“Michael Collins” is a 1996 historical biopic starring Liam Neeson as the titular Irish revolutionary. Written and directed by Academy Award winner Neil Jordan, the film won the Golden Lion, the highest prize at the Venice Film Festival, and became the highest-grossing picture of all-time in Ireland upon its release. The high profile cast includes Alan Rickman (Éamon de Valera), Stephen Rea (Ned Broy), Brendan Gleeson (Liam Tobin), and Julia Roberts (Kitty Kiernan).
For those who don’t know, Michael Collins was an Irish revolutionary, military, and political leader who made the liberation of his homeland from its British colonial overlords his life’s work. In the now 90 years since his death (and well before it), his actions made him a folk hero, “The Big Fellah,” the single most important figure in the fight for Irish freedom. As such, “Michael Collins” begins with the following opening crawl:
At the turn of the century Britain was the foremost world power and the British Empire stretched over two-thirds of the globe.
Despite the extent of its power, its most troublesome colony had always been the one closest to it, Ireland.
SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.
After the final scene of last week’s episode revealed what everyone already knew, that the Nomads were behind the home invasions and Clay was the one pulling their strings, the opening of “Toad’s Wild Ride” filled in some new information: the specifics of Clay’s deal with his new lackeys. When Clay tells them to get out of town for a while, Frankie Diamonds (who’s played by Chuck Zito, the former president of the New York chapter of the Hells Angels) responds, “What about our deal? We get you back at the head of the table and we get a piece of your end.”
As Unser put it, “Who has something to gain by making the club weak; turning the town and the sheriffs against them? Suddenly the pretty guy they gave the gavel too, he ain’t looking all that smart.” But we’ve always known it was Clay, and we’ve always known Clay’s only goal since losing the presidency was getting it back. So I suppose that stuff’s not really new either. Here’s what is: Clay’s finally dropped the whole “lion in winter” act.
Clay’s been slowly regaining strength (both literal and figurative) for some time, but he’s continued playing the weak old man. Last week, his doctor told him things were looking up health-wise and he no longer needed the oxygen tank. Nonetheless, Clay put it back on as soon as he left the office and lied to Juice about his uplifting prognosis. Now, he’s ceased putting on airs (pun intended), or at least modified his bullshit. He no longer argues with the people who hate him, he simply agrees that they have every right to. He tells Tara she’s “supposed to hate [him], like [she] does,” and Jax that “I know you think I’m the devil, son, and you’ve got every right to assume that I’d be the one setting fire to your table.” Although he follows up the latter by proclaiming his innocence, hence modified bullshit.
But let’s pump the breaks on Clay for a moment, with six episodes left there will be plenty of time to talk about his misdeeds. Instead, let’s talk about Juice. Last season, Juice was suicidal. Roosevelt blackmailed (hey, another pun) him into snitching and he was forced to kill his “innocent” brother Miles as a result (I put innocent in quotes because let’s face it, these guys are a bunch of gun and drug-running thugs, affable though they may be). Chibs noticed something was up with “Juicey boy” and tipped off Clay, who granted him the “Men of Mayhem” patch partly because of the adept way he’d handled the Russians and Mayans, but also as a way to lift his spirits.
Juice was a broken man. That patch, and the honor and respect it represented, as well as Clay’s words when he gave it to him (“I love you, son”) were exactly what Juice needed at that moment. Clay became the badass, white biker father he’d never had, and ever since, he’s been loyal to Clay to a fault. Now, Clay’s pulled his most devoted apostle into the whirlpool of his deceit, and that loyalty could land Juice on the wrong end of a gun.
Ever since we found out the tragic circumstances of JT’s death, there’s been no question Clay will lie, cheat, steal, and even kill to save his own skin. We saw that this week, when he set up the plan to eliminate two of the Nomads (including GoGo, whose DNA will implicate him in the home invasions). In one fell swoop, he attempted to distance himself from his minions and regain some of Unser’s trust (although I don’t think old Wayne will believe it for a second). Based on the preview for next week’s episode, Juice is in for a double whammy. He’ll come clean to Clay about the blackmail and killing Miles, and Roosevelt is going to reveal to Jax that he ratted in return for Clay, who’s responsible for the death of the sheriff’s wife. It’s obviously well within Clay’s playbook to set up this mess as a distraction from his own misdeeds. The preview ends with a Son on his knees with a gun to his head. Here’s hoping it’s Frankie and not Juice, (WARNING UPCOMING SEMI-SPOILER FOR “THE SHIELD,” ANOTHER FX SHOW KURT SUTTER WORKED ON) who’s always been to SAMCRO as Lem was to the Strike Team (END SPOILERS).
One last thing on the Jax/Clay situation: At least one of the guys involved in the drive-by was black, which complicates things a bit. It could mean Pope is somehow involved in the Clay/Nomad deal. Alternatively, it was mentioned that Warren, the con man played by Joel McHale, runs with a crew. So it could’ve been his guys getting revenge. After all, it seems silly to get a name like McHale to play a one (and one-tenth) and done character. If he’s just going to disappear now, his familiar face did nothing but detract from the suspension of my disbelief, which is a point in favor of this option. But the far more likely scenario is still that Clay hired a random black gang banger so he could make Pope a scapegoat. After all, Clay’s really only ever had one move when he needed to bail himself out of trouble: blame it on the blacks. Think about it, Donna got shot, blame it on the blacks, Opie shot me, blame it on the blacks, and so on and so forth.
Now, on to the episode’s last bit of drama: Gemma falling asleep at the wheel and crashing with the Teller children in tow. Filthy Phil had a concerned look on his face as Gemma buckled the kids in. After all, she’d been smoking pot and maybe drinking just a little bit earlier and had likely been awake for more than 24 hours dealing with her car getting stolen, Unser being attacked, and the rest. The sequence ended with what appeared to be Abel’s blood dripping onto his stuffed toad, hence the title “Toad’s Wild Ride.”
The scene was foreshadowed in Jax and Gemma’s earlier conversation, in which mama bear revealed that her overbearing, possessive love of Jax stems from the early death of his older brother Thomas. Said discussion led to Jax advocating for Gemma to watch the kids for the weekend, despite Tara’s misgivings, which in turn led to the fateful crash. Is the death of Tara’s oldest child (I know, Abel’s not technically her child, but still) the final step of her transformation into Gemma? Well…
Here’s the thing, I’m still not positive Abel’s dead. Jax and Gemma’s discussion could have been a red herring. Maybe it was Gemma’s blood, or some grape juice. Maybe Abel’s alive but seriously injured. Sutter’s been known to pull that kind of thing before. Remember when we were all convinced Juice had hung himself? Because I sure do. Maybe it won’t be Tara turning into Gemma because of the death of her eldest child, but Jax turning into Nero because his son is now handicapped.
The result could be any of these things, or none of them. Here’s what we know for goddamn sure: Tara is going to tear Gemma to shred regardless. Remember when she beat the shit of Carla for almost getting Jax killed? That was one thing, she knows the kind of life her husband lives. But her children? And after she continually reiterated that she was trusting Gemma in spite of her best instincts? Gemma is in for a (overly due) beatdown. Tara’s rage could also land on Jax. After all, it was his idea to trust Gemma with the kids in the first place.
No matter what, this episode moved a whole lot of interesting plot lines forward and set the tables for a few more. I have to admit I was worried about the show falling off after a few of the season’s weaker episodes, but after this week I’m sure we’re in for the same thing Toad was. Get it? A wild ride.
Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.
This week’s Hidden Netflix Gem: Timecrimes” (2007)
“Timecrimes” is one of those movies where it seems like giving away anything at all is giving away too much. I’ve included the trailer below out of habit, but if you’d rather not have the film’s twist(s) spoiled, you should avoid it as well as the synopses on Netflix and elsewhere. Even most reviews seem to reveal too much. However, this isn’t an M. Night Shyamalan movie. That is to say spoiling the twist won’t spoil the whole thing. It’s revealed fairly early on and it’s not the only thing the film has going for it.
Here’s what I will say: “Timecrimes” is a Spanish thriller based around time travel. Contrary to many films built on the same idea, “Timecrimes” is extremely low-budget. There is no CGI, one location, and only four speaking roles (one of which is held by writer/director Nacho Vigalondo). Perhaps the film’s most important contrast to its many peers is that the time travel elements do not become convoluted or confusing. “Timecrimes” makes up for its inherent bare bones-ness by maintaining a constant state of tension and forward movement—much like Hector, the main character, the audience has no time to stop and think.
Let’s talk about Hector (Karra Elejalde) then. He’s a middle-aged man in the midst of renovating his home in the Spanish countryside, where he lives with his wife, Clara (Candela Fernández). Hector’s spending his Saturday relaxing in the backyard, looking out into the woods beyond his property through binoculars. There he spies an attractive young woman (Bárbara Goenaga) undressing. His wife leaves to go shopping, and Hector decides to be lead investigator in case of the naked lady. When he finds her, she appears dead, and he’s stabbed by her apparent killer, a mysterious man whose face is wrapped in a pink bandage. Hector runs, ending up in the lab of a scientist played by Vigalondo. Soon after, the scientist convinces Hector to hide from his persuer in a large mechanical device. It’s night time when he gets in, but when he steps out just a few moments later, the sun is shining. Hector has traveled back in time by an hour and a half. And that’s when things really start to get interesting.
SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.
“Who’s doing this to us?” Gemma asks at the beginning of “Small World,” referring to the home invasions that have been plaguing Charming. The same question has been on everyone’s mind, Gemma was just the one who happend to voice it. At the end of the episode, we finally got the answer to her question: Clay. He’s been pulling the Nomads’ strings and orchestrating the break-ins, although he didn’t intend for anyone, let alone Roosevelt’s wife, to die. He yells as much at his puppets during the reveal.
Now, most everyone has suspected Clay since the close-up on Greg the Peg’s prosthetic leg in the season premiere, which is why I refer to the ending as a reveal rather than a twist. This was always an Occam’s Razor scenario. Who else had more to gain from “stirring the pot,” as Unser put it? Who else had anything to gain? Plus, the Nomads have been parroting Clay’s every word at the table and working to undermine Jax’s leadership since the day they arrived in Charming.
Likewise, Clay’s had his mind set on returning to the head of the table ever since the gavel was taken from him. Despite losing his once-substantial physical power, he was never going to just lay down. Clay’s been using his wits to return to a position of power. And now, he’s even got some of that brawn coming back to him. In “Stolen Huffy,” we saw him lifting weights. This week, he continued to wear his oxygen tank, even after his doctor says he no longer needs it, so he can continue to garner sympathy and maintain his wounded warrior image.
“Small World” confirmed Clay’s misdeeds to the viewer, and based on the promo for next week’s episode, it seems Jax will figure things out as well. With six of the season’s thirteen episodes in the books, the action’s starting to ramp up. Moving forward, that means Clay’s return to his prominent position as the show’s main antagonist, plus some conflict with Roosevelt as well as the newly introduced con man played by Joel McHale. Not to mention that the club’s amicable relationship with Damon Pope simply cannot last.
SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.
After all the depressing shit that’s happened so far in the fifth season of “Sons of Anarchy,” this week’s episode, “Orca Shrugged,” was a welcomed comedic interlude. Ironically, it also included a pregnant woman being shot in the belly. But let’s start with the fun stuff.
The centerpiece of the episode was a surprise guest appearance from Walton Goggins as transexual call girl Venus Van Damme. Those of you who watched “The Shield” will recognize the actor as well as his character’s name, a reference to Cletus Van Damme, an alias used by Detective Shane Vendrell in that program. If you’re interested, Goggins did this interview with Entertainment Weekly regarding his part in “Sons.” There’s a lot of insight into how the appearance came to be and how this manly man of an actor prepared for his, ahem, unusual role. In it, Goggins says Kurt Sutter mentioned neither he nor Michael Chiklis could appear on “Sons” because of “how closely relatable they are to their characters on ‘The Shield.'” Luckily, Goggins called bullshit on that one, and we can only hope Chiklis will someday do the same. A plethora of actors from “The Shield” have gotten roles in “Sons,” but Chiklis is now the only member of the Strike Team who hasn’t made an appearance. Recall David Rees Snell (the unbearably cool Ronnie Gardocki) took the role of Federal Agent Grad Nicholas and Kenny Johnson (Curtis “Lem” Lemansky) played club member Kozik.
But let’s talk about why Goggins was there. Mayor Hale needed one more vote to get his Charming Heights project approved. Despite the club being against that kind of McReal Estate last year, now they’re picking their battles, and they’re alright with the development if it means they can use one of Hale’s properties to set up their new escort business with Nero. So they decide to blackmail a city council member to get the mayor his vote.
Goggins scene was nothing short of hilarious, with lines like “didn’t your daddy ever tell you not to judge a book by its penis?” When they needed to convince the councilman’s step son to take some bait, the rest of the club got in on the humor too. Jax insists “it doesn’t mean you’re gay man, we’ve all been there.” “Really? All you guys?” the kid responds. Juice then says, “Lot of cock,” Chibs interjects with “two dicks,” and back to Juice with “slammin’ cock.” Insert One Chibs Two Dicks joke here.
