we down this complex semi-treat.

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The key ingredient in today’s drink is Chartreuse, also called Green Chartreuse to distinguish it from the milder Yellow Chartreuse. First featured here in star bartender Julie Reiner’s Shamrock Sour, this 110 proof liqueur beloved of cocktail aficionados and, apparently, Quentin Tarantino, is a prime example of a little going a long way. It’s a very herbal, very sweet, and very complex little bugger and gin doesn’t really stand a chance against it.

Since this is one of the 23 recipes in the Savoy book specifically calling for Plymouth Gin, I tried it that way a couple of times. Most recipes, however, call for the usual London style gin. I used Bombay Dry, which is what I have on hand these days, and I found it a bit crisper and more brash that way. Really, though, I  liked the drink about the same with both gins.

You may want to experiment with various garnishes. I tried a cheap maraschino cheery once, which didn’t hurt. Rightly renowned cocktail guru Robert Hess, who is obsessed with presentation to a point I tend to disagree with, calls for an elaborate orange peel, which does look pretty and probably wouldn’t hurt the flavor. I do have to reluctantly admit, however, that this drink really doesn’t benefit from shaking. Don’t ask me why, though I’ll never buy Hess’s argument that “clouding” drinks with ice crystals by shaking them is some kind of cocktail fate-worse-than-death.

Hess is also one of many to point out the word “bijou” means jewel in French, which to him means the drink is supposed to look jewel-like and, yes, be completely unclouded. Movie geek that I am, I associate the term with the frequent name for old theaters. Despite being namesakes, Robert Hess and I clearly don’t think that much alike, though he is absolutely correct when he adds the Bijou is extremely Chartreuse forward.

Some things really are kind of inarguable.Up is not down and day is not night though, as we’ve all learned, you can stop some people from claiming just that. I don’t know about you, but after everything we’ve been through, I could use a drink, any drink.

Brissy’s Best Beer Gardens

beerNow that the weather is warming up, and the smell of summer is starting to saturate the air, weekend breaks to Brisbane are looking more appealing. And what’s a better way to embrace the (almost) summer weather than a Sunday session in a beer garden? So, get booking that Brisbane hotel because the following is a guide to the best of the Brisbane beer hangouts, with insider deets about what to eat and drink!

Belgian Beer Café

Catch a European encounter closer to home with a stop at Brisbane’s Belgian Beer Café. Situated in downtown Brisbane on the corner of Mary and Edward Streets, it’s a perfect place for a bevvy with your mates, a business beer or dinner with the family. The beer garden brings together the very best in Belgian beer and Belgian food, with top drops including the smooth and subtle Maredsous 6 Blonde, and the spicy taste of the Bourgogne Brune. For the beer drinkers who prefer a fruity twist, the peche is a sure hit as is the strawberry sensation, framboise. If you’re not keen on a huge meal, Belgian-themed bar snacks are always available, including the grilled chorizo baguette with roasted capsicum.

Lock’n’Load Bistro

Hidden in the heart of the cultured and cool neighbourhood that is West End is the vibrant Lock’n’Load Bistro. Primarily populated by a creative and artsy crowd, Lock’n’Load provides great entertainment a la people-watching. It has a gorgeous courtyard area for patrons to make the most of their beers in the hot Brisbane sun. The bistro food is fabulous, with fare including dark ale-braised beef cheeks, confit duck leg risotto and Cape Grim grass-fed sirloin. The drinks are always flowing, with all of your favourite brews on tap, including Coopers, Little Creatures, Stone & Wood and Tiger. Start with a few brews in the afternoon sun before moving inside to the main bar to check out the evening’s entertainment on the main stage.

The Elephant Arms

One of the Valley’s finest hangouts, the Elephant Arms attracts the coolest of the cool to its timber-lined beer garden. With a huge, 9-metre-long bar boasting all of the best in local and international, beer and wine, it’s a great place to kick back and relax with a bevvie. Your entertainment is covered with a number of awesome acts on show every week, from duos and soloists to live cover bands. And having just changed hands and landing in the capable arms of Tourism Australia chairman Geoff Dixon and his fellow business partners, who together own eight Sydney pubs, this is one venue that will only improve with time.

Jubilee Hotel

Lying in the midst of the chaos and craziness of the nightlife found at Fortitude Valley, the recently refurbished Jubilee Hotel has transformed itself into one of Brisbane’s hottest entertainment venues. A bit of a local institution, the “Jube” was first opened in 1888. You can happily experience a bit of Brisbane history whilst knocking back a Hahn Gold. Home to one of Brisbane’s best beer gardens along an awesome indoor bar, a huge gaming room, a range of function rooms and a great restaurant serving Mexican-themed fare, the Jubilee Hotel caters to all ages and occasions. If you can, try to catch one of the epic Sunday sessions that kick off at around noon — and go on until late in the evening.

Plough Inn Tavern

Bordering the Brisbane River in the middle of Southbank is the Plough Inn Tavern, one of Brissy’s many heritage-listed watering holes. This opened way back in 1885. The beer garden catches the sun all throughout the year, and offers stellar views of Brisbane city and the gorgeous Brisbane skyline. With 11 beers on tap and an awesome selection of craft beers available, this is a spot for the serious beer drinker. If you’re also keen to sample some food while imbibing, a must-try is the house specialty of hickory barbecue pork ribs.

About the Author: Tassie-based Kaitlin Corrs is a food and wine blogger.

Movie Review: “The Fifth Estate”

Starring
Benedict Cumberbatch, Daniel Brühl, Laura Linney, Stanley Tucci
Director
Bill Condon

One would think that the group that turned modern-day journalism on its ear would have a much more interesting story to tell, or at least a more original story, than the one that drives “The Fifth Estate.” As it is, we have the age-old morality play about the man who sets out to bring justice to the oppressed but is ultimately undone by his own ego, played out by people on laptops. (Hollywood has tried again and again to make hacking look sexy. It’s not.) This is not to say that “The Fifth Estate” is dull, because it’s teeming with interesting bits and the possibilities for more. The problem is the execution, both from a story structure standpoint and a directorial standpoint. You will be hard pressed to find a movie this year as overly directed as this one.

IT guru Daniel Berg (Daniel Brühl) meets Julian Assange (Benedict Cumberbatch) at a tech conference. Assange has created a site that guarantees anonymity for whistle blowers with the intent of bringing large-scale wrongdoers to justice, and he recruits Daniel to help him get the message out. Their site WikiLeaks quickly finds an audience, but Assange grows resentful of Berg getting an ounce of credit for the site’s success, while Berg’s girlfriend grows resentful of her widow status as Assange calls on Berg at all hours of the day and night. Things come to a head when Assange plans on releasing a bunch of top secret US government files without redacting the names of informants in the field. Assange views redaction as bias. Berg views it as responsible journalism.

One question repeatedly sprang to mind while watching this movie: where did the money come from? We see multiple shots of Assange and Berg globetrotting for what seems like years before the subject of donations to WikiLeaks is even mentioned, meanwhile neither has a day job and Assange and Berg talk of how strapped for cash they are to increase their server space once they realize that demand is greater than their bandwidth can supply. If they’re both so broke, how were they able to travel the world seemingly at will?

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Blu Tuesday: Pacific Rim, The Heat and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Pacific Rim”

WHAT: Set in the not-too-distant future, giant beasts called kaiju have emerged from an inter-dimensional rift below the Pacific Ocean to wreak havoc on the planet. In response, the world’s governments came together to build giant robots called jaegers to combat these monsters, but when the program is shut down, commanding officer Marshall Pentecost (Idris Elba) recruits a retired pilot named Raleigh (Charlie Hunnam) to spearhead one final attack in the fight for humanity’s survival.

WHY:Pacific Rim” is about as close to a Transformers/Godzilla mash-up as you’ll ever see, so it’s not surprising why fanboys were quick to jump on the bandwagon of Guillermo del Toro’s latest film. But while the marketing campaign focused almost entirely on the robots vs. monsters angle, the action is a pretty big letdown. While it’s hard to deny the gleeful sensation of watching giant robots pummel giant monsters, it starts to get a little repetitive and would have benefited greatly from more distinct battles and creatures. As it is, every major fight sequence takes place either at night in the pouring rain, or underwater where it’s just as murky, and that makes it really difficult to see things clearly, especially when del Toro relies so heavily on extreme close-ups and quick cuts. After all, if you’re going to promise robots vs. monsters, then you should at least be able to make out what’s going on. There’s more than enough CGI-fueled destruction on display to categorize “Pacific Rim” as a fun popcorn flick, but it’s lacking the substance that you would normally expect from a filmmaker like del Toro.

EXTRAS: The two-disc set includes an audio commentary by director Guillermo del Toro, five Focus Points featurettes, deleted scenes and a blooper reel.

FINAL VERDICT: RENT

“The Heat”

WHAT: Straight-laced FBI agent Sarah Ashburn (Sandra Bullock) is up for a big promotion, but while she’s the perfect candidate on paper, Sarah hasn’t earned the respect of her peers. To prove that she’s a team player and the right person for the job, Sarah’s boss (Demian Bichir) sends her to Boston, where she must partner up with an uncouth and unconventional local detective named Shannon Mullins (Melissa McCarthy) to bring down a ruthless drug lord.

WHY: Though fans of “Bridesmaids” will likely enjoy Paul Feig’s latest R-rated romp with Melissa McCarthy, anyone that wasn’t already sick and tired of the actress definitely will be after sitting through two more hours of her annoyingly boorish and over-the-top brand of humor. “Identity Thief” should have been the final nail in the coffin of America’s love affair with McCarthy, but if her irritating performance in “The Heat” doesn’t put an end to that reign, then the moviegoing public deserves more lowbrow comedies just like it. “Bridesmaids” may be overrated, but at least it has some genuine moments of laughter and a decent story at its core. “The Heat,” meanwhile, never merits more than a few chuckles, and a major reason for that is the overdependence on McCarthy’s loud-mouthed buffoon. It’s supposed to be hilarious, except that it’s not. You know what would have been funny? If Sandra Bullock and McCarthy had switched roles. At least then we could have seen both actresses do something a little different for once, and it probably would have led to a more entertaining movie. Instead, we got “Miss Congeniality 3: Boston Boogaloo.”

EXTRAS: In addition to an audio commentary by director Paul Feig and star Melissa McCarthy, the Blu-ray includes a making-of featurette, a collection of deleted and extended scenes, two more commentary tracks (one with the original “Mystery Science Theater 3000” guys and another with the Mullins family), a blooper reel and more.

FINAL VERDICT: SKIP

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