Hugh Jackman‘s final performance as Logan is every bit as emotional as it should be. Director James Mangold saved the best for last with this uncompromising, brutal and heartfelt story of a fallen hero stumbling to get back up again. Rarely are comic book movies as contemplative and as character-driven as “Logan.”
Logan is no superhero in this movie. At the start of Mangold’s thriller/road film, which he co-wrote with Scott Frank and Michael Green, he’s a drunk who can barely walk straight. This 100-plus-year-old man gave up on life when he thought it gave up on him. The year is 2029 and Logan is driving a limo to get by, taking care of an ill Professor Xavier (Patrick Stewart), whose mind is slowly deteriorating, and his roommate Caliban (Stephen Merchant), a tracker and one of the last mutants remaining. Logan’s days as Wolverine and a member of the X-Men are long gone.
This Logan isn’t interested in helping anybody but himself, Charles and Caliban, so when a desperate woman (Elizabeth Rodriguez) offers him good money to drive a young girl named Laura (Dafne Keen) to North Dakota, he doesn’t exactly jump at the chance to protect her. In fact, it takes a long time for Logan to even want to help the kid, who, as Charles points out, is very much like his clawed mutant friend. When a team of cybernetically-enhanced enforcers led by Donald Pierce (Boyd Holbrook) – the head of security for a mysterious government program called Transigen and a big fan of Wolverine – come to retrieve Laura at Logan and Charles’ home, a personal and exciting chase that’s heavy on heartache and bloodshed ensues.