The opening scene in “Thor: The Dark World” is very revealing, but not in the ways that the filmmakers intended. It tells an exposition-laden tale of a battle fought ages ago between Asgardians (Thor’s people) and the dark elves, who planned to use this mystical force called the Aether (pronounced ‘ether’) to distinguish all light. The scene is meant to shed some light on a plot that they must have deemed too difficult to follow, only it’s not. It’s a straightforward revenge story, and the audience would have figured out the rest in time. That they insisted on spoon feeding the audience shows a lack of confidence, and while “Thor: The Dark World” is not as consistent as its predecessor, the film has some truly great moments, including a spectacular climax. To see them acting so desperate is both unbecoming and unnecessary.
Thor (Chris Hemsworth) and his band of merry marauders spend their days hopping from world to world as a peacekeeping force, while Thor’s stepbrother Loki (Tom Hiddleston) is thrown in jail for the crimes he committed in “The Avengers.” Back on Earth, genius astrophysicist Jane Foster (Natalie Portman) is still trying to get back to living a normal life, when her gear starts picking up some strange readings that lead her to an abandoned warehouse which houses a portal to the location of the Aether, which the Asgardians had hoped would never be found. Jane’s awakening of the Aether awakens Malekith (Christopher Eccelston), the dark elf whose efforts were thwarted in that ages-ago battle, and with the convergence of the nine worlds about to take place, Malekith plans on finishing what he started all those years ago.