2011 Year End Movie Review: Jason Zingale

Looking back at this year’s slate of films, it would be easy to label it a disappointment. But while 2011 may not have been very memorable, it wasn’t exactly forgettable either. In fact, the biggest problem I came across while compiling my year-end list was that while there were a lot of movies I really enjoyed, there weren’t very many that I loved. That might not be the most encouraging statement to make before announcing one’s Top 10, but it’s the honest truth, and it doesn’t make the movies listed below any less deserving of my praise, even if there are some films missing that you believe should have made the final cut. But that’s why critics love writing year-end reviews; each one is unique to their specific taste, and mine is nothing if not unique. Well, except for maybe my worst-of list, which is filled with movies that I think we can all agree sucked big time.

Best Movies of 2011

1. “DRIVE

Though I wasn’t that impressed by Nicolas Winding Refn’s previous films, they have an undeniable visual flair and originality that you don’t see very often. “Drive” took those qualities and applied them to a conventional Hollywood thriller, resulting in a movie that feels much more mainstream without abandoning Refn’s art house sensibilities. The film is as beautifully poetic as it is strikingly violent, while Ryan Gosling (who’s had a banner year between this, “The Ides of March” and “Crazy Stupid Love”) has never been better as the soft-spoken yet brutally intense protagonist. But for as much attention as the film’s graphic violence has received, it’s the opening sequence – an edge-of-your-seat car chase packed with tension so thick you could cut it with a knife – that is without a doubt the biggest highlight. And when a movie can start so brightly and continue to build on it like “Drive” does (thanks in part to fine supporting turns from Carey Mulligan, Bryan Cranston and Albert Brooks), it’s no wonder why so many people love this film.

2. “ATTACK THE BLOCK

It’s not every day that you get to see a film before the rest of the world, so I’d be lying if I didn’t admit that being among the lucky few in attendance at the SXSW premiere of Joe Cornish’s “Attack the Block” played a part in my overall enjoyment of the movie. A genre hybrid film with influences ranging from “The Warriors” to “Critters,” Cornish’s directorial debut is a lean, mean sci-fi action thriller that, although it boasts a mostly unknown cast and was made for a fraction of the cost of the average Hollywood movie, is the most fun I’ve had at a theater all year. The young actors are great, the creature effects are even better, and the film is fueled by a relentless, infectious energy that keeps the action moving at a rapid clip. There might have been several alien invasion movies in theaters this year, but “Attack the Block” was the best of the bunch – a fun slice of nostalgic geek cinema that blended action, comedy, horror and sci-fi to create an instant cult classic.

3. “YOUNG ADULT

It’s no secret that Diablo Cody has her share of critics, but “Young Adult” proves that she’s more than just a vending machine for the kind of quirky one-liners that initially earned her notice back in 2008 with “Juno.” Thematically darker and more mature than her first feature, the film also feels more personal in its examination of what it means to grow up, providing the perfect platform for Cody’s voice to shine. Blisteringly funny and surprisingly poignant at times, “Young Adult” is so daringly original that its somewhat contentious ending has even divided audiences. But while Cody deserves a lot of credit for taking these risks, it’s Charlize Theron’s performance that brings out the comedy and emotion of the situation, delivering some of her best work as the beautiful but bitchy Mavis. It’s not very easy to make a character like that sympathetic, but Theron pulls it off so effortlessly that it would be criminal to see her name absent from any award ballot.

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2011 Year End Movie Review: David Medsker

A funny thing happened at the movies this year: absolutely nothing blew me away.

There were things I really liked, but my list of favorite movies is kind of a joke, really. They’re not bad movies (not in my mind, anyway), but there are few, if any, Best Picture candidates in the bunch. Compare that to last year, where six of my top 10 movies were nominated for Best Picture. This time around, that’s just not happening. Just want to lay that out up front.

Worse, there isn’t one movie that stands above the others. I liked my favorite movies equally, more or less. That might sound like a copout, but it’s true. Of the movies I’ve seen so far, this was the year where movies were just sort of…there. Maybe we’ll have better luck next year.

My Favorite Movies of 2011


Margin Call
Selling one’s soul is a popular subject in movies, since no two people are willing to settle for the same amount. “Margin Call” explores the subject on a massive scale, since the ripple effect of the actions of a few will be felt around the world. It’s not a thriller in the traditional sense, but it’s absolutely gripping. Kevin Spacey shines here, as does the ever-reliable Stanley Tucci.


Super 8
It probably helped that I grew up in a small Ohio town not terribly unlike the one in “Super 8″ (though no one used the word ‘mint’ the way Riley Griffiths’ character does here), but “Super 8″ wasn’t merely an exercise in nostalgia; the movie delivered top-notch thrills, well-drawn characters, and the most spectacular sequence of the year with that jaw-dropping train crash. Elle Fanning, meanwhile, put on an acting clinic, and she’s only 13. Wow.


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