We’re huge fans of the videos produced by Kaloopy, and with Gigi in this week’s video and photos they have outdone themselves. Kaloopy videos involve beautiful women dancing to great music in a way that everyone can enjoy. Gigi is a sexy, curvy model decked out in lingerie and thigh high stockings, and her dance routine involves some serious floor moves as well.
Enjoy the photos and the video, and you can see much more pics in high res format, along with tons more video, over at Kaloopy.com.
If you talk to die-hard Bruce Springsteen fans, many of them will list “Incident on 57th Street” as one of their favorite Springsteen songs. The song leads off the second side of Bruce’s second album, “The Wild, the Innocent & the E Street Shuffle” released in 1973, with “Rosalita” and “New York City Serenade.” The jazzy sound of these songs was dominated by the incredible piano playing of David Sancious who preceded Roy Bittan in the E Street Band.
The live version in the video above was released as a B-side in the mid-Eighties when Springsteen released his first live album, but I can’t find it anywhere on iTunes or in a legal digital format. It’s by far the best live version I’ve heard of this song and it features an excellent and mellow guitar solo by Bruce at the end that’s much better than the solo on the original recording.
This fan video was created by a Springsteen fan on YouTube who has posted a number of excellent Springsteen videos. He mashes up concert footage and other Springsteen footage to create visually interesting interpretations of the songs, and he translates the lyrics into Spanish subtitles.
Brad Neely, perhaps best known for his hilarious “George Washington” and “JFK” music videos, has built an empire of off animatics (still images edited together with dialogue and sound effects). The creator of “Creased Comics” also invented a fictional town called China, Illinois, in which several strange characters reside, including a huge, baby-faced man named Mark “Baby” Cakes. In the series “Baby Cakes,” Neely explores the unique life and philosophy of this probably autistic, mostly gentle giant, and the results are very funny, always absurd, and even sort of profound and sad a surprising amount of the time.
The first six episodes of “Baby Cakes” find Baby Cakes transcribing his thoughts on a variety of subjects into his diary. The very first episode sets up a few recurring themes of the series, such as Baby Cakes’ belief that his father and his father’s professor friends are wizards, and his love of fantasy role-playing games. When one of his friends asks him if he’s a virgin, Baby Cakes’ reply is a perfect example of his strangely limited understanding of the world: “I said no, because I can’t give birth to a Jesus.” The episode also sets up Baby Cakes’ recurring songwriting, and some of the later episodes are entirely made of these songs.
The second episode introduces Baby Cakes’ grandfather and explores the relationship between the three generations, and demands a few repeat viewings in order to decipher the ridiculous bathroom graffiti Baby Cakes encounters in a gas station bathroom on the way to his grandfather’s house. The third episode is among the series’ very best, as it is the first one that really captures the sweet, oddly sad philosophy and worldview of Baby Cakes, a self-described “peaceful, sleepy giant making zero a year.” As Baby Cakes walks through the park, reflecting on the world around him, as he sees it, in a unique parlance all his own: “I have a big coat, with big pockets. Sometimes, kittens get in there. It’s cool with me as long as they keep their hook-socks curled.” The episode ends with a wonderful encapsulation of Baby Cakes’ views about life: “Even if my days don’t mean anything, I just hope that I die while hugging, and not while in a wine-drinking contest.”
The sixth episode expands on this strange but surprisingly insightful worldview, and just might be the very best episode of the entire series. It finds Baby Cakes digging up a time capsule he buried as a child, in which he placed his favorite thing and a note to his future self, in which he explains sex: “Sex is a people-spaghetti. Hairy pee-pees clash. They yell, ‘Yes! Yes!’ but their grody faces say, ‘Ouch!’” The rest of the episodes (the non-diary ones) are something of a mixed bag, but there are definitelyhighlights, and the whole series is only about 32 minutes long, with more brilliance scattered throughout than most full-length television series.
Long before the video revolution, The Beatles put out promotional videos and obviously made movies, so we have a ton of great footage of the band. Here’s the promo video for “Something” written by George Harrison featuring the band and all their gal pals. With the London Olympics starting today we had to give you something from an English band – right?
In a tribute to Joe Strummer and The Clash, Dave Grohl, Elvis Costello, Bruce Springsteen and Steve Van Zandt got together at The Grammy Awards in 2003 to perform The Clash’s “London Calling.” Pete Thomas joined them on drums and No Doubt’s Tony Kanal is also there playing bass. It’s a pretty incredible performance.
It also created the inevitable flame war in the YouTube comments, with some youngsters taking shots at “dad rock” some punk fans expressing outrage that traditional rockers like Springsteen would cover The Clash. More knowledgeable fans then pointed out that Joe Strummer always admired Bruce, and once said, “Bruce is great. If you don’t agree with that, you’re a pretentious martian.”
