Month: August 2013 (Page 8 of 12)

Blu Tuesday: Olympus Has Fallen, Girls and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Olympus Has Fallen”

WHAT: When former Secret Service agent Mike Banning (Gerard Butler) gets trapped inside the White House following a terrorist attack, he must rely on his special skills to rescue the President (Aaron Eckhart) from his captors before they detonate the country’s entire nuclear stockpile on domestic soil.

WHY: Antoine Fuqua may have beat Roland Emmerich’s “White House Down” to the punch by being the first Presidential action flick out of the gate, but not without the final product suffering as a result. The special effects, in particular, look a little unpolished (undoubtedly due to its tight post-production schedule), and although it features an excellent cast, many of the actors are wasted, perhaps none more so than Eckhart, who’s given very little to but grimace and grit his teeth. It’s also completely ridiculous in just about every way, from an unidentified Black Hawk flying straight into Washington, D.C. (when it would have been shot down as soon as it entered U.S. airspace), to North Korean terrorists overtaking one of the country’s most heavily guarded buildings in a matter of minutes. The film takes a while to get going, but once Banning gets into full stealth mode, “Olympus Has Fallen” becomes quite enjoyable – a poor man’s “Die Hard” in the best sense possible.

EXTRAS: In addition to a making-of featurette titled “Under Surveillance,” there are four more featurettes on the cast, special effects, stunts and the Black Hawk sequence, as well as a short blooper reel.

FINAL VERDICT: RENT

“Girls: Season Two”

WHAT: The further adventures of Hannah Horvath (Lena Dunham) and her group of twenty-something friends – Marnie (Allison Williams), Shoshanna (Zosia Mamet) and Jessa (Jemima Kirke) – as they traverse the ups and downs of adulthood in New York City.

WHY: I had a very love-hate relationship with the first season of “Girls,” but Season Two is such a complete train wreck that it made me want to stop watching the show altogether. Dunham has created one of the most unlikable protagonists on TV (between her coke-fueled meltdown and the Patrick Wilson episode, she hits an all-time low), and Williams’ laughably insecure Marnie isn’t too far behind. In fact, the female characters have so few redeeming qualities – even Mamet’s lively Shoshanna resorts to some bad behavior this season – that it’s a wonder how the audience is supposed to keep rooting for them. Thankfully, their male co-stars at least make “Girls” tolerable. Season One standout Adam Driver continues his strange but endearing performance as Hannah’s on-again-off-again boyfriend, while Alex Karpovsky seizes his expanded role with aplomb. Unfortunately, the show isn’t called “Boys,” although as far as spinoff ideas go, giving Driver and Karpovsky their own series sounds infinitely better than whatever Dunham cooks up next.

EXTRAS: There’s certainly no shortage of bonus material here, highlighted by cast and crew audio commentaries on seven episodes. Also included is a series of deleted scenes, Inside the Episode featurettes, a table read for Episode 5, a Charlie Rose interview with Lena Dunham, a making-of featurette, a roundtable discussion with the show’s male co-stars, and if you can believe it, much more.

FINAL VERDICT: SKIP

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“Doomsday Castle” ready for Armageddon on Nat Geo Channel

“Doomsday Castle” ready for Armageddon on Nat Geo Channel

“When the world is in chaos and consumes the world, our family will survive….” This is Brent Sr.’s best quote, and that sums up his plan. Nestled high in the Carolina Mountains, Brett and his family have constructed a foreboding medieval castle to ward of the baddies in the event of an Electro Magnetic Pulse (EMP) from the sun. In doomsday prepper lore, an EMP will plunge the country and then the world into chaos by wiping out the power grid. Our good friends at the National Geographic Channel invited us up to this wildly remote fortress to see the family and their doomsday plans in action and it was a trip unlike any other!

National Geographic Channel’s new summer series “Doomsday Castle,” their first spin off series after the hugely popular “Doomsday Preppers,” premieres Tuesday night, August 13th, at 10 pm ET/PT. Their cameras follow every step of the process behind the family’s adventure, from Brent Sr. summoning his family to see if they have what it takes to survive the upcoming apocalypse to the family finishing the construction on the enormous half built castle. Along the way we’ll see his near-maniacal military-driven crash course in survival, be it in tactical response to real invasion scenarios, survivalist training for substance and nourishment and fortification construction and defenses.

After a grueling ride in an ex-Army issued troop transport vehicle of some kind, we made it to the most remote part of the Carolina mountains that I thought every existed. Brent Sr. had scouted out and bought 500 acres here just for the placement and construction of this family fortress to battle the eventual rush of the population to find food and more in the event of Armageddon. Spectacular views greeted us there along with the castle itself. The family members were waiting to give us tours and instruction on various skills and techniques their father and his side kick, ex-Army Ranger (and complete bad ass) Military Mike, had given them over the course of the series filming. This included rappelling off the castle walls, zip lining to safety off the castle parapets, Viet Cong style booby trap construction, cross bow practice (to zombie targets with exploding heads), catapult defense demos and remote listening post construction and usage.

The family included a remarkable group of characters, with three attractive daughters in their early to mid-20s – Ashley, Lindsey and Dawn-Marie. Elder son Brent II was the rebel of the group and younger son Michael was already an experienced prepper and avid hunter. The three daughters were amazing troopers to survive this doomsday scenario crash course all in the remote Carolina mountains for four months and did it all with spunk and moxie. Look for individual “Doomsday Castle Girl” profiles in upcoming weeks here on Bullz-Eye.com for exclusive photo pictorials of the girls in action with weaponry and more!

“Doomsday Castle” offers a fascinating look at a family embracing the prepper movement and has plenty of action, weapons and adventure scenarios to entertain all sorts of viewers. Check it out on Tuesday night!

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Breaking Bad 5.9 – “Blood Money”

“Breaking Bad” has always had a way with an opening shot, and the first image of the series’ final eight episodes is no exception, offering a slow, gradual pull-out from a bunch of skate rats to reveal that their choice of locate is the decidedly empty and apparently long-dormant White house. Moments later, when a heavily haired Walter White pulls up, it’s clarified that we’re back in the timeline established in the early moments of the first half of Season Five, when Walt purchased some serious firepower from his now-regular weapons guy (played by Jim Beaver). And, oh, what a dark timeline it must be, based not only on Walt’s haggard look, but on the graffiti he finds when he’s forced to break into his own house. If things are destined to reach a point where the world at large has not only identified him as Heisenberg but, indeed, has had his identify spray-painted across his living room wall…well, let’s just say these are going to be the longest eight episodes viewers have seen in a very long time.

Wandering through the wreckage that once was his house, Walt manages to confirm that, despite all the carnage surrounding him, one of his hiding places has remained secure: underneath the electrical outlet. I couldn’t quite see what he retrieved – was it the vial of ricin? – but I’m sure we’ll find out soon enough…much as we’ll find out exactly what the hell happened to make his poor neighbor Carol react in such a horrified fashion to the mere sight of Walt. Clearly, it’s no fun living next door to Heisenberg.

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Post-credits, it’s back into Walt’s bedroom, except we’ve flashed back to where we were when we last left “Breaking Bad.” It’s impossible to get completely inside Hank’s head, but we come pretty damned close with the help of director…Bryan Cranston? True. The man’s come a long way behind the camera, clearly learning as much as possible from the folks who’ve helmed past episodes of the series, because he nails the panic, anxiety, and horror in Hank’s gradual realization of what his brother-in-law has been doing for the past five seasons.

As Hank and Marie drive away from the White house, Walt, Skyler, Junior, and Holly look like the perfect little family, don’t they? But then, the whole “appearances can be deceiving” has been Walt’s stock and trade since the beginning of his meth-making operation, and one could argue that the same premise applies to Hank as well. He started out as a loudmouth blowhard who seemed more like a former high school quarterback who kept his ego intact when he entered the work force, but we’ve seen several different sides of the guy now, and it’s never been more evident than it is in this episode that he’s a great goddamned detective. It’s hard to say that he’s applying Occam’s razor here, since the idea of Walt being the mastermind behind a major meth operation is the simplest explanation, but it’s a thing of both beauty and sadness to watch him work out everything that Walt’s been responsible for. It’s clear that he still doesn’t fully accept it ‘til the very end of the episode, but when that chilling exchange in the garage takes place…

Oh, but I’m getting ahead of myself.

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Atmosphere and Queens of the Stone Age at Stir Concert Cove

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“Is this going to be like seeing The Four Tops or The Drifters at the county fair, with only one remaining member, but technically still the Four Tops or The Drifters?”

It was Sunday night and I was less than an hour from seeing Queens of the Stone Age. And I was nervous inside. Prior to the concert, I engaged my friend and musical mentor on a phone call, the man who got me into Queens in the first place. Thanks to several lineup changes since their creation, I told him I wasn’t as excited as I should’ve been to see them for the first time.

He laughed and said, “It’s still Queens, dude.”

And by god, was he right. It is still Queens, dude.

If I discovered a magical lamp with a hot genie (built like Barbara Eden) who asked what two acts I’d like to see on successive days that I’d never seen before yet loved for years, in perfect 70 degree weather, less than 10 miles from my home round trip, I would pick Atmosphere and Queens of the Stone Age on reflex alone, without even thinking, like a musical version of Pavlov’s Dog.

I spent Saturday night at the Kicking Up Dust Tour with Slightly Stoopid, Atmosphere and The Grouch and Eligh.

I wrapped up my weekend on Sunday night with Queens of the Stone Age and British newcomers Leo Gun. And I didn’t even need a magical lamp. Or a feeder bar.

The venue, Stir Concert Cove, is a great place to see a show; it is the ultimate intimate experience. Security is chill without being lax, allowing fans to unwind without anarchy ruling.

It may sound ridiculous to talk about acoustics for an outside venue, but the bowl shape of the enclosure wraps neatly around the stage and offers different experiences in sound, whether right in front of the stage or around the outer rim. The way it’s laid out lends itself to artist/fan interaction.

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