Month: May 2012 (Page 12 of 14)

Game of Thrones 206: The Old Gods and the New

SPOILER WARNING: All events that have occurred in the TV show up to and including yesterday’s episode are fair game. I have read the books but I will not go any further beyond small hints that only fellow book-readers will catch on to. You’ve been warned.

Winterfell

I for one am not a big fan of drawn out cliffhangers, as such the showrunners handled “the sea coming to Winterfell” very well. As was the case with Renly‘s death they gave us the aftermath right at the beginning of the episode, and what an aftermath it was. To quote Ser Rodrik, “Gods help you Theon [punkass] Greyjoy, now you are truly lost.”

There are no heroes or villains in Game of Thrones, no black and white, only shades of grey. You’ve got to give Alfie Allen credit for the way he’s playing Theon, you can see how unsure he is with every double take, quiver in his voice and tear in his eye. It really sets him apart from someone like Lord Tywin, who is so confident in everything he does.

The whole scene, especially Ser Rodrik’s death, was perfectly executed, pun intended. It really showed just how fiercely loyal the people of the North are to the Starks. The man who calls Theon a “steaming sack of shit” insists he serves the Starks, and right before Ser Rodrik is killed he tells Bran, “Hush now child, I’m off to see your father,” which is enough for him. After he says it he puts his head down and grits his teeth, completely ready to die. It takes Theon more than a couple swings to take Rodrik’s head, another impressive symbolic contrast between he and Ned Stark.

Beyond the Wall

Jon has lost his brothers of the Nights Watch and now has only the wildling woman Ygritte, who he could not bring himself to kill, to keep him company. There was a great parallel between Ygritte’s rubbing up against Jon and Osha seducing Theon. Each used their feminine wiles to get what they needed, Ygritte needed to stay alive (and perhaps convince Jon the free folk aren’t so bad) and Osha needed to escape Winterfell and protect the Stark children. In short, wildling chicks do what they gotta do.

Harrenhal

The interactions between Arya and Lord Tywin were not in the books, but after seeing the two characters’ (and actors’) chemistry, maybe they should have been. When Tywin jokingly tells Arya she should devise their next battle plan, she gets this little smirk on her face that fades into a look of pure terror the moment it’s announced Littlefinger has arrived. Just another brilliant moment for Maisie Williams, who continues to impress. I’m certain Littlefinger recognized Arya. Always a step ahead of everyone else, he’ll save that little tidbit until it’s most valuable. You know: buy low, sell high.

They’ve actually managed to humanize the cold, calculating Tywin, who’s seemingly the only Lannister save Tyrion who knows what the hell he’s doing. His discussion of teaching Jaime to read was fantastic. It goes to show that Tywin is just another man who loves his family; he’s doing what he can to protect them in the only way he knows how.

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“Sons of Anarchy” cast and crew discuss Season Five at PaleyFest 2012

Sons of Anarchy Season Five at PaleyFest 2012

The stars and creative folks behind “Sons of Anarchy” don’t just make the popular FX television series. They live up the lifestyle to the fullest. Most of the cast are dedicated riders, while embracing the whole image of the Harley-Davidson, cruiser riding biker culture.

Their moods are intense. Their humor is edgy. They toss around f-bombs at press events as easy as they feather the left-hand clutch. Their wardrobes are streetwise. While other events celebrating top TV series at the 2012 PaleyFest featured actors and actress in suits and gowns, the “Sons of Anarchy” crew rolled in with t-shirts and boots. And their viewers out in the seats at the Saban Theater in Los Angeles sported the same.

During the fan-friendly media event, show creator and executive producer Kurt Sutter joined his wife and series star Katey Sagal (Sutter’s wife), Theo Rossi, Tommy Flanagan, David La Brava, Michael Marisi-Ornstein and others to talk about where “Sons of Anarchy” – essentially a V-Twin-powered Shakespearian political tragedy – is rolling to in the future.

Season Four ended with big changes, with Jax finally taking on the roll of the young king at the head of SAMCRO’s ornately carved table. Fans were immediately interested in how Sutter and company would tackle that this season.

Sons of Anarchy Season 4

“I’ve always wanted to play this idea of putting Jax in charge and explore how he handled the power,” Sutter said. “I also wanted to explore how those around him respond to having him in charge – the ripple effect of (Jax’s power) on the gang and the loyalties of it and where people land.”

“The interesting dynamic to play out this season is seeing Jax at the head of that table and the struggle that he has of being king. How can he be the leader of a motorcycle gang – an organized crime syndicate – and not become Clay?”

“And if you choose not to become Clay, are you doomed to the fate of John Teller?”

Sutter never made any secret of the fact that he’s recreating a sort of modern day Hamlet with “Sons of Anarchy.” The same tense standoff between The Prince of Denmark and his mother is playing out between Jax and Gemma (Sagal). Jax is at the head of the table now, but the matriarch really seems to want that job.

“I could really see Gemma sitting at the head of that table with the gavel in her hand,” Segal said. “And I think she should be a great head of the gang. It’d be interesting to explore how a woman could be this queen in such a world. I want to see her sitting there at the head of the table.”

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R.I.P. Adam Yauch

Here’s the sad announcement from the Beastie Boys website:

It is with great sadness that we confirm that musician, rapper, activist and director Adam “MCA” Yauch, founding member of Beastie Boys and also of the Milarepa Foundation that produced the Tibetan Freedom Concert benefits, and film production and distribution company Oscilloscope Laboratories, passed away in his native New York City this morning after a near-three-year battle with cancer. He was 47 years old.

R.I.P.

Drink of the Week pre-5/5 special, part 2: the Mint Julep

the Mint Julep

We conclude our May 4, 2012 doubleheader with one of the most legendary of all cocktails and the ultimate Derby Day tradition. It’s also a drink, I’m ashamed to admit, I’ve only tried for myself in the last couple of weeks.

According to such experts as New Orleans bartender Chris MacMillian, the Mint Julep was to the 19th century what the Martini was to the 20th. As MacMillians also reminds us, this super classic drink’s roots actually go back far further — juleps were eulogized in 1634 by “Paradise Lost” poet John Milton in his “Comus,” which some of us old English majors have actually read, even if we don’t remember a word of it. Today, the bourbon, sugar and mint concoction is primarily associated with Southern belles and gents in old movies seeking a cool libation on a powerful hot day, not to mention the ultra-famed horse race which will once again be run tomorrow afternoon.

As I heard from numerous sources, however, the actual juleps served in recent years at the home of the Kentucky Derby have been anything but satisfying. If word on the cocktail street is correct, Churchill Downs has fallen prey to the #1 enemy of good cocktails — a pre-mix! Tragic, perhaps but also almost understandable given the enormous crowds who arrive each year for Derby Day. In any case, if you want a really good Mint Julep, you’ll have to go a high quality bar with a decent mixologist in residence or, of course, you may make one yourself.

The Mint Julep

2.5-3 ounces bourbon whiskey
1/2 ounce simple syrup or 1 tablespoon sugar and a splash of water
About 5-8 fresh mint leaves
Lots of ice — preferably crushed.

Combine mint leaves, simple syrup or sugar (preferably superfine or powdered) and water in a rocks/old fashioned glass or, if you have one (I don’t) a traditional metal julep glass. Gently muddle the mixture, being careful not to overdo it as, we are warned, over-muddling mint can release some displeasing bitterness. Fill up your glass with ice, add the bourbon of your choice, and stir. Toast your favorite racehorse and sip slowly.

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There’s no doubt about it, I’m a piker when it comes to the Mint Julep. I’ve made a few decent versions of it but I don’t own the special sack — called a Lewis bag — or the mallet needed for making the crushed ice fine enough to make the julep a sort of highly alcoholic snow cone and I also don’t own a blender. Even so, this drink works fine with lots of ordinary ice, particularly if you’re a bourbon lover, as I am. I made some very good versions of it using the remainder of my Angel’s Envy — I still had some left over from my exploration of the Chicago Sour — but I had  good luck as well using some very inexpensive yet sweeter and highly drinkable Evan Williams brew. I’m sure Maker’s Mark or really any brand of bourbon you like a lot would work delightfully.

The only problems I encountered were when I tried to dial back the sweetness. None other than James Bond in “Goldfinger” ordered his drink tart. When I tried it that way, the flavors simply didn’t come together. Just because you own a license to kill and save the world once a year doesn’t mean you know everything.

Of course, I don’t know everything either. Something tells me the drink, as prepared a bit differently from me by Chris MacMillian himself below, was really something.

Friday Video – Gaz Coombes, “Hot Fruit,” plus bonus Supergrass video

Few press releases have cause us to lose our breath quite like the one we received last week that referred to Gaz Coombes as “former Supergrass frontman.” FORMER? We get 600 music emails a week, and no joke, this was the first we had heard about Supergrass disbanding. Worse, it happened two years ago. Even after a quick poll of our Anglophile friends, several people admitted that they hadn’t heard the news, either. This is not happening, this is not happening…

Having said that, it doesn’t surprise us in retrospect that the ‘Grass decided to call it a day. They’d come up with a killer tune here and there, and even a solid album – we remember loving Road to Rouen, though we haven’t listened to it in years, which is telling – but by and large the band’s best days were behind them. From listening to the opening of “Hot Fruit,” the first single from Coombes’ solo debut Here Come the Bombs, we’re starting to wish the band had broken up sooner, because the first 15 seconds of the song have more unique ideas happening at the same time than anything Supergrass has released in a decade. The album drops on May 21. The day can’t come quickly enough.

Bonus video: We never miss an opportunity to post this one. “Pumping on Your Stereo” should be mandatory viewing for anyone who wants to get into the music video business. You don’t need hot chicks (though they’re nice) or fast cars (though they’re nice, too) in your clips: you just need to turn the band into giant muppets.

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